Runaway Train

Based around a screenplay written by the legendary Akira Kurosawa, Runaway Train simultaneously follows three threads. The escape of two prisoners, Manny & Buck, who jump on a train only to find that the driver has a heart attack, thus it speeds out of control. Then there is the efforts of the train dispatching office to try and safely stop the out-of-control train. And also there's the hunt by the sadistic prison warden who is hellbent on recapturing the fleeing convicts.

Relentless and engrossing action film from start to finish, Runaway Train boasts two Oscar nominated performances from John Voight {Manny} and Eric Roberts {Buck} and no little intelligence with its well scripted characters. The opening quarter is pretty stock routine prison fare, these guys are tough, the warden is a bastard and we just know they are going to escape. But once the guys board the train the whole film shifts in gear and tone. The dynamic that exists between Manny & Buck, partners but very different in life approach, is riveting stuff courtesy of the nifty dialogue exchanges. Things are further enhanced by the appearance of Rebecca DeMornay's also stranded railway worker, Sara, who far from being a shoe-horned token female character, is the crucial piece of the emotional jigsaw. He presence gives the guys room to exorcise their demons and pour out their feelings of anger, bravado and mistrust.

The action scenes are very well handled by director Andrei Konchalovsky and his crew. As the train hurtles thru the snowy Alaskan wilderness we are treated to a number of crash bang wallops involving the train itself; derring-do from our boys on the icy outside of the locomotive, and a helicopter pursuit chartered by the obsessed John P. Ryan as Warden Ranken particularly stand out. Bona fide action sequences that are executed skilfully. Then we get to the finale, a finale pumped up for emotional impact, both visually and orally it closes the film justly. We even get time for a bit of Will Shakespeare as we go about reflecting on what we have just witnessed. A fine movie it be. 7.5/10

Indeed a fine piece, from the era when action movies were taken over by the likes of Schwarzenegger or Stallone. But the production company seemed to completely ignore this fact, and have chosen to base their movie on an old Akira Kurosawa screenplay. Risky choice, but as we know it didn't paid off - it was the last Northbrook film, and the Cannon-Golan companies didn't last much longer either. So Runawy Train might have been a financial failure, but I'd call it an artistic success. The technical specs doesn't show that it was shot on some kind of special equipment, but the way they captured the snowy landscape is still a masterpiece. If someone appreciates this kind of detail, it's definitely a must-watch movie (in the digitally renewed version, if possible). Otherwise the story is good too - not as much action, craziness and twists as in other 80s productions, but it has a tasty outcome between the good guy and the bad guy - probably Kurosawa would have done it better, but I really can't blame the directors for every little mistake. The last strong point of this movie is probably the cast, however - some might find Eric Roberts and a few supporting actors a bit irritating sometimes. Anyways, Jon Voight is at his best here. Unfortunately, other aspects of the movie seemed to be rather mediocre - very generic music choices, dull stunts and decorations, strange cuts. But those only play a minor part in the big picture, so I can recommend Runaway Train to anybody, who's just after a little entertainment.

I am just discovering old new classics and this one is a little jewel. I can't understand why nowadays producers can't create great movies with simple and credible things.

First, the story it is not original but entertaining. It keeps you on the seat during the the almost two hours. The end is great for me and it works well.

Second, the cast is great. Credible, dumb psycho's but with soul. Important to include a great cast for such simple neurotic roles.

Last, FX's here are better than 95% of nowadays CGI. Embarrassing to watch how old school can create this on 1985.

To add, music is great too. Great oldie vibes and interesting song for conclusion.

So, overall this movie is better than 75% of movies created on 2023. Something is not working in Hollywood.

The stock title promises action and suspense, and we get that, but with a story by Akira Kurosawa, expert direction by Russian émigré Andrei Konchalovsky and superior lensing by Alan Hume, we get a study of what defines a man.

John Voight and the vastly underrated Eric Roberts play two cons who escape from a hellish gulag and board a train with no driver. Their struggle to stop the train and battle their own inner demons is the movie.

Konchalovsky creates a cold, alien, ethereal world inside the train that, in the oddest way, provides a haven for self-examination for the two leads. Rebecca de Mournay is layered into the mix, as is the indefatigable John P. Ryan as a prison warden who risks death to return his charges to custody, but the movie belongs to Voight and Roberts who both bring tremendous humanity to their finely sketched characters.

The final image is as powerful as cinema gets and marks RUNAWAY TRAIN as a modest masterpiece.

Though often criticized for producing cheap rubbish, the Cannon Group, in fact, also produced many fine films including this, 52 PICK-UP and MARIA'S LOVERS (also Konchalovsky).

Runaway Train is about far more than a runaway train. It is about personal freedom and how hard we are willing to struggle to get it. It's about how willing we are to give up our personal freedom to be comfortable. It's about dehumanization inflicted by social institutions. It's also one gripping, suspenseful action-flick. The two main characters, played by Jon Voight as Manny and Eric Roberts as Buck, are escaped prisoners, but they are humanized. Not that we would really like to meet them, but we can see how they work, and we can identify with them. I found it fascinating that the character I really hated was John P. Ryan as Renkin, the warden. This official of society has turned his efforts to recapture the prisoners, particularly Manny, into a personal mission of hatred. The cinematography and imagery in the film are excellent. Whether exterior shots of the train hurtling across the desolate Canadian wilderness, or claustrophobic shots of the characters in the train, we are there and cannot help but be involved. There's not a bad performance in it. John Voight, Eric Roberts, Rebecca De Mornay and John P. Ryan are all tremendous, with an intensity that matches the demands of the film. This is one of those few films that really disturbed me, that really caused me to think about my life. It is unforgettable. It is a great work of art.