In the late '50s, young Ingemar learns a lot about life and himself when he is sent away from his sick mother to live with his aunt and uncle in a town full of eccentrics.In the late '50s, young Ingemar learns a lot about life and himself when he is sent away from his sick mother to live with his aunt and uncle in a town full of eccentrics.In the late '50s, young Ingemar learns a lot about life and himself when he is sent away from his sick mother to live with his aunt and uncle in a town full of eccentrics.
- Nominated for 2 Oscars
- 15 wins & 5 nominations total
- Ingemars mamma
- (as Anki Liden)
- Berit
- (as Ing-Mari Carlsson)
- Farbror Sandberg
- (as Leif Ericsson)
- Mannes farfar
- (as Arnold Alfredson)
- Farbror Arvidsson, Ullas far
- (as Didrik Gustavsson)
Featured reviews
This is a true story based on the life of a real child whose mother was a famous Swedish writer, who had a terrible temper and also died of a disease of the lungs. As a special, there is a delightful interview with the director which is insightful on several levels. He talks about what it was like working with the child actors and how natural they were about their work. He talked about how he only realized how unconsciously hooked into the film he had become after seeing it several years after completion. The reason given was that he too was the child of a famous writer/mom who needed her space and privacy. He too had children and then was divorced. So, on many levels he found the film a cathartic experience AFTER he had watched it in a theater and watched how other people responded.
What is clear about this film is that it is charming without being cheap or smarmy. The unpretentious manner in which a touching and sad story is told is such a joyful antidote to the average Hollywood film. Unlike most American films which say too much, are too loud and spoon feed all thinking into the audience with the assumption that we are dumb, insensitive and unable to connect the dots, this drama delights with it's simplicity, allowing the drama to come to us in an unhurried telling. This film won several awards and most deserving it was. At the end we both cry and smile at the outcome. What is strengthening to know, is that the real life boy whose story this is, thrived. A really great film indeed.
There are no car chases, shoot-outs, or space aliens in this film. This film is about real life, about growing up, and about children's sexuality. It is told wonderfully well, from a child's perspective.
A magnificent film.
As charming as a film of this sort can be, despite the episodic nature of the telling. All of the performances are right on target and the director has woven a tapestry of individual scenes that sparkle with truth and innocence. Makes you examine your own childhood feelings of loneliness or rejection--and the explorations that all of us are subject to.
By all means, a film worth watching. I hope to see it again--and this time from the very beginning. I missed some of the film and would like to see the complete work.
The story is very simple and mainly because of that it all feels very real and heartwarming. Once you have started watching this movie you can't keep your eyes of it. It's a movie you'll easily fall in love with. The movie is filled with some great, emotional and heartwarming moments that are never exaggerated or overused in any kind of way.
There are some great characters, both adults and kids. I think that is the main reason why this movie is great to watch for adults as well as children. The characters are easy to relate with thanks to the "real" feeling of the movie.
A movie that'll not easily forget.
8/10
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Anton Glanzelius is good as the 12-year-old who not only stars in the movie but does a good job narrating it as well. When he finds himself in a tough situation, he always compares himself to something worse, such as a Soviet space dog and its unfortunate lot. The tomboyish-looking young girl who flirts with him, Melinda Kinnaman, is fun to watch, too. I wonder what she looks like now as an adult?
For kids that young, I thought there was a little too much emphasis on sex, but mostly it's just natural curiosity of what the other sex looks like, and the intentions are innocent.
Overall, it is a charming film with almost all (one exception: his older brother) likable people.
Did you know
- TriviaThe only film that year to be Oscar nominated for Best Director, but not Best Picture.
- GoofsA part of the helicopter can be seen while Ingmar is sitting on the train down to his uncle for the second time
- Quotes
Ingemar: In fact, I've been kinda lucky. I mean, compared to others. You have to compare, so you can get a little distance from things. Like Laika. She really must have seen things in perspective. It's important to keep a certain distance. I think about that guy who tried to set