To Serve Them All My Days

Wonderfully moving miniseries that comes awfully close to the classic GOODBYE, MR. CHIPS in many ways, but this one has a life and spirit all its own.

John Duttine stars as a Welsh veteran of the First World War who has been invalided out of service with a bad leg and shell shock. He arrives at a remote boys' school for a job as a teacher. He has no experience and no degree, but the headmaster (a towering performance by Frank Middlemass) knows instantly that the young man has the makings of a good teacher.

The series follows his years at the school, his marriage, his disappointments, and the many boys who pass through his life. The English settings are beautiful and the school is perfect.

One of the joys of this series is the acting. Duttine and Middlesmass are perfect as Powlett-Jones and Herries. They are joined by Alan MacNaughtan as Howerth, the older English teacher who's always ready with a sardonic jab and a glass of gin, and Belinda Lang as life-loving Beth. There's a nice turn by Neil Stacy as Carter, the very picture of pomposity, Patricia Lawrence as the ever-wise Mrs. Herries, and Tim Wylton as Griff.

Belinda Lang, Frank Middlemass, and Tim Wylton starred together in another terrific series, THE BRETTS in the late 1980s. Middlemass and Wylton also appeared on Judi Dench's long-running series AS TIME GOES BY.

Wonderful series may be kind of hard to find now. Not sure if it's ever been released on DVD.

To Serve Them All My Days, really is a powerfully moving series and, like most film and television surrounding wars, speaks powerfully about its subject while keeping it firmly embedded in a tale appealing to those on either side of the fence.

The first episodes, depicting the young, limping shellshocked soldier David Powlett-Jones arriving at Bamfylde, and slowly making his way, growing stronger and forging bonds while earning respect with the students are powerful and moving.

If the later episodes involving romance, marriage and political machinations of the school system become a tad "soap operatic" - the same can be said of the best series today (The Sopranos, Dead Like Me, etc.) - and like those, the level of acting and commitment to the telling of the story at hand is impressive and never less than entertaining.

The cast is impressive, with affecting performances: John Duttine captures every bit of nervousness and one cannot help but route for his Powlett-Jones. Frank Middlemass and Patricia Lawrence as Algy and Ellie Herries are strong, sympathetic and make a formidable team. The brilliant Alan McNaughtan is amazing as Howarth keeping things from ever turning maudlin or saccharine and injects a beautifully jaundiced eye into the proceedings.

You can't go wrong with this set.

I'm so thrilled to see such glowing words from fans of "To Serve Them All My Days." I was quite taken with this mini-series when I saw it on PBS in 1984. Seeing that it had become available on DVD recently, I revisited it, wondering if my fond memories from 20 years ago would prove accurate or had taken on an unrealistic glow over time. Not to fear: I found the show's quality *surpassed* my memory of it. The series scarcely ever strikes a false note, and is bursting with extremely poignant, funny, insightful, compelling and honest moments and characterizations.

As others have commented, the story follows David Powlett-Jones, a shell-shocked veteran of WWI. As we learn in the first of 13 episodes, David was the youngest son of a coal-miner. Unlike his three older brothers, two of whom died in a mining accident along with their father, David was "kept out of the pit" to attend the local grammar school. At age 18, instead of heading to Oxford as planned, he was shipped to France, where he spent three years fighting in "the Great War." His arrival at Bamfylde school in what appears to be early 1918 is part of a recovery program prescribed by an army neurologist: a closed community in a rural setting to help mend both the physical and the mental wounds David endured in the war.

At first David is skeptical that someone of his limited formal education and lack of social standing will be accepted at Bamfylde, a public school where the boys "have an unconscious assumption of privilege." But the gentle yet insistent persuasion of headmaster Algy Herries convinces him to give it a try. His first day in the classroom provides an immediate challenge as the schoolboys test his mettle. But despite David's outwardly shy and soft-spoken ways, he soon shows that he can be as tough as any situation demands.

The series follows the intertwining of David's personal and professional growth, and the recurring conflicts between these two facets of his life. Along the way, there are loves, friendships, triumphs, and tragedy. Through it all, John Duttine is a marvel of sensitive and compelling acting, as are many of his cast-mates.

Be forewarned that the series was produced in 1980 on videotape and with a limited budget (reportedly less than $2 million -- in comparison, "The Blue and the Gray," a 1982 Civil War saga about 2/3 as long, cost between $16 and $18 million). Hence, the production often has the look of a filmed play, with few outdoor scenes and no special effects. But what it lacks in "gloss," it more than makes up for in substance.

I would love to discuss aspects of this series with other fans, but rather than go into more detail here (and risk "spoiling" it for newcomers), I suggest we meet in the Message Board area. Please post about any aspect of the show -- I'll be sure to respond!

This was my favorite of the BBC serials that played on "Masterpiece Theatre," and 25 years later I find it just as charming and touching as I remembered. It's one of many variants (others are "Shogun, "All Creatures Great and Small," etc.) of the idyll some of us yearn for and, never finding, regard as irresistibly poignant: the story of a person who finds his perfect place in the world. In watching it again I discovered I practically didn't have to; I'd seen it so many times, and absorbed myself in it so thoroughly, that it had become part of my mental furniture. John Duttine was an unusual, compelling actor who gave what I think were splendid performances in this, the "Day of the Triffids" serial, and an episode of a BBC ghost series, and then seemed more or less to have vanished, to the viewers' loss.

The one big thing which strikes me now about this series is the bounciness of the supporting cast. There can never have been any more exuberant actors than Frank Middlemass, Belinda Lang, etc.; even Alan MacNaughtan, whose character is written as world-weary and cynical, comes across as lively and cheerful. Into the midst of this exuberant crowd enters a disillusioned war veteran--Duttine, an intense, introspective, melancholic performer--and the effect is as if he were brought out of himself by being caught up in a Gilbert and Sullivan operetta (and indeed, at one point the school stages "The Mikado"). Though the story is filled with anxiety and sorrow, the whole thing seems somehow like a party, and as such a sort of litmus test for one's capacity to enjoy life. Those who have it will have a grand time; those who don't won't understand why, and will probably leave early. For my part, I loved it, and feel grateful to have been invited.

When this series played on Masterpiece Theatre in the early 80s, I was fortunate enough to live in an area with two PBS stations, each of which played the show twice a week at different times, so was able to watch the series four times through. Several years ago, it was shown again, and my father video-taped it for me, so that when I get the urge, I plunk in my videos and fall in love all over again.

I have seen a number of Masterpiece Theatres over the years, but this one has to be my favorite. The characters are well acted, especially PJ, played by John Duttine (isn't he gorgeous!)--sensitive, passionate, and above all, a survivor. The cynical Howarth is a perfect foil (he reminds me of an old Latin teacher I once had), and the perfect best friend. Then there's the interplay between Algy Herries and his wife (a comfortable couple if I ever saw one). And can anybody help but cringe when the "Noble" Alcock comes aboard? (Hissss)

Although I have my own homemade tapes of this program, I would be happier with a professional set and agree with others who have posted that this one ought to be released. Masterpiece Theatre at its finest.