Tom Horn
- 1980
- Tous publics
- 1h 38m
IMDb RATING
6.8/10
6.5K
YOUR RATING
An ex-army scout is hired by ranchers to kill cattle rustlers but he gets into trouble with the corrupt local officials when he's suspected of killing a boy.An ex-army scout is hired by ranchers to kill cattle rustlers but he gets into trouble with the corrupt local officials when he's suspected of killing a boy.An ex-army scout is hired by ranchers to kill cattle rustlers but he gets into trouble with the corrupt local officials when he's suspected of killing a boy.
Elisha Cook Jr.
- Stablehand
- (as Elisha Cook)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
I often wonder how pre video audiences were able to take in the full effect and minor nuances of films as we can today. Watching a film again and again allows one to really study the work and pick up the director's deep intent for character and plot.
Watching Tom Horn a few times allows one to see that it really is a good movie. And after more than 20 years in motion pictures, McQueen finally just fits into his role, and does not "act" or play Steve McQueen.
The first scenes are excellent. McQueen establishes his character as a man who knows, and has seen most of, what the west is about. He knows who he is, and what he's accomplished, so he doesn't need to brag. The way he virtually walks into a fight in the bar with the pompous British fighter and his manager is superb. "Well, if he ain't won the fight yet, then he ain't the champ yet" is delivered with believable aplomb. When he says the guy's mother would have to stand on his shoulders just to kiss Geronimo's ass it is priceless. Especially good is his question "OK, if I win this fight, then does that make ME champion of the world?" He knows he is going to get his butt kicked but does all this for principle's sake. His running out the door and yelling oh s***, then throwing the plate of food at the fighter is one of the better acting sequences done anywhere.
His work as the stock detective is classic McQueen without his earlier years of mugging and panning. Good stuff.
The open spaces of this film, and Horn's subsequent incarceration gave me a feeling of freedom and claustrophobia. It worked well
Watching Tom Horn a few times allows one to see that it really is a good movie. And after more than 20 years in motion pictures, McQueen finally just fits into his role, and does not "act" or play Steve McQueen.
The first scenes are excellent. McQueen establishes his character as a man who knows, and has seen most of, what the west is about. He knows who he is, and what he's accomplished, so he doesn't need to brag. The way he virtually walks into a fight in the bar with the pompous British fighter and his manager is superb. "Well, if he ain't won the fight yet, then he ain't the champ yet" is delivered with believable aplomb. When he says the guy's mother would have to stand on his shoulders just to kiss Geronimo's ass it is priceless. Especially good is his question "OK, if I win this fight, then does that make ME champion of the world?" He knows he is going to get his butt kicked but does all this for principle's sake. His running out the door and yelling oh s***, then throwing the plate of food at the fighter is one of the better acting sequences done anywhere.
His work as the stock detective is classic McQueen without his earlier years of mugging and panning. Good stuff.
The open spaces of this film, and Horn's subsequent incarceration gave me a feeling of freedom and claustrophobia. It worked well
Really an under-rated film.
Although McQueen is tired (physically) from his cancer, he plays off his physical condition to portray a 19th Century western hero who is past his prime and society's 20th Century double-moral standards.
He is quite believable in this one and manages to avoid playing Steve McQueen "Vin"/Josh Randall.
Half-way through the film you have a pretty good idea how the story will end, but the characterizations are good enough to keep you in your seat or, now with videos, on your couch until the end. This is a well done, decent morality play.
It's interesting that Steve McQueen's last two movies reflect his early screen persona- a cowboy and a bounty hunter (who wore a flight jacket). It is a great tribute to McQueen that he is is still extremely popular with movie goers nearly 25 years after his death.
Although McQueen is tired (physically) from his cancer, he plays off his physical condition to portray a 19th Century western hero who is past his prime and society's 20th Century double-moral standards.
He is quite believable in this one and manages to avoid playing Steve McQueen "Vin"/Josh Randall.
Half-way through the film you have a pretty good idea how the story will end, but the characterizations are good enough to keep you in your seat or, now with videos, on your couch until the end. This is a well done, decent morality play.
It's interesting that Steve McQueen's last two movies reflect his early screen persona- a cowboy and a bounty hunter (who wore a flight jacket). It is a great tribute to McQueen that he is is still extremely popular with movie goers nearly 25 years after his death.
This is unfairly forgotten western from the decade were western were slowly dying until the 1985. " Tom Horn" deserves more praise , since this is a good western and one of last movies of Steve McQueen. It's his last good movie.
The movie is full of brilliant dialogues. I don't remember when was the last time I have seen a movie where almost every exchange is intelligent and funny. The movie is worth watching for the dialogues alone.
The story is a little predictable , but the movie is well directed by William Wiard and grips you from start to finish. I felt sad at the end and that was the whole point.
The movie made me sad , because it was not only the goodbye to Tom Horn, but also to Steve McQueen ("Papillon") . Both were heroes from the past that were slowly dying in a changing world that didn't need them. McQueen did make one more movie after this one , but for me this is his good bye. A good movie and a great farewell to wonderful actor.
I give it 7/10.
The movie is full of brilliant dialogues. I don't remember when was the last time I have seen a movie where almost every exchange is intelligent and funny. The movie is worth watching for the dialogues alone.
The story is a little predictable , but the movie is well directed by William Wiard and grips you from start to finish. I felt sad at the end and that was the whole point.
