Révolution

Many of the bad reviews of Revolution point out that it is dirty, filthy, disgusting, muddy, messy and uncomfortable to watch. True, true, true.

But... THAT'S WAR!

As a child I thought the American Revolution was the cleanest and most honerable war in history, fought by idyllic patriots on the side of freedom against snooty, smug king-lovers. That's how it was depicted in my childhood history books. But as I got older I realized that the books must have been glossing over something, because it seemed utterly illogical that a war could be so clean and honerable. Wars are desperate and horrible blood-soaked experiences that rip relationships apart, destroy everything, and are fought at ground level by the most uneducated people of all, many of whom really have no choice in the matter and are merely fighting for their own lives.

Revolution demythologizes the American Revolution by dismissing many of the ideal illusions we have about that war in particular. The hero is a self-serving man, who has no interest at all in war, but is forced to fight in it against his will. He's a free man who is forced into virtual slavery to fight for his freedom. Does this make him a bad man? No, he's an honest man who is out for number one, and is motivated mostly by love and loyalty to his son. The war steals everything from him, so why should he be happy about it? There are a few true 'patriots' in this movie, gung-ho idealists like Daisy, but almost everyone else is in the war for selfish motives, to profit from the war, to assert power, to avoid starvation, or for the pure joy of war itself. The redcoats are depicted as rowdy london street-toughs, who are no more or less ignorant & petty than the Americans, only more cocky and egotistical. Their uniforms are ill fitting and poorly miantained. This and a thousand other details give this movie the air of truth. By the end the victory of America is all the more sweet due to the wretchedness the victors must slog through. It's a very noble thing to see war depicted in such realistic ways.

This movie might be too grim to take if not for the great love story at the center of it. Its an entirely unique love story in the history of film, because it demonstrates how a relationship can continue to grow over time even if the lovers are separated from each other for long periods. Daisy and Tom have only a few minutes worth of conversations in the entire movie, and those represent ALL of their conversations. Basically they cross paths from time to time, but they are interrupted every time, and must leave each other, unsure when or if they will ever see each other again. So although they don't really get to know each other or go on dates or have any kind of normal courtship, they nonetheless fall in love, basically thinking about each other over the intervening periods. It is really the war that allows them to fall in love in the first place. Without the war these two people from opposite sides of the social spectrum would never have socialized, and without American freedom they would never have been able to stay together. But in the throes of war all the social rules are off, and these two are so desperate for something good to enter their lives, they fall in love. I don't know why this touched me so much, but it did.

I find this movie emminently re-watchable. I love it. In comparison, Mel Gibson's bad rip-off "the Patriot" is unwatchable to me. It is so full of moral absolutes and is so organized and visually beautiful, I think it does a disservice to the reality of war.

But that's my taste. I love almost every grim-reality war movie. Catch 22, The Victors & Das Boot, to name a few.

I've just seen "Revolution" on TV and I have to say that it's a much better movie than one may think. Sometimes a movie is worth-seeing only because of its wonderful production values. And "Revolution" is an eye-popping visual feat: wonderful cinematography, first-rate period details. I might say that beside Stanley Kubrick's "Barry Lyndon" and Tony Richardson's "Tom Jones", this is the most beautifully made period movie about the eighteenth century. "Revolution" is also an important film because there are only about a dozen films on the Revolutionary War and almost all of them are a matter of obscurity - at least for a Hungarian movie lover. The most popular is Roland Emmerich's "The Patriot" (2000). In my opinion that's a much worse film than Hudson's maligned film. When "Revolution" was released it was a critical and commercial disaster. I think it didn't fit in any of the movie trends of the 1980s. But in the future it might be regarded as a flawed but valuable movie. Its flaws are obvious and much-discussed so I don't want to speak about them. If you're interested in beautiful period pieces and the Revolutionary War you might like this movie.

I had wanted to see this movie for quite some time, but for some strange reason it never appeared on television despite its cast. However, I finally managed to find a copy of it at a specialized video store in my city. (The version I found was the director's cut.) So what did I think of it? Well, I admit that the look of the movie is very convincing. The costumes, props, and set decoration look fantastic. It really seems that they captured what the colonies were like more than 200 years ago.

However, the story and characters are less convincing. For example, the movie seems to suggest that most Americans were pro-revolution. In actual fact, a third were pro-revolution, another third were British loyalists, and the remaining third either didn't care or were undecided. Another odd fact is that the movie portrays just about all of the pro- revolutionists as despicable - odd because the filmmakers were trying to sell this movie to the American public! Actually, most of the other characters in the movie, like the British soldiers, are also shown in a negative light. There are precious few characters in the movie to care about. The actors try, but a lot of the roles are shallow. Donald Sutherland and Nastassja Kinski have little to do despite their billing.

There are other problems in the movie I could go on for some time listing, like Pacino's extensive yet completely unnecessary narration. Still, I will admit that while I didn't like the movie, I wasn't bored at any moment. There's plenty of eye candy, and I confess a curiosity as to how Pacino's character would end up. The movie isn't as bad as some critics have claimed... though I won't hesitate to add that it wasn't worth the years I searched for a way to see it.

This movie has consistantly been trashed by numerous professional and amateur reviewers alike. Even Leonard Maltin, my personal favorite movie guy, rated it a "BOMB". I can`t understand why. Although it isn`t a perfect film endeavor, it does tell a story that`s never been told before...but obviously in a manner that many found extremely annoying at best. Aside from New York and L.A. movie houses, I don`t believe this film was released nationally at any time. Personally, I thought it was a very different type of movie, but effective and entertaining in a strange way. It gave me a feel for the time period, including an appealing atmospheric identity. Being an ex-NewYorker and exposed to the famous Revolutionary battlefields, that still exist throughout the metro area, I felt an aura of actually being present in that time period, with events occuring on both surrealistic and realistic levels. Al Pacino is a born/raised New Yorker and I believe captured the essence of his character very well. Pacino gave a solid portrayal of an 18th. century individual caught up in a violent period of American history. This movie has been unfairly criticized and overly maligned in my humble opinion. A unique film deserving of more praise then it has been awarded. See it for yourself.

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It's 1776. France and England are in perpetual war. After the Declaration of Independence, British troops land in New York. Fur trapper Tom Dobb (Al Pacino) had lost most of his family. All he has left is his boat and his son. The revolutionaries confiscate his boat and they promise to pay him in gold in two weeks after the war is to end. His son Ned unwittingly signs up for the revolution and Tom is forced to join up to protect him. Daisy McConnahay (Nastassja Kinski) is the rebellious daughter of a rich New York family. She is drawn to the revolution and rebels against his war profiteering father. Sgt. Maj. Peasy (Donald Sutherland) is the ruthless English soldier who fights alongside his drummer boy son.

The son is the brattiest of brats. Pacino is Italian to his core. There is no way to alleviate that and his natural accent doesn't help. Kinski is foreign in her accent and annoyingly arrogant in her rebellion. Of course, her family is horribly selfish. The British are cartoonish. The revolutionaries don't start off well either. It's an ugly world overall. The only compelling work comes from Sutherland who knows how to play his uncomprising role without becoming a caricature. It is interesting to depict the rebellion start with such an ugly mob. Usually they're more noble than that. That has to be a part of the reason why this movie bombed so badly. There are also other pressing problems.

It's notable that the black actors barely speak a word. I'm sure the movie is trying to say a little something about slavery. In Philadelphia, the slaves are rising up as freedom rings out all around them but it's left confused. Obviously, none of them are freed in reality but it's not clear from the movie. I think the blacks being march off in the opposite direction is suppose to be them being sent into slavery in the south. I also have a problem with Pacino fighting off the two Indian scouts. It's barely believable and it would be easily solved if the friendly Indians arrive a minute earlier. They could help him kill the two Indian scouts. In addition, I don't understand why he doesn't go with his son at the end. He spends the entire movie rescuing his son but leaves him for the city life. That's stupid. I don't mind portraying the war as an ugly affair but this one is not that good.