A mysterious blonde woman kills one of the patients of a psychiatrist and then goes after the high-class hooker who witnessed the murder.A mysterious blonde woman kills one of the patients of a psychiatrist and then goes after the high-class hooker who witnessed the murder.A mysterious blonde woman kills one of the patients of a psychiatrist and then goes after the high-class hooker who witnessed the murder.
- Awards
- 1 win & 10 nominations total
Anneka Di Lorenzo
- Nurse
- (as Anneka De Lorenzo)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I became rather intrigued with De Palma after watching Blow Out (1981) and one of my friends, who is a De Palma enthusiast, recommended Dressed to Kill based on my love for the former. De Palma's earlier films are, in my opinion, far more interesting than some of his more famous later works like Scarface or The Untouchables. Dressed To Kill feels to me like a Hitchcock film with a dash of Dario Argento; it's meticulously and artfully directed, but it contains scenes of sudden shocking, bloody violence and, at times, gratuitous sex. It feels like a high-class Gialo film in the best way possible.
Brian de Palma's erotic suspense psycho thriller/horror has more than just a nod to Hitchcock's classic "Psycho" (1960), however I do not wish to give away any spoilers so I won't say what de Palma has lifted from Hitch's movie. Psycho is easily the better of the two movies but Kill is far more graphic, both in terms of sex and nudity and violence/gore. Very low body count but the lift scene is incredibly bloody. The movie looks great and has some very good suspense. Michael Caine, Angie Dickinson and Nancy Allen are the lead players but Dennis Franz as vulgar New York cop Detective Marino gets my vote as best character. Heavily cut on VHS and for TV but the Blu-ray is uncut, highly recommended. Good looking movie, I enjoyed it but just found the killer reveal to be not very plausible, shame really, I'd like to have scored it higher but it gets a pretty solid 7/10 from me.
I believe it was one of the best works of Mr De Palma. I like the story it was wonderful & I it took me almost after 75 min of watching movie to take guess who could be the mysterious killer and when I find out I got quiet excited although 10 minutes later everybody knew who's the killer. but all in all I enjoyed that and I could call it one of the best Mystery, Thriller movies I have ever seen of curse with breath taking ending. I should say the acting of Michael Caine & Nancy Allen were perfect.
Mysterious story , competent performances and sense of style dealing with a twisted series killer . Contemporary and attractive thriller merges bombastic Brian DePalma with a tense Hitchcockian flare . Sexually unsatisfied Kate (Angie Dickinson) is told to have an affair by her sympathetic shrink Dr Elliott (Michael Caine) and ends up in a bed with a man who catches her eye in a museum . Then a crime takes place and prostitute called Liz (Nancy Allen) and Kate's son (Keith Gordon) team up with Liz track and lure the murderer into their trap . The latest fashion in murder !. Every nightmare has a beginning...This one never ends !. Brian De Palma, Master of the Macabre, invites you to a showing of the latest fashion... ...in murder !.
This haunting thriller flick is plenty of mystery , intrigue and suspenseful . A highly exploitative and fast-paced suspense/thriller , recognisably from the blood-spattered hands of expert filmmaker Brian De Palma . The film displays a great and catching musical score by Pino Donaggio , De Palma's favorite composer , in Bernard Herrmann style , and imitating former hits , along with appropriate cinematography . There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment . A classic in suspense from De Palma , pitching us right into the action from the beginning and baffling most of us to the ending . This is perhaps his most blatant tribute to Hitchcock and especially ¨Psycho¨ , though the master of suspense might shift uneasily in his grave at the flashy sex scenes , the long drawn-out tension , abundant nudism and the four-letter words used for shock effect . There are also tense key images that are brilliantly and originally staged . De Palma was repeatedly criticized for using a stand-by during the Angie Dickinson shower scene , in fact he titled his next movie ¨Body Double¨ as a rebuttal . Angie Dickinson's museum scene is marvellously edited and photographed . Adding special characteristics techniques as ominous camera movements . The mechanics of suspense are worked quite well by the filmmaker and many frighten the easily scared quite adequately , but De Palma has made a habit of dwelling on their more sordid side-shoots .
It contains colorful and evocative cinematography by cameraman Ralf D. Bode , as well as perceptible , impressive musical score by composer Pino Donaggio . Very good and graphically mysterious direction from Brian De Palma . ¨Dressed to kill¨ is Brian De Palma's homage to Hitchcock and the reason for the chief amusement turning out to be inquire what scenes taken from Master of suspense . That's why takes parts especially from Hitchcock . The picture is brilliantly directed by Brian De Palma . This ¨Dresssed to Kill¨ -along with ¨Sisters¨ , ¨Body Double¨, ¨Blow out¨- resulting outwardly another ode to Hitchcock with the accent on the killing , but on most occasion is really thrilling . Rating : 7/10 . Above average, it gets some riveting basic ideas and fascinating images . Nowadays , being a highly considered film ; that's why it is deemed by many to be one of the Brian Palma's best.
