Runaway Train

Everything about this film has a surreal, visceral, in-your-face quality; the anguished, violent intensity of the prison scenes, the frozen wastelands of the lands outside the prison (gee, a metaphor?), the train -- not just a lifeless machine but a huge, juggernaut-like beast -- that the title refers to, the fierce, animalistic performance by Jon Voight, who plays the character of Manny with such raw emotion and conviction that at no moment do we doubt that he is anything other than what he appears to be on screen.

It's based on a screenplay by the legendary Akira Kurosawa -- knowing this makes a lot of the elements a bit more familiar; the snow, the hopelessness, the apocalyptic atmosphere -- and it's directed by Russian Andrei Konchalovsky, who after this film directed two Hollywood embarrassments called "Homer & Eddie" and "Tango & Cash" (apparently trying to corner the market on ampersands), and most recently helmed the acclaimed Armand Assante mini-series "The Odyssey" for television. "Runaway Train" is not a perfect film, some of the minor supporting performances are really awful and some viewers may find Eric Roberts to be irritating, but the sheer kineticism, among the other stronger elements, makes it worthwhile. Often called an intellectual action picture, it's more of an existential one, i.e. man versus a indifferent/hostile universe, etc. Everything in the film has a greater, more universal meaning, and it's not rocket science to figure out what stands for what. The simplicity of its metaphors doesn't dull the impact of "Runaway Train" as a sensory experience, though, because it's still pretty potent stuff. Provided you're not completely close-minded, this is one you'll remember for a long, long time.

I am just discovering old new classics and this one is a little jewel. I can't understand why nowadays producers can't create great movies with simple and credible things.

First, the story it is not original but entertaining. It keeps you on the seat during the the almost two hours. The end is great for me and it works well.

Second, the cast is great. Credible, dumb psycho's but with soul. Important to include a great cast for such simple neurotic roles.

Last, FX's here are better than 95% of nowadays CGI. Embarrassing to watch how old school can create this on 1985.

To add, music is great too. Great oldie vibes and interesting song for conclusion.

So, overall this movie is better than 75% of movies created on 2023. Something is not working in Hollywood.

I don't think I could dislike the movie that gave us both Machete and Zeus.

In all seriousness though, Runaway Train might just be the best film to come out from the crap-factory known as Cannon Group. Unsurprisingly this gem is based on a script by someone head and shoulders above the pack, this being here Akira Kurosawa. But no man is an island, and it takes considerably more than a script to make a movie. Jon Voight and Eric Roberts might provide the best performances I've seen from either one in a chilling setting that beautifully emphasizes the desperation of the characters in both their current predicament and life in general.

In addition to compelling cinematography, this Cannon film also surprises the viewer with yet another aspect sorely missing in many of their films: character development. This films grips the viewer on so many fronts and doesn't let go. The Runaway Train might be without a driver, but the film about it very much in control of its own fate, from beginning to end. I was pleasantly surprised by the way the movie almost poetically wraps itself done before the credits roll like any properly told story should.

It saddens me to realize how often overlooked this movie is. Before the Cannon Group documentary Electric Boogaloo I don't remember any mention of it, even though I've scanned quite some of their catalogue in search of "so bad it's good" b-movies (and boy, do they deliver that in a steaming pile!)

However, Runaway Train is in a completely different category, and despite some minor flaws I do heartily recommend it to anyone even vaguely interested in it. Such poetry in film never comes too often to our screens, so it should be savoured at every chance.

'Runaway Train' is a rare thing, an intelligent action movie, full of both exciting sequences and strong character development. This combination makes it all that much more suspenseful and powerful. For me it could well be the best action movie of all time. Interestingly enough it's based on a screenplay by Kurosawa, but criminal turned novelist Edward Bunker (who plays Jonah here but is best known to most people as Mr. Blue in 'Reservoir Dogs') gets the main writing credit. Jon Voight gives one of his very best performances as Manny, but Eric Roberts is also just great. Roberts is overlooked these days, making too many b-grade and straight-to-video movies to be taken seriously, but boy, back in the day this guy was GOOD! Check him out here, and in 'Star 80', and especially 'The Pope Of Greenwich Village' with Mickey Rourke. Roberts actually scored an Oscar nomination for 'Runaway Train'. Just why his career subsequently went in the direction it did is one of the great mysteries of Hollywood. Voight and Roberts are supported by Rebecca De Mornay, super tough guy John P. Ryan ('It's Alive') and well loved character actor Kenneth McMillan. Also keep an eye out for Danny Trejo in the boxing sequence towards the very beginning of the film. 'Runaway Train' is a movie I never tire of watching. The interplay between Voight and Roberts is wonderful to watch, the action sequences are breathtaking, and the ending is one of the all time greats!

Runaway Train is about far more than a runaway train. It is about personal freedom and how hard we are willing to struggle to get it. It's about how willing we are to give up our personal freedom to be comfortable. It's about dehumanization inflicted by social institutions. It's also one gripping, suspenseful action-flick. The two main characters, played by Jon Voight as Manny and Eric Roberts as Buck, are escaped prisoners, but they are humanized. Not that we would really like to meet them, but we can see how they work, and we can identify with them. I found it fascinating that the character I really hated was John P. Ryan as Renkin, the warden. This official of society has turned his efforts to recapture the prisoners, particularly Manny, into a personal mission of hatred. The cinematography and imagery in the film are excellent. Whether exterior shots of the train hurtling across the desolate Canadian wilderness, or claustrophobic shots of the characters in the train, we are there and cannot help but be involved. There's not a bad performance in it. John Voight, Eric Roberts, Rebecca De Mornay and John P. Ryan are all tremendous, with an intensity that matches the demands of the film. This is one of those few films that really disturbed me, that really caused me to think about my life. It is unforgettable. It is a great work of art.