Spectre

I first saw this in the late 80s on a vhs n found it to be pretty disturbing and creepy.

Of course as a kid i didn't notice the blatant plagiarism but simply enjoyed the movie.

Revisited it recently n was kinda wtf man. It has shades of Amityville Horror, Halloween n a bit of The Exorcist regarding the exorcism.

The movie is still creepy n atmospheric but it has too many silly n wtf moments.

I always found Susanna Love beautiful but her filmography is too short.

Now lets talk bah some wtf stuff.

The mother's lover aint some voodoo specialist or some satanic cultist serial killer but his spirit gets trapped inside some ordinary mirror. Why n how, its never shown.

Lacey's husband Jake took the broken mirror n placed it in his home n tried fixing the broken pieces? Weird fella. Now who wud do that?

How come the mirror stayed intact for twenty years n none of the new owners tried to get rid of an old stuff?

Lacey's brother does the act from Of Mice and Men, he tries to kill a girl who seduces him in the barn. Now whether he gets possessed or he is simply a psycho is never shown.

In the end its never shown whether the priest survived or not?

What happened to the injured Jake?

And why wud they show Lacey visiting just a single grave when both her uncle n aunt died?

Why Jake didn't accompany her?

Till the end they never showed what happened to the mother and its just assumed that she is on her deathbed via the letter.

This is a fairly suspenseful and horrifying story with simple special effects. It starts when through the reflection in a mirror, a little girl witnesses her brother kills their mother's lover . The weird mirror is possessed by strange spirit. Several years later, one time grown-up, this records still haunt her. She(Suzanne Love, director wife who starred many his films) is assisted by therapist Dr. Warren(John Carradine). Then, the mirror is now broken revealing again its ominous powers. Caught in a series of otherwordly events, she becomes inextricably involved in creepy murders .

This spooky movie packs terror, tight pacing, bone-chilling scenes, tension, grisly killings and numerous images have you on the edge of your seat.It's a very average little horror movie and has some cool death scenes. The film emphasizes the bloody, cruel and disgustful killings. The script stretches plausibility to the breakpoint point for a massacre final. Frightening musical score imitating partially to Mike Oldfield's Tubular bells from 'The exorcist'. It's followed by 'Boogeyman 2' continuing the plot, similar footage and new director; Ulli Lommel acted and co-written this follow-up. Furthermore recent version, very different to original : 'Boogeyman, 2005' by Stephen T. Kay with Barry Watson and Emily Deschanel and 'Boogeyman 2,' by Jeff Betancourt with Rene O'Connor and Tobin Bell.

The film is middling directed by Ulli Lommel, he's a German born actor and director with a long career in both US and Europe and known by his collaboration with Rainer W. Fassbinder and Andy Warhol(who produced him two movies : Blank generation and Cocaine cowboys). In 1988 he changed to Hollywood and directed 'Boogey man', that became in Box office success, grossing millions of dollars worldwide. Later , made 'Olivia, Brainwaves, Devonsville terror' and several movies with little budget, such as 'Black Dahlia and curse of the Zodiac', among them.

Young Lacey (Natasha Schiano) is forced to watch as her brother Willy (Jay Wright) stabs their mothers' lover to death with a big, sharp kitchen knife. Also witness to the killing is a bedroom mirror. 20 years later, the now-grown-up Lacey (Suzanna Love) and Willy (Nicholas Love, Suzanna's real-life brother) are living with an aunt & uncle on their farm. Willy, although mute, seems to be dealing with this dark past better than her; in desperation, her husband Jake (Ron James) tries to make her face her fears, but he only makes things worse. Now, Lacey is afraid that the lovers' vengeful spirit has been released from the mirror and is out for blood.

Overall, the script (by producer & director Ulli Lommel, Suzanna Love (his real-life wife at the time), and David Herschel is pretty slight, and sloppy. But Lommel, who had a background in art films, still creates a funky and amusing supernatural slasher that plays like a mash-up of "The Exorcist" and "Halloween". (Not for nothing is the fact that the farmhouse is very "Amityville"-esque.) The pacing is actually pretty good, and the film is over before the viewer knows it. Once the story really kicks into gear, "The Boogey Man" is quite fun, and colourful, with some very enjoyable splatter effects (and a sense of humour). Eventually, it can't help but get rather cheesy, but the finale is a genuine hoot regardless.

The gorgeous Suzanna acts her little heart out in the lead. The supporting cast is variable; most of these no-names are obvious amateurs. Token "name" cast member John Carradine, one of those old-time veterans who said "yes" to a lot of scripts in order to keep earning a living, is kind of wasted as a psychiatrist. Nicholas L. does an okay job as the unsmiling sibling.

One point of interest is the sometimes offbeat and sometimes catchy electronic soundtrack composed by Tim Krog. It's very reminiscent, at times, of the legendary "Tubular Bells".

Lightly amusing horror fare, with some entertaining special effects. It was followed three years later by "Boogeyman II".

Seven out of 10.

Dealing with a childhood trauma, Lacey and Willy must overcome their fears and survive the wrath of The Boogey Man

The movie opens up to a woman seducing a man while her two young children watch from the window, unbeknownst to them. When the kids get caught, the man ties up the male child to his bed. Lacey lets Willy loose with a large butcher knife which he uses to then kill the man who is having sex with his mother all while Lacey watches. Fast forward 20 years and we see that Lacey and Willy are all grown up, with Willie being mute from the traumatic events of that night. Lacey is also dealing with trauma of her own as she freaks out each time she sees a knife.

Her boyfriend Jake thinks it might be a good idea if she sees a hypnotist and goes back to the house where it all happened in order to move beyond the trauma. While visiting the house, Lacey sees the man from 20 years ago that was killed. After Lacey destroys the mirror, Jake decides to take it back home with them and use it in order to have Lacey face her fears. The spirit of the dead man appears to be in the mirror as it causes people to either kill themselves or get killed whenever they look into a piece of it's glass.

The Boogeyman is an odd early 80's horror flick that falls into both the slasher and supernatural horror sub genres. A lot of the movie doesn't make sense or isn't explained well enough at least. I get the angle Ulli Lommell was going for with the haunted mirror, but it fails to make a lot of sense in the film. Boogeyman takes a lot of elements from horror movies like Halloween, The Exorcist and Amityville Horror which is obvious. But blending all of those themes/sub genres together like they did in this movie left me feeling like it was a bit of a mess.

The acting was forgettable except for Suzanna Love who played the main character Lacey. She was actually not too bad in this low budget slasher. I also give The Boogeyman credit for it's overall gore and death scenes. There were some super effective killings including some neck stabbings and bloody eyes. I just expected so much more from an 80's movie with this terrific title. So much more could have been done to make this an actual scary movie.

Overall, The Boogeyman is a watchable 80's horror flick that takes many ideas from successful scary movies before it's time. I'd watch it at least once and make your own conclusions.

5/10

"The Boogey Man" won't change your life, but if you've got eighty minutes to fill on a lazy summer evening, you could do a lot worse. The story revolves around pretty, charismatic Suzanna Love and her brother, who suddenly find themselves tormented by memories of a traumatic past. When they were children, the brother killed their mother's abusive lover...who comes back to haunt the siblings in just about the oddest conceivable manner. Derivative in spots, with a few subpar performances, but Love ably carries this relentlessly eerie film; horror icon John Carradine has a cameo as a psychiatrist who tries to convince our heroine that there is a rational explanation for the increasingly strange events in her life. Not the stuff of classics, but pretty good of its type.