IMDb RATING
5.7/10
5.7K
YOUR RATING
Two New York City cops, Billy Wong and Danny Garoni, head to Hong Kong after the daughter of a rich businessman is kidnapped by the drug lord, Mr. Ko.Two New York City cops, Billy Wong and Danny Garoni, head to Hong Kong after the daughter of a rich businessman is kidnapped by the drug lord, Mr. Ko.Two New York City cops, Billy Wong and Danny Garoni, head to Hong Kong after the daughter of a rich businessman is kidnapped by the drug lord, Mr. Ko.
- Director
- Writers
- Stars
Becky Ann Baker
- Samantha Alexander
- (as Becky Gelke)
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Jackie Chan's strength is in my opinion his talent in performing action comedy and fighting in creative settings. This movie puts Jackie Chan in an average cop-action movie that hardly takes advantage of Jackie Chan's strength. If someone else has played the role that Jackie Chan played in this movie, the movie could be a decent one. But Jackie Chan's presence in the movie gives expectation of something else than what this movie is. This is the problem of this movie: using Jackie Chan in an unsuitable role; or on the flip side, giving the role to someone unsuitable for this movie, Jackie Chan.
(57%) Back in the mid 80's Mr Chan didn't much care for this movie as he felt it was made not fully utilising his talent, for which I can understand. Featured here there's none of his trademark comedic fights, or insanely dangerous stunts, instead we get a gritter, more typically 1980's R-rated American action flick with plenty of shoot-outs, fist fights and explosions. The level of strong language, along with quite a lot of nudity also sets this apart from the usual Chan flick, but I cannot say I didn't enjoy this. The action is solid with plenty of it, and for a medium budgeted 80's action flick this is better than average.
This movie is not Jackie's style at all.He is born to play cartoonish,witty characters in far fetched situations like in "Winners and Sinners",but this is just a cold,heartless,clich'ed,dull and boring American action movie.I once read the opening sequence hailed as being"a rival for James Bond films for elaborate thrills".The scene,which is a speed boat chase,is one of the most boring and dragged out action scenes I have ever seen,and the outcome(Jackie beind lifted from a helicopter out of the boat and it crashing into the other boat and exploading)can be seen coming a mile away.I also once read that Chan considered this one of his worst movies.I agree with him wholeheartdly.The ending title song(called the protector)is the worst title song I have ever heard.(those that have seen it will know,as long as they didn't switch off by then).And by the way,who exactly is he protecting?
This movie is a lot better than people say it is. Sure, it's not a typical Jackie Chan movie, but it's good anyway. It has lots of action and is better than most of the buddy cop movies of the 1980's. Don't expect this to be like all of his other movies and you may like it. I did.
Jackie Chan had no control of this movie (at least the American version). The director somehow thought that Jackie would come across better to audiences as a Dirty Harry cop! Didn't he realize that Chan is popular because of his stunts and kung-fu action? Apparently not, because in an interview years later, the director said he didn't regret his decision and kept claiming that Americans wouldn't accept Chan's Asian style.
Back in Hong Kong, Chan re-shot the movie extensively, adding car chases and kung fu action. He also edited out a lot of the American director's idiotic stuff. That version is supposed to be quite good. This American version? It's AWFUL! You'd never guess what Chan is capable of by just watching this movie. The action scenes here are *dull*. Yes, *dull*.
By the way, Chan next did POLICE STORY, as a "take that!" to that American director (James Glickenhaus, who hasn't done much lately. Hmm...wonder why....). See that movie instead of this!
Back in Hong Kong, Chan re-shot the movie extensively, adding car chases and kung fu action. He also edited out a lot of the American director's idiotic stuff. That version is supposed to be quite good. This American version? It's AWFUL! You'd never guess what Chan is capable of by just watching this movie. The action scenes here are *dull*. Yes, *dull*.
By the way, Chan next did POLICE STORY, as a "take that!" to that American director (James Glickenhaus, who hasn't done much lately. Hmm...wonder why....). See that movie instead of this!
Did you know
- TriviaJackie Chan's displeasure with the way this production went, would lead to him shooting his own police movie Police Story (1985) to much success.
- GoofsA gangster swinging a bat at Billy, in the massage parlor, changes in the subsequent shot.
- Quotes
Billy Wong: Give me the fucking keys
- Alternate versionsThe Japanese cut of the film, footage-wise, is virtually identical to the Hong Kong cut. However, the scenes in New York maintain their English dialogue, while the scenes that take place in Hong Kong (which is the bulk of the film) are in Cantonese. The biggest difference is that the Japanese cut is the only version to contain an end credits outtakes montage. This version has been available on laserdisc as well as a 2014 Japanese "Extreme Edition" blu-ray.
- ConnectionsEdited into Chu dao gui jing (1990)
Details
Box office
- Budget
- $5,000,000 (estimated)
- Gross US & Canada
- $981,817
- Gross worldwide
- $981,817
- Runtime
- 1h 35m(95 min)
- Aspect ratio
- 1.85 : 1
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