Soif de sang

If you're looking for a vampire movie that's a little different, this is it. This movie is a total classic. It's about a cult of humans who keep a farm of other humans and milk them for their blood. This cult abducts a woman who is the direct descendant of their founder, Elizabeth Bathory. The poor woman is horrified at the vampirism and the cult continually tries to force her into drinking blood. It's a wonderful, creepy, scary, weird vampire film. This one is a must see for you vampire enthusiasts.

Interesting, ambitious take on vampire horror stories is good - if you get past the 70's music and porn-style hair+moustache!! Chantal Contouri is a wealthy young woman who is told she comes from a strong family of vampires...enter a BRAVE NEW WORLD-type scenario in which subjects "donate" blood, which is packaged in milk cartons and delivered to all the vampires living in the outside world. It's overlong, and overdramatic for such a story, but it's worth a look all the same - genre fans should enjoy it, as should fans of Australian film: this was definitely a landmark, as most films released by this country during the late 1970s were either "ocker" (BARRY McKENZIE, ALVIN PURPLE) or "quality" (PICNIC AT HANGING ROCK, BACKROADS, DEVIL'S PLAYGROUND). Of course, MAD MAX was released in the same year. Rating: 6/10.

Kate (Chantal Contouri) is a beautiful, young business woman with an idyllic life. What Kate doesn't know is that she's being watched by a secret society of modern day vampires. These folks want Kate to join them, and are absolutely committed to obtaining her membership!

THIRST is a unique vampire movie, in that its bloodsuckers are all part of a sophisticated cult / organization called The Hyma Brotherhood, that has a plan for mass exsanguination. Kate's importance to the group is explained, and the layout of their operation is ingenious. The vamps themselves are normal-looking, rather than bug-eyed monsters. Shirley Cameron and David Hemmings are especially good as two members with differing ideas on how to best handle the Kate situation. Henry Silva is also on board. You will probably never see a vampire movie as original as this one! Another early, Aussie gem...

Thinly-plotted but fun vampire tale.

Chantal Contouri plays a businesswoman kidnapped by a league of vampires who run a remote farm where mindless humans are routinely harvested for their blood, which is then packaged in milk cartons.

Shirley Cameron wonderfully high-camp performance as a sinister sect insider. Henry Silva and David Hemmings were likely included to help assure the film's box office success but make less of an impression.

An Aussie vampire film? Never would have thought. Not to denigrate my country's film industry, but ... well, it's not known for producing bloodsucker flicks. The exception is this little oddity, released in 1979 and now hidden away in the 'horror' section of video stores across the country.

Having heard of the film for several yrs, and seen the cover at my local video store (Chantal Contouri drenched in gore), I decided to check it out. The result: one of the most genuinely horrifying films to emerge from Australia in recent decades. Not horrifying in the sense of 'The Delinquents', where it's horrifyingly bad and let's just sit back and have a good laugh. I am talking, this film is a recorded bad dream. Reality and nightmare blur, blood spurts, and Amanda Muggleton sneers as one of our screen's most genuinely evil villains. Contouri was fantastic, too, as the hapless young woman abducted and brought to a blood farm and made to honour her ancestor, Elisabeth Bathory - bloodsucker extraordinaire, and the figure at the heart of those other 70s horror films 'Countess Dracula' and 'Daughters of Darkness'. The scene where she sprouted fangs and kills a colleague really jolted this horror movie afficionado.

Visually, the film has dated: the hairstyles are tres out-of-date, and the colour cinematography was reminisce of those chocolate commercials I grew up watching on TV as a young boy in Melbourne. Problems also lay in the script's lack of depth. There was no psychological make-up to the characters, they had no history - and this made it very hard to relate to them on an emotional level (Contouri's character in particular). Nevertheless, this is an intriguing and eerie film that will appeal to fans of Australian cinema and horror films alike.