This haunting thriller flick is plenty of mystery , intrigue and suspenseful . A highly exploitative and fast-paced suspense/thriller , recognisably from the blood-spattered hands of expert filmmaker Brian De Palma . The film displays a great and catching musical score by Pino Donaggio , De Palma's favorite composer , in Bernard Herrmann style , and imitating former hits , along with appropriate cinematography . There is much for De Palma buffs to savour in this thrilling and atmospheric handling of a complex story with deliberately old-fashioned treatment . A classic in suspense from De Palma , pitching us right into the action from the beginning and baffling most of us to the ending . This is perhaps his most blatant tribute to Hitchcock and especially ¨Psycho¨ , though the master of suspense might shift uneasily in his grave at the flashy sex scenes , the long drawn-out tension , abundant nudism and the four-letter words used for shock effect . There are also tense key images that are brilliantly and originally staged . De Palma was repeatedly criticized for using a stand-by during the Angie Dickinson shower scene , in fact he titled his next movie ¨Body Double¨ as a rebuttal . Angie Dickinson's museum scene is marvellously edited and photographed . Adding special characteristics techniques as ominous camera movements . The mechanics of suspense are worked quite well by the filmmaker and many frighten the easily scared quite adequately , but De Palma has made a habit of dwelling on their more sordid side-shoots .
It contains colorful and evocative cinematography by cameraman Ralf D. Bode , as well as perceptible , impressive musical score by composer Pino Donaggio . Very good and graphically mysterious direction from Brian De Palma . ¨Dressed to kill¨ is Brian De Palma's homage to Hitchcock and the reason for the chief amusement turning out to be inquire what scenes taken from Master of suspense . That's why takes parts especially from Hitchcock . The picture is brilliantly directed by Brian De Palma . This ¨Dresssed to Kill¨ -along with ¨Sisters¨ , ¨Body Double¨, ¨Blow out¨- resulting outwardly another ode to Hitchcock with the accent on the killing , but on most occasion is really thrilling . Rating : 7/10 . Above average, it gets some riveting basic ideas and fascinating images . Nowadays , being a highly considered film ; that's why it is deemed by many to be one of the Brian Palma's best.
'Dressed To Kill' was Brian De Palma's third Hitchcockian thriller, and his most successful. I don't necessarily mean artistically successful, but it still remains one of his best known movies, and is the one on which his reputation as "that Hitchcock" guy mainly rests on. De Palma has made all kinds of movies in his long career but it says a lot for the impact 'Dressed To Kill' had on audiences for him to be stereotyped like that by many movie lovers. In 'Sisters' De Palma paid tribute to 'Rear Window', in his underrated 'Obsession' it was 'Vertigo', and this time around 'Psycho' is the major inspiration. Some critics of De Palma complain he is more interested in style over substance, and in 'Dressed To Kill' there is some truth in that. You will probably guess the murderer after the first 20-25 minutes, then think to yourself "no, that's just a red herring and there will be an unexpected twist later on". You might then be a bit let down when the your initial guess turns out to be correct after all, but there are enough thrills and dazzling sequences throughout to keep most thriller fans happy. Michael Caine and Angie Dickinson are both pretty good in their respective roles, but Nancy Allen ('RoboCop') gives the real outstanding performance in the picture. De Palma would subsequently give her another good role in 'Blow Out' opposite John Travolta. Also strong are Keith Gordon (who went on to star in John Carpenter's 'Christine') and Dennis Franz ('NYPD Blue') in supporting roles. Personally I don't think 'Dressed To Kill' is as good as 'Sisters', but I still think it's first rate exploitation thriller and definitely worth watching. Not De Palma's most interesting movie by a long shot, but still one of his most watchable.
Did you know
- TriviaAngie Dickinson said the scene where her character gets seduced in the back of a taxicab was filmed on-location in New York City, where several gawkers observed the scene and shouted, "Right on, Police Woman!" (referring to her previous television role as the title character on Sergent Anderson (1974)).
- Goofs(at around 55 mins) Peter Miller looks in the visor of his Super 8 camera. The format of the visor is 'Cinemascope', which never has been really possible with S8. Later, when the resulting movie is seen, it is in the standard 4/3 format.
- Quotes
Liz Blake: Do you want to fuck me?
Dr. Robert Elliott: Oh, yes.
Liz Blake: Well, why don't you?
Dr. Robert Elliott: Because I'm a doctor and...
Liz Blake: Fucked a lot of doctors.
Dr. Robert Elliott: ...and I'm married.
Liz Blake: Fucked a lot of them, too.
- Alternate versionsNBC edited 14 minutes from this film for its 1982 network television premiere.
- ConnectionsEdited into Sex at 24 Frames Per Second (2003)
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- Vestida para matar
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Box office
- Budget
- $6,500,000 (estimated)
- Gross US & Canada
- $31,899,000
- Gross worldwide
- $31,900,256
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