Strangers searching for a young woman's missing father arrive at a tropical island where a doctor desperately seeks the cause and cure of a recent epidemic of the undead.Strangers searching for a young woman's missing father arrive at a tropical island where a doctor desperately seeks the cause and cure of a recent epidemic of the undead.Strangers searching for a young woman's missing father arrive at a tropical island where a doctor desperately seeks the cause and cure of a recent epidemic of the undead.
- Director
- Writers
- Stars
- Awards
- 1 nomination total
Ian McCulloch
- Peter West
- (as Ian Mc Culloch)
Ugo Bologna
- Anne's Father
- (uncredited)
Ramón Bravo
- Underwater Zombie
- (uncredited)
Omero Capanna
- Zombie
- (uncredited)
Giannetto De Rossi
- Zombie Hand on Paola
- (uncredited)
Alberto Dell'Acqua
- Zombie
- (uncredited)
Arnaldo Dell'Acqua
- Zombie
- (uncredited)
Ottaviano Dell'Acqua
- Worm-Eyed Zombie
- (uncredited)
Roberto Dell'Acqua
- Zombie
- (uncredited)
Franco Fantasia
- Matthias
- (uncredited)
Lucio Fulci
- Peter's News Editor
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
'Zombie Flesh-Eaters' is the movie that put Lucio Fulci on the map, after a career of over twenty years. Initially presented as a sequel to Romero's (superior) 'Dawn Of The Dead' there is actually no connection between the two, and is best regarded as a stand alone horror movie. Unfortunately I watched the Australian cut from several years back which is missing a lot of the most explicit violence and gore, but even so I recommend this for lovers of Zombie movies.
The plot here is pretty simplistic, the acting variable but usually above average (including a few familiar horror veterans and Tisa Farrow of 'Fingers'), but after a fairly dull first half hour it picks up the pace. Fulci and his special effects crew must be congratulated for creating such realistic and repulsive looking zombies on such a low budget. They really are something to see, and arguably better than Romero's. And 'Zombie Flesh-Eaters' features an extraordinary sequence involving an underwater zombie/shark fight, which must be one of the highlights of any zombie movie, Romero or otherwise. Fulci went on to more spectacular and original movies ('The Beyond' is highly recommended), but this is still a very credible effort, and essential viewing for horror fans.
The plot here is pretty simplistic, the acting variable but usually above average (including a few familiar horror veterans and Tisa Farrow of 'Fingers'), but after a fairly dull first half hour it picks up the pace. Fulci and his special effects crew must be congratulated for creating such realistic and repulsive looking zombies on such a low budget. They really are something to see, and arguably better than Romero's. And 'Zombie Flesh-Eaters' features an extraordinary sequence involving an underwater zombie/shark fight, which must be one of the highlights of any zombie movie, Romero or otherwise. Fulci went on to more spectacular and original movies ('The Beyond' is highly recommended), but this is still a very credible effort, and essential viewing for horror fans.
This was my first ever video nasty, originally viewed in the mid 80's, and for that reason it shall always have a special place in my heart. The first thing that struck me was that the budget must have been relatively high. Fulci was never a great one for narrative coherence (this is probably his most conventional film) and typically for the Italian films of the time this must have been pitched as a sequence of set-pieces (the shark battle, the fiery finale, and of course, the infamous eyeball scene). Unfortunately for the most part these are fairly flatly directed and fall short of their potential for tension. The earlier expository scenes are especially protracted, and throughout Fulci has a tendency to leave shots hanging well past their sell-by date. That said, the film is not completely artless, and whereas it lacks suspense, it does have a degree of atmosphere about it. After the political correctness of the 80's and the 'post-Modernist' knowingness of the 90's, Zombie Flesheaters, with its excessive gore and its leering nudity, its risible dubbed dialog and its a complete lack of humour, with its simplistic plotting and comic-book characterisation, is probably most interesting if viewed from the perspective that firstly, that there was ever a market for this sort of thing and secondly, that people thought that films like this needed suppressing. Yes it's true, they don't make them like this anymore!
N newspaper reported named Peter goes on an trip with a woman named Anne to try to discover what happened to her father. What they discover is an island where the natives still practice voodoo and have started to bring the dead back to life.
This was the first zombie movie I had ever seen. I was pretty young, we had watched it on laser disc. What this did was awaken a love for this particular kind of monster. It is an Italian film, so if the words not matching people's mouths bothers you, this is not for you. There was no CGI and special effects of this kind were really in their infancy back then, so some of them do not hold up against more modern offerings.
This is a great movie though, including the zombie versus the shark. I have never seen anything like it since.
This was the first zombie movie I had ever seen. I was pretty young, we had watched it on laser disc. What this did was awaken a love for this particular kind of monster. It is an Italian film, so if the words not matching people's mouths bothers you, this is not for you. There was no CGI and special effects of this kind were really in their infancy back then, so some of them do not hold up against more modern offerings.
This is a great movie though, including the zombie versus the shark. I have never seen anything like it since.
This has got to be one of the best Zombie films ever. It is one of Fulci's best. Great gore effects and cool zombies. Rent or buy this now if you are a fan of the Living Dead, or just a fan of gore.
A film that starts almost quietly, with low quality sequences of zombies not very suggestive and not very engaging, but which gradually improve more and more until they are terrifying towards the end. In some scenes the emotional reactions of the characters to certain events seem almost non-existent while others are very trashy (e.g. The woman who stares terrified a zombie but stays where she is and doesn't even attempt to escape, or the four people who are in a wood full of zombies but decide to split into couples). In many scenes, however, there is a lot of scary atmosphere and in others a little bit less; some shot are amazing and have a very good photography, some others not; all in all the plot is very good and the gory style of Fulci is stunning and result of a very creative mind. I think you won't regret to watch it, it's totally worth.
Did you know
- TriviaWhile shooting on location in New York City, Captain Haggerty, who plays the large bald zombie who attacks the harbor patrol at the beginning of the film, walked into CBGB's (a tiny Bowery bar which was a flourishing punk rock venue at the time) in full zombie makeup complete with splattered fake blood and mud caked all over his face and body. Due to the outrageous punk styles in those days of the other bar patrons, he was barely noticed. Even the bartender never looked twice at him.
- GoofsWhile defending the hospital from hordes of zombies, Peter and Brian throw Molotov cocktails at the entrance. Despite throwing several that result in fireballs and flames, each time one is thrown the hospital entrance is clear of any flames.
- Alternate versions25 October 2005 - the film went before the BBFC ratings board in the U.K, and was passed fully uncut with an '18' certificate.
- ConnectionsEdited into La Terreur des zombies (1980)
- SoundtracksThere's No Matter
(uncredited)
Composed by Fabio Frizzi, Franco Bixio and Vince Tempera
Lyrics by Vittorio Pezzolla
Performed by Linda Lee
Details
Box office
- Budget
- ITL 410,000,000 (estimated)
- Runtime
- 1h 31m(91 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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