Le Protecteur

believe it or not, this was my first chan experiance. i was delighted at how they mixed humor and action. but 15 years later, i rewatched it, only to find it wasnt nearly as good as his newer(or older) films. i would like to take these last few lines to say that Jackie Chan is the man and no one could ever be as good as he is. thank you, and good night.

After viewing this movie, which was purchased for six bucks, I'm really not sure what to say. There were times where I felt like turning it off, but there must have been some subliminal messages telling me not to. I'm still shocked I watched the whole thing. The fight scenes are ok, they get better as the movie progresses, the plot/script on the other hand...oh man. I think they just made it as they went along and as they were filming random people were like "hey can I have a part?" and the director was like "sure, you are now Man with Scythe, and your motivation is that Jackie Chan killed your son and know you want to kill him, so you are just gonna be walking around and happen to meet Jackie who has just completed his training where he learned all but three of his techniques from reading a book." All in all I think everyone should see this movie...once.

Half A Loaf Of Kung Fu really is an early glimpse at the kung fu comedies that would make JC famous. You can really see that Jackie had influence over this production in both fight choreography and overall tone of the film. The opening sequences is really a highlight of this film and the choreography is solid in the fight scenes. Overall a very enjoyable film and a must for JC fans.

7 Tiny Wooden Dummies out of 10

This is not so bad as other garbage Kung-Fu films of his 70's but it seems nobody didn't wanna make this film. Even Jackie looks playing irresponsibly both on acting and action this time. This may be a comedy film but it's so hard to laugh with this. Try this with your friends or whole family and enjoy a chill falls on the company.Soon after this one, Jackie made a new contract with bigger company and started to make his film all by himself as he wants to do with far big budget.Maybe he didn't wanna make this kind of 70's styled cheap Kung-Fu films anymore.And he was right -- if he kept doing this kinda shabby film,there would be no chance to "RUSH HOUR" exists in 90's.

Jackie is finally given creative control under the constraints of Lo Wei and here's the result: an early key to the new direction which sees Chan clowning about in his own distinct fashion, less Bruce Lee and more Charlie Chaplin, ridiculing the stifling pictures that were forced onto him at the same time as sending up the genre as a whole. Straight from the slapstick titles we know what we're in for; Chan perfecting his underdog happy-go-lucky character that would later make him such a huge star. Yet like all beginnings, HALOKF isn't a polished piece, certainly dragging in places with the Lo Wei influence still clearly evident (namely in the souped-up story concerning the transportation of sacred treasures the Evergreen Jade and the Soul Pill, much in demand by nasty bandits). Lo Wei's reaction was open detest resulting in the picture being shelved, only to be given a successful theatrical release after Chan had finally re-defined the kung fu movie.