Sense and Sensibility

This 3-hr miniseries seems to me much more faithful to the novel than the 1995 film by Ang Lee and Emma Thompson. the characters were as I pictured them while reading the novel. I find Edward a credible character and the love affair between him and Elinor skilfully and sensitively portrayed. (They make a much more convincing couple than stuttering Hugh Grant and Miss Thompson...) Best of all, the relationship between the two sisters : their tenderness and love in spite of their very different temperaments is convincingly depicted. I just felt the 1995 adaptation missed that aspect which made Elinor hysterics at ill Marianne's bedside all the more absurd and ill-timed. In this miniseries, there are no such hysterical scenes during Marianne's illness, Mrs Jennings is there just as in the book. The dialogues are almost word for word from the novel. The slow pace is suitable because so is the novel. Just one flaw : the end which seems a bit abrupt, as if they were running out of time. A really lovely series.

I love the book, and as much as I do love the 1995 Ang Lee film my favourite version to date is the 2008 version. This 1981 series is very good though, only let down in my opinion by an abrupt ending and Robert Swann's dull Colonel Brandon. However, it is handsomely photographed, and the scenery and costumes look absolutely gorgeous. The music is also effective in its simplicity. The script while not as witty as the Ang Lee film is still literate and true in spirit to Jane Austen's language, and the story while not quite exploring a couple of scenes as well as the 2008 series is still moving and not too rushed or leisurely, in fact it adopts a slow(but never laborious) pace that was perfect considering how the story of the book unfolds. Apart from Swann, I thought the acting was fine. Of the two sisters Mariann and Elinor the Mariann of Tracey Childs I found better. Winslet in the 1995 film is more subtle, but Childs is still quite affecting. Irene Richard is excellent in her scenes between Julia Chambers' Lucy Steele, and is closer than age than Emma Thompson as well as spikier and more confrontational, an approach I liked. Julia Chambers' Lucy is wonderfully catty, Donald Douglas gives a performance of jollity as Sir John, Peter Gale is a sympathetic John Dashwood and Bosco Hogan and Peter Woodward are a dashing Edward and Willoughby respectively. All in all, I liked it very much, though of the three Sense and Sensibility adaptations I've seen thus far it is my least favourite. 8/10 Bethany Cox

I am very surprised about some of the reviews for this. Fans are spoiled with Sense and Sensibility because it is one of the few period novels that has had an excellent big budget Hollywood production (the 1995 Ang Lee film). So anyone who has seen the film and then has come across this 1981 BBC TV adaptation will in comparison find this much less exciting I am sure. However, I watch many many older TV adaptations, I have watched much of the Dickens, Hardy, Bronte, Austen etc from 1970 onwards. And I can say with certainty that this is a really good version for its time. Sense and Sensibility was adapted 10 years earlier (1971) and that version is very low in budget and quality. I gave that one a 6/10. It is unusual for the BBC to remake it so relatively soon after but you can totally see why they wanted to do so. You can tell that they took everything that didn't work in the 1971 version and improved it to create a much better version. In this version the pacing is excellent, there is no filler and each scene logically and with explanation moves on to the next. The short 25 minute episodes also assist in keeping the momentum flowing. The casting is much better in this one, each of the characters are unique and identifiable and similar in age to the characters in the novel (unlike the 1995 film for instance). All of the characters connections to each other and motivations in any given scene are clear well presented. There are no hugely enduring actors in this one which is perhaps unusual but everyone does their job well. There is no doubt in my mind that Ang Lee saw this version and held it in high regard because the 1995 film feels like a movie remake of this version in many ways.

Having watched the 1995 movie for the first time a few days ago,I decided to watch this fine BBC production again,and found it the more satisfying of the two.

The acting was of a good standard;Tracey Childs splendid as Marianne,and Bosco Hogan's interpretation of Edward Ferrers far exceeded Hugh Grant's peculiar effort in the Ang Lee film.The direction and location filming in Dorset/Somerset and the authentic early 1800's feel more than compensated for the budget constraints.

Also,Willoughby's telling confession to Eleanor as Marianne lay seriously ill upstairs was,thankfully,retained,unlike the 1995 version.

A good miniseries,more Jane Austen than it's "grander" successor!Nine out of ten!

Emma Thompson(Elinor) in the 1995 version scripts herself more time on screen compared to Kate Winslet(Marianne).This version focuses on BOTH of the sisters equally. This version is far more faithful to the novel than the movie made in 1995. The only flaw in this version is the mysterious disappearance (non-inclusion) of the youngest sister, Margaret.