L'honneur des Prizzi

Once I had a little context, I enjoyed it.

It's not your typical mob movie. And maybe not typical anything else.

Comes from an author who writes satirical books about abuse of power. Known for The Manchurian Candidate. And this.

So this is a satirical mob movie. But the satire is watered down some in the movie compared to the book, apparently.

Watching it with that lens, knowing some of it is kind of a subtle/wry/dark humor, sort of making fun of the mob with these over the top characters and plot lines... It actually becomes quite funny. And fun.

And Jack Nicholson's character is well done I think. As well as his main love interest.

So if you can handle all of that...

8/10.

I loved this film when I saw it in 1985. To see it again after seeing film and series like the Godfather, The Soprans etc is a treat. It is a lovely film, elegant,well-played with a with lots of humor. Jack Nicholson pays the not very intelligent Charley Partanna with flair and a lot of humour. Kathleen Turner is beautiful as ever. The rest of cast is also very good. John Rudolph playing his charing but very dangerous father, Angelica Huston is magnificent as the deserted MaeRose who wants to revenge Cahrly but still loves him. The music is very much a part of this intelligent film. It is a joy to listen to how it comments or highlights what happens in the film.

It is a loving parody of the mafia genre. A must-see for any one who likes this genre and for film lovers everywhere.

So many films glorify the mafia, even those like 'Goodfellas' which pull no punches still allow a residue of glamour to stick to their portrayal of the wise-guy life. So 'Prizzi's Honor', which ridicules its protagonists and shows them to be anything but wise, is a welcome sort of mafia film. Unfortunately, although it's reasonably entertaining, the film ultimately doesn't wholly succeed in any respect; too daft to work as black comedy, too slow to work as riotous farce, to humorously conceived to work as tragic drama. Jack Nicholson is good as the dumb hit man Charley, but the plot leaves us unsure whether we should laugh at him or cry with him, and in the end I felt inclined to do neither. Personally, I prefer Jim Jarmusch's 'Ghost Dog', another offbeat look at organised crime.

I am not a huge fan of gangster movies even tho there are some masterpieces of the genre. And this was the main reason why I wanted to try this movie. However I didn't loved it but I found it just ok.

Charlie Partanna (Jack Nicholson) is a professional hitman that works for a Mafia clan led by Don Corrado Prizzi. One day he goes at a wedding and becomes infatuated with a gorgeous woman named Irene Walker (Kathleen Turner). They arrange a meeting and fall in love. After a while he finds out that she, too, is an hitwoman. And of course there is also the mob that orders them to kill each other when they have separate meetings. How it will unfold? Well, see the movie.

PRIZZI'S HONOR looks very good and it has a very good cast (Nicholson, Turner, Anjelica Huston in an Academy Award winning performance, Robert Loggia and William Hickey) and it also was a box-office hit back in 1985. However despite this I didn't found it that interesting and probably for two major reasons: 1) It could have been funnier (2) It's just not that full of action scenes as a gangster movie should be. Now I am not saying I hated the movie, but I found the plot very complicated and for me it was hard caring at all about these murderers. Not a must see despite being directed by John Huston, but just a time passer.

The mafia-comedy hardly seems like a new idea in 2009, we've seen it done well ("The Sopranos"), done alright ("Married to the Mob" or "Analyze This") and done badly (any number of films, "The Godson" for example) and it practically seems quite an established film subject, even a cliché one at this point. However, to fully understand "Prizzi's Honor" if you've seen some of the latter day mafia-comedies that followed it, you have to understand that at one point it was a novel idea to make a movie where mafia dons and hit men were comedic fodder.

If you approach "Prizzi's Honor" expecting it to pick up where its successors left off, you're bound to be disappointed and will likely find it slow and its jokes stale. It's important to remember that this was the first major production to take the subject matter of "The Godfather" (high-level mafia families) and satirize it. It therefore must have seemed quite clever and groundbreaking in 1985 to lampoon the bizarre behaviors and concepts of honor that "The Godfather" and all its imitators had presented to us as reality. You really can't hold "Prizzi's Honor" accountable because so many others realized there was a satirical goldmine here and exploited it until the mafia-comedy film was as cliché as the mafia film, so when approaching this movie, I tried to remember nothing like this had really been done before.

Prizzi's Honor opens with a wedding scene, which is probably a nod to "The Godfather", but it is a very weak and plodding scene by any definition and especially in comparison to the masterpiece it emulates. From there it's mostly uphill though, as Nicholson's tremendous acting is just enough to suspend disbelief as his character, the son of a high ranking mafioso, has a wacky whirlwind romance with a dashing woman he meets at the wedding, only to discover she is mixed up in scamming his own mafia family and she's actually a hired killer just as he is, but that his love for her is so strong that her background doesn't matter. Dating the enemy becomes more and more of a tightrope walk and increasingly their genuine wedded bliss seems to be interrupted by their real world jobs, which would suggest they should see each other as a threat, and both of them typically deal with threats by homicide, leading to a quite funny problem that recurs throughout the film.

The film is very quirky, since it's basically making up a new style of film there's a lot of imagination and the plot itself doesn't fall into any clichés. However, it does exploit a basketful of mafia movie clichés, from the over-the-top Brooklyn drawl that Nicholson somehow pulls off to the corpse-like appearance of the decrepit yet ruthlessly brilliant Don Corrado Prizzi. As most of its successors have just combined mafia clichés with a basic plot, "Prizzi's Honor" seems quite fresh with its complex plot and wonderfully offbeat characters.

"Prizzi's Honor" seems to have fallen by the cinematic wayside, at least, it's not on too many short lists of great films, and its lackluster IMDb rating (6.8) rates it below or alongside many works it actually paved the way for. To some extent I think it suffers from the notion that very few good "serious" films emerged from America in the 80s aside from the stuff Woody Allen was doing. While to some extent this movie does seem to reflect some of the mid-80s film-making malaise, there is a lot of very clever work being done here, and this really is a movie worth remembering.