The movie made me sad , because it was not only the goodbye to Tom Horn, but also to Steve McQueen ("Papillon") . Both were heroes from the past that were slowly dying in a changing world that didn't need them. McQueen did make one more movie after this one , but for me this is his good bye. A good movie and a great farewell to wonderful actor.
I give it 7/10.
Tom Horn is directed by William Wiard and adapted to screenplay by Thomas McGuane and Bud Schrake from Horn's own autobiography. It stars Steve McQueen, Linda Evans, Richard Farnsworth, Billy Green Bush and Slim Pickens. Music is by Ernest Gold and cinematography by John A. Alonzo.
Plot finds McQueen as legendary army tracker - turned hired gun - Tom Horn, who is hired by Wyoming ranchers to see off cattle rustlers, only to see them turn against him when his methods threaten their reputation.
As a big fan of both Westerns as a genre and McQueen (in the process of getting the cancer that would kill him) the actor, it's tricky trying to review Tom Horn (and his final film "The Hunter") without the heart ruling the head. Fact is, is that Tom Horn is not the glorious hard hitting Tom Horn picture that the character demands. It looks fabulous, is very melancholic, and McQueen is genuinely affecting in his performance, but the production problems (various attached directors, rewrites etc) are evident and give us a film of what might have been.
Nonetheless, this is no stinker, in fact, it's a very reflective piece dealing with a man out of his time - and he knows it. The narrative is strong on the end of the so called Wild West, a changing of the times, where law and order is about to finally become the dominant force. Horn was the man who helped bring in the mighty Geronimo, which gives the makers a chance to not only nod towards respect for the great Apache chief as a plot device, but to also let Horn, in McQueen's hands, show us a resignation of time being up for his kind.
One dodgy "special effect" aside, when the violence is required for the story it is an adrenaline jolt, this is because the tone of the piece is ultimately sombre. The hazy romantic thread between Horn and Glendolene Kimmel (Evans is fine in a thankless role) is suffering from flashback overkill, but the tender feel to it sits comfortably within the pic's earnest intention. The political aspects strike the required chord for narrative worth, and the key aspect of Horn's ultimate fate being based on fact or otherwise? is deftly handled.
Poor editing and a number of "time filling shots" grate a little, and if not prepared for a sombre pic then this will disappoint. Yet there's a lot of beauty here and if you be a fan of McQueen or not, his turn is brave, committed and very engaging. 7/10
Plot finds McQueen as legendary army tracker - turned hired gun - Tom Horn, who is hired by Wyoming ranchers to see off cattle rustlers, only to see them turn against him when his methods threaten their reputation.
As a big fan of both Westerns as a genre and McQueen (in the process of getting the cancer that would kill him) the actor, it's tricky trying to review Tom Horn (and his final film "The Hunter") without the heart ruling the head. Fact is, is that Tom Horn is not the glorious hard hitting Tom Horn picture that the character demands. It looks fabulous, is very melancholic, and McQueen is genuinely affecting in his performance, but the production problems (various attached directors, rewrites etc) are evident and give us a film of what might have been.
Nonetheless, this is no stinker, in fact, it's a very reflective piece dealing with a man out of his time - and he knows it. The narrative is strong on the end of the so called Wild West, a changing of the times, where law and order is about to finally become the dominant force. Horn was the man who helped bring in the mighty Geronimo, which gives the makers a chance to not only nod towards respect for the great Apache chief as a plot device, but to also let Horn, in McQueen's hands, show us a resignation of time being up for his kind.
One dodgy "special effect" aside, when the violence is required for the story it is an adrenaline jolt, this is because the tone of the piece is ultimately sombre. The hazy romantic thread between Horn and Glendolene Kimmel (Evans is fine in a thankless role) is suffering from flashback overkill, but the tender feel to it sits comfortably within the pic's earnest intention. The political aspects strike the required chord for narrative worth, and the key aspect of Horn's ultimate fate being based on fact or otherwise? is deftly handled.
Poor editing and a number of "time filling shots" grate a little, and if not prepared for a sombre pic then this will disappoint. Yet there's a lot of beauty here and if you be a fan of McQueen or not, his turn is brave, committed and very engaging. 7/10
My wife thinks this movie is a dirty portrayal of the West. Historians will argue about Horn and the events that happen in this film, but I like it. Do not watch the edited tv version, to get the real brutal feel of this film rent it. It is a good portrayal of how dirty and nasty the frontier really was. The end suits this film very well, and if my wife can watch an entire Western the film is well done.
Did you know
- TriviaFilmed at the beginning of 1979, Steve McQueen was already very ill with cancer. He had difficulty breathing, and began coughing up blood towards the end of filming, but assumed he had pneumonia.
- GoofsIn the opening sequence, the wording says, "In 1901 he drifted into Wyoming 'Territory'". Wyoming had been a state since 1890.
- Quotes
U.S. Marshal Joe Belle: Do you know who I am?
Tom Horn: No.
U.S. Marshal Joe Belle: What you were in the Southwest, I was in the Northwest.
Tom Horn: I was mostly out of work.
- Alternate versionsUK cinema and video versions were cut by 39 secs by the BBFC to remove a horse-fall and to edit a scene of a man's head being blasted during a gunfight. The 2006 DVD release restores some cuts and is only missing 6 secs of the horse-fall.
- ConnectionsFeatured in Steve McQueen: The Essence of Cool (2005)
- How long is Tom Horn?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Tom Horn, le hors-la-loi
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $3,000,000 (estimated)
- Runtime
- 1h 38m(98 min)
- Sound mix
- Aspect ratio
- 2.39 : 1
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