Le retour des morts-vivants

This movie is like very little else out there. It's a zombie comedy that isn't a full-on splatterfest like most, doesn't offer some overly humorous social satire (there's subtle jabs at Agent Orange and Nazis), and doesn't have a high-concept premise (for a zombie movies that is). What you have is dry as hell, with punk rockers (timely for the time - Repo Man meets zombies?), Nazi morticians smoking pipes and listening to their Walkman while embalming, and Quigley nudity for its own sake, but characters are in on it and equally celebrate and scold her. It has iconic scenes and quotes though I'm sure a lot of people have no idea they're actually from this.

It just works - it's funny, weird, creepy, gory, and always entertaining. A hard mix to pull off and one that happens with success very rarely. It's always said that there's a fine line between horror and comedy - the pros can straddle it like a daring high-wire act and this is one of them. If only the ending weren't so abruptly anti- climactic and there were a few more naked zombie Quigley kill scenes it'd be a perfect cult classic.

Gotta love the very serious Suicide while naked Quigley grinds on him: "No one understands me, you know that." "You think this is a f***in' costume? This is a way of life." "Hey, what's wrong with you, man? Show some f***ing respect for the dead, will ya?" All this because he was called a "spooky motherf***er."

ROTLD is one of the rare cases where horror meets comedy to good effect. With some classic lines like "you gotta hit the brain" and "watch your mouth kid if you like this job", this film works because it doesn't rely solely on gore or stupidity; the script is very well written.

ROTLD pays homage to George Romero's "Night of the Living Dead" but veers away from the slow lumbering zombies of the '68 classic, and instead gives us "the original" super zombies (ie before 28 days later or Dawn of the Dead remake) that are not so easily dealt with! This proves to be an interesting problem for the script to resolve which I think it does with style by the end of the movie.

The characters are a little predictable and one dimensional except for the lead pair who are introduced at the start of the movie, but that's perhaps the only flaw. What I really like about this movie is that, whilst not entirely a gorefest, it still manages to kick-ass because of the flawless plot. By this I mean that there a few scenarios where you find yourself saying "that's just dumb" or "they'd never do that" etc, which is very rare nowadays in the horror/sci-fi genre. Dramas & thrillers etc get an easy job of it because all they have to do is convince us that their reality is real-life. Horror on the other hand needs to convince that the unreality it portrays is what is real-life, and that's not always an easy task.

ROTLD is funny, sick, clever and above all entertaining if you can stomache some pretty twisted content. Personally, I love it.

This is saying a lot too, because to me this is the only film of the five Return of the Living Dead films to be above good standard. The sequels varied in quality, with 2 and 3 being acceptable enough though with their problems and 4 (Necropolis) and 5 (Rave to the Grave) being terrible, the latter being marginally worse and being one of the worst sequels ever made. The original however is an immensely enjoyable film, with its very few flaws barely noticeable amidst the huge amount of good.

It is definitely the best-looking film in the series, it is stylishly shot and lit with a wonderful ominous atmosphere, complete with atmospheric sets, above average effects and some great make-up on the zombies. There is a killer 80s soundtrack that still sounds good and haunting rather than cheesy, and instead of the outdated quality it could have had the soundtrack makes one nostalgic for the 80s. As well as a hilarious and clever script that's never forced, doesn't get bogged down in too many explanations or too much exposition, and that is very quotable (which I don't think any of the sequels achieved and it was something that 4 and 5 could only dream of doing so), and a story that seemed tired in concept but felt very fresh in execution with so many funny moments and an equal number of highly disturbing and scary ones.

Return of the Living Dead is directed with adroit class and a clear fondness for the genre by Dan O' Bannon, and while some of the punk teens are annoyingly and one-dimensionally written and acted with not much spark (the sole problems with the film, and they are not that major), the leads are written very likeably and Clu Gulager, James Karen, Thom Mathews and Beverly Randolph are charming and lots of fun (all of them at least knowing what sort of film they're in), Gulager and Karen are particularly good. Don Calfa is also suitably shady. The film also cleverly and wisely makes the zombies the stars and uses them brilliantly, furthermore these zombies actually are very menacing, a real threat, do a lot more than just shuffle and plod around and are wonderfully tongue-in-cheek, exuding real personality. The twist is deliciously ironic, adding to the freshness when it easily could have been tired or anti-climactic.

All in all, immensely enjoyable and the best of the series by some margin, being the only one to be completely satisfying. 8/10 Bethany Cox

To this day, I can't believe Dan O'Bannon got away with using "The Living Dead" in his title. George Romero should have sued, and probably did. Nevertheless, this is a classic horror comedy straight out of the 1980s, with gruesome brain-devouring zombies running riot in a small town. Actually, due to the movie's modest budget, the zombies run around a small number series of sets, consisting of a warehouse, both inside and outside, a bridge and a mortuary, inside and outside. There also are a couple of shots dealing with Army personnel. An Abbott and Costello-type pair unleashes a government-developed gas that revives the dead. Even dead parts. A warehouse exec, a mortuary owner and several daffy young people end up in a fight for their lives, while a series of EMTs and police arriving on the scene are quickly dispatched by the ravenous zombies. The hammy acting is strictly from hunger, the dialog largely improvised, and the clumsy blocking and static photography (mostly medium shots) are like something from a 1932 talkie. But the zombie attacks are ferocious and go way beyond anything Romero attempted in "Night." Also, zombies getting on the ambulance and police radios to order up more help in their sepulchral voices is beyond hilarious. You also have the ravishing Scream Queen of her day, Leanna Quigley, spending most of screen time nekkid. It also is a riot to see familiar grocery store hawker James Karen in a prominent role here. Plus, much has been said over the years about the individual hired to play the rotting basement zombie, and he is indeed absolutely marvelous. Good for a laugh, and great for trotting out every Halloween.

I saw this film when I was around 9 or 10, and I remember loving it back then. Unfortunately, time has not been kind to most of the movies I enjoyed during my youth. Imagine my surprise when I realized that not only was Return of the Living Dead every bit as much fun as when I first saw it, its actually improved!!

First off, this is NOT a serious horror film. It is meant to be viewed as a comedy. Period. Once this perspective is taken, the horror elements are subtly introduced until, towards the end, we almost begin to feel a sense of disgust with ourselves for laughing at these people. I say ALMOST because a few silly decisions here and there (it would have been nice if the movie hadn't ended with recycled footage) turn what could have been the finest, and most disturbing, horror-comedy EVER MADE into a merely excellent one.

Honestly, I challenge anyone to find a "horror-comedy" that delivers laughs, gore, some genuine scares, and combines it with what can only be called the finest acting I've ever seen in a horror-comedy (much less one from the 80's!).

James Karen, Clu Gulager, and Don Calfa absolutely STEAL this movie with their sidesplitting hysterics. Listen to the lines, note the deliveries. These guys are pros! Anyone who could THINK to call their acting "wooden" clearly knows nothing about the traps horror-comedies often fall into. Personally, I was thinking of the OD scene from Pulp Fiction the entire time. The absurdity mixed with tension was eerily similar. Tarantino (an admitted zombie-movie fan) must SURELY have seen this movie upon its initial release. Gulager in particular is just plain brilliant here, he's like a burned out shop teacher fighting zombies!!

This film is a hidden treasure in a genre all too often plagued by mediocrity.