Pulgasari
- 1985
- 1h 35m
IMDb RATING
5.2/10
1.5K
YOUR RATING
In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armi... Read allIn feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.In feudal Korea, a group of starving villagers grow weary of the orders handed down to them by their controlling king and set out to use a deadly monster under their control to push his armies back.
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first of all, its unfair to compare this movie with a Hollywood product: this is an eastern "man-in-rubber-suit" monster movie made in north Korea and must be evaluated as such. and in his niche this is one of the very best. for the originality and meanings it deserves to be put on the same level of Honda's Godzilla of 1954. it sports believable effects, real mass scenes (ok they were soldiers drafted to act in a movie but nevertheless it's better than what i've seen in "Gappa") and believe it or not a plot that is less nonsense than the usual Gamera - Rodan - Godzilla - Gappa stuff we got used to. at least all the story is more fantastic than Sci-Fi and this places everything on a completely different perspective. "comedy" episodes are laughable but i suppose that asking to a North-Korean movie to meet the standard humor tastes of a western audience is way too much. the interpretative key of the story revolves around the goods and evils of capitalism ,one may appreciate or not the intentions but go find another Kaiju with more sense than "the Japanese are still scared after the atom bomb, poor souls", and "the Japanese scientists save the world". Pulgasari is finally less nationalistic than the average Japanese movie, and this is outstanding for a product of a dictatorial country, isn't ?
As the workers have a hard time rebelling against the oppressive (pre colonized) Chosen regime they get unexpected help from the gods. Bulgasari awakens to life from a figure of clay and rice with the drop of blood from Ami and is thereby under her authority. This secret weapon was exactly what they needed in order to kill the king, but it grows out of control. Whether this monster represents capitalism or not is anyones guess, I didn't notice anything that pointed towards that conclusion in the movie, but there's always the juche discourse to look it in the light of. After all Kim Jong-il is listed as a producer. With that in mind, I got a little bit anxious by the ending.
As a movie it is OK. The script is very simple and the characters are, like the weapons, like cardboard cutouts. Some of the berserker smashing the temples (cultural revolution style?) however, were quite impressive. All the shouting and wailing were not. I wonder if there's a movie were the title of it is repeated more often than in this.
As a movie it is OK. The script is very simple and the characters are, like the weapons, like cardboard cutouts. Some of the berserker smashing the temples (cultural revolution style?) however, were quite impressive. All the shouting and wailing were not. I wonder if there's a movie were the title of it is repeated more often than in this.
PULGASARI is a North Korean film, directed by an abducted South Korean. It's plot concerns villagers forced by their Overlord to turn all of their iron tools into weapons for the war effort. Instead, the villagers hide their tools, causing their oppressors to round them up.
Through supernatural means, the titular creature is conjured. To be honest, the story of the monster is interesting, as is its way of enlarging itself. The motive for the monster's arrival is completely different than in the original, lost film, BULGASARI. Here, instead of simple revenge, the monster arises in order to conquer the devilish king and his minions, for their oppression of the masses.
Fans of giant rubber monster movies should enjoy this one. There are also some big, human battle sequences. As with all such films, it takes quite a while before the monster really gets going.
This movie is also worth seeing for its historic and political value...
Through supernatural means, the titular creature is conjured. To be honest, the story of the monster is interesting, as is its way of enlarging itself. The motive for the monster's arrival is completely different than in the original, lost film, BULGASARI. Here, instead of simple revenge, the monster arises in order to conquer the devilish king and his minions, for their oppression of the masses.
Fans of giant rubber monster movies should enjoy this one. There are also some big, human battle sequences. As with all such films, it takes quite a while before the monster really gets going.
This movie is also worth seeing for its historic and political value...
Filmed in 1985 by a director (Sang OK Shin) who had been kidnapped by North Korea, this movie is about a monster who is created by a blacksmith just prior to his death to help his village against an evil king. Now from what I understand Kim Jong Il (the eventual leader of North Korea) was an avid movie buff and wanted Sang OK Shin to produce a film along the lines of "Godzilla". This movie is the final product. Unfortunately, this movie doesn't translate as well to world-wide audiences as its famous predecessor did. That's not to say that this movie is necessarily bad but it clearly had some weaknesses. For starters, the special effects were quite poor and the movie had some scenes which could have definitely been trimmed here and there. Along with that the movie I saw was filmed in Korean but had English subtitles. I only mention this because this is a film that is probably best suited for young children and subtitles simply won't suffice for that particular audience. Be that as it may I rate the movie as slightly below average.
I like to watch Kaiju films and this Korean monster movie it's a funny monster movie with great battle scenes. In the beginning I supposed that will be other bad movie, but after some scenes you'll be invited to appreciate the story about poor villain people that fight against a bad king and his cruelty governor. Besides the poor special effects, most of them inside the atmosphere behind the Pulgarasi monster, other great battle scenes with hundred extras acting and fighting, You'll like all the crew efforth to create power and big scenes. This movie was produced by Jong-il Kim and directed by Sang-OK Shin. This is the first movie that I watch directed by Sang-OK Shin, but I felt interested in watch other movies directed by him.
Did you know
- TriviaAlthough the film is a North Korean production, director Shin Sang-ok is South Korean. North Korean dictator Jong-Il Kim was a huge fan of Shin's. At the time this film was made, North and South Korea were at war (which eventually ended in 2018 thanks to the Panmunjom Declaration). Thus, Kim had him kidnapped. Shin eventually escaped back to South Korea, but not before he had been forced to make this movie for the erratic North Korean leader.
- ConnectionsFeatured in Great Man and Cinema (2009)
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