La Malédiction de la vallée des rois

Charlton Heston plays archeologist Matthew Corbeck, who is obsessed with finding the tomb of Princess Kara. When Heston does find the tomb, he attacks the tomb with a sledgehammer; the blows coincide with the labor pains of his wife Anne (Jill Townsend). Her baby is stillborn, but starts breathing when Matthew takes the lid off the sarcophagus in Kara's tomb. The film follows a well-worn path from here.

Heston is as good a choice as anyone to play a man obsessed. Zimbalist plays dual roles as well as possible.

The unsolvable problem is the script the film's stuck with. It makes the fatal mistake of assuming audience members have never seen a horror movie before, and treats each cliche like a brand new idea. The characters' lines announce their impending deaths, one of which is stolen from 1976's "The Omen". You don't need to have seen more than one or two horror movies to guess what's going to happen. There is a subplot involving father and daughter being inordinately fond of each other (Otto disapproves of the word) that, according to the storyline, mirrors the relationship Kara and her father had back in ancient Egypt.

The unusually good score is by Claude Bolling. The cinematography is by Jack Cardiff. The script is blamed on four screenwriters. There are some horselaughs to be found, but they are outnumbered by the cliches the film enshrines. The music, photography, and tension built up over the last 20 minutes make this a tolerable time passer. Not as bad as I'd thought/hoped.

The Awakening is directed by Mike Newell and collectively adapted to screenplay by Clive Exton, Chris Bryant and Allan Scott from the Bram Stoker novel The Jewel of Seven Stars. It stars Charlton Heston, Susannah York, Jill Townsend and Stephanie Zimbalist. Music is by Claude Bolling and cinematography by Jack Cardiff.

Heston plays archaeologist Matthew Corbeck, who after discovering the tomb of disgraced Egyptian Queen Kara discovers his daughter is possessed by Kara's spirit and to save mankind he may have to destroy her.

It's honourably serious, a willing attempt to make an intelligent end of the world type picture with flecks of troubling family dynamics. The production value is top draw, every effort has been made to make it look great, with lavish photography (nice to see a film of this type actually be filmed in Egypt), skillfully crafted set designs and an evocative score that drifts across the sands with distinction. Hell, even the casting of Heston at a time when his star had considerably faded, still gave the production some weight. If only it wasn't so immeasurably dull and distant!

The makers, obviously tugging on the coat tails of The Omen and Mummy movies previously, never develop the edgy themes bubbling away just below the narrative's surface. It's often feels like a big compromise was put forward by an executive, a request that they must ensure deaths are the draw card and to hell with the possibility of making a substantial brain tickler. Or it could just be that there were too many writers in the mix?! So what we essentially get is a laboriously paced movie going through the motions until the next death scene arrives, and then it's back to some slow brooding again.

The cast are solid, the ending suitably downbeat, and if you like Omen type deaths then there are a couple here worth your time, but you may need plenty of energizer drinks to keep you awake first. 4/10

The Awakening is a film about an archaeologist that finds the tomb of a nameless Egyptian queen named Kara. Charlton Heston plays Dr. Corbeck, a man consumed with finding evidence to support this legendary status of Kara. A man who puts work ahead of family, even during the birth of his own daughter. Heston finds the tomb in the very long introductory flashback of 18 years ago beginning the film. He finds it under somewhat strange circumstances. A man is killed attempting to stop his dig mysteriously. Whilst all this is going on, Heston's estranged wife is bearing his daughter after waking from a coma. Now, I am not really sure what the significance of all these events are, but I found the first part of this film in particular very engrossing. The next three fourths is what really lost me and some logical credibility as Heston meets his sultry 18 year-old daughter, they discuss how Queen Kara had killed her father and everyone that touched his hand because he killed her lover and made her partake of his own bed, and then takes her(Heston's daughter) to Egypt. While in Egypt, Stephanie Zimbalist goes under some strange transformation as if she is becoming Kara and we go from there. This film has some beautiful location shots in Egypt, and I found the information, whether real or imaginary, about the queen, mummification, canopic jars(jars used for organs), etc... quite fascinating. The acting is pretty good. I thought Heston did a fine job. Zimbalist is good as well. The biggest problem is the writing. After you watch the film, you really are not sure what happened. I still don't know. The film is also a bit slow in the first half, but there are(for those who really enjoy it) some very gruesome deaths too. I cannot wholeheartedly recommend the film, but if you enjoy the mysteries of Egypt or mummy movies in particular...I would give it a look see. What could it hurt?

A veteran archaeologist (Charlton Heston) in Valley of Kings , Egypt , discovers the coffin of a nasty queen (Hatsetsupt ?) but open the tomb , the mummy's spirit is transferred to his baby daughter (one time grown-up is played by Stephanie Zimbalist) , born from his wife (Jill Townsend) at that moment . His spouse flees and Heston falls in love with his archaeology's partner (Susanna York).

This supernatural picture based on Bram Stoker's novel is packed with thrills , chills , suspense and wonderful outdoors from Egypt . The chief excitement lies in watching that new and innocent victim can be executed (Omen-alike) by the Egyptian mummy . The movie is full of grisly killings , terror , shocks and several eerie scenes . It displays a mysterious and sinister atmosphere , while the look is suitable spooky and frightening , the plot spreads to breaking point and the final turns out to be a bit frustrating . It appears as secondary Ian McDiarmid , today famous for his role as Chanciller Palpatine in Star Wars and Myrian Margolies who shows up in Harry Potter films . Colorful cinematography by the classic Jack Cardiff , the shooting unit filmed to capture the grandeur in Valley of Kings , Karnak , Luxor , which is considered as being one of the great wonders of the world and other splendorous locations in Egypt . Good and evocative musical score composed by Claude Bolling . The motion picture was professionally directed by Mike Newell . He's a nice director film-making for BBC television , dramas as ¨Enchanted April¨, ¨Mona Lisa smile¨, who achieved successes as ¨Donnie Brasco¨ and ¨Four wedding and a funeral¨; furthermore , ¨Adventures of young Indiana Jones¨ series and ¨Harry Potter and goblet fire¨, among others . The film will appeal to Charlton Heston fans and Egyptian theme aficionados.

While it certainly has some flaws, I very much enjoyed watching The Awakening. Nice shots of museum pieces, Egyptian deserts, etc always make me happy, and the acting was not bad either. It was certainly less silly than The Mummy movies, so a 7/10 for The Awakening would be well deserved. Is it a great piece of groundbreaking cinema? No. But it's certainly much better than a lot of more highly rated movies. If you like ancient Egypt, horror, and/or a light Lovecraftian atmosphere, I'm sure you'll enjoy this. If not, you should probably skip this one (but then why are you reading the IMDb reviews of a mummy horror? What did you expect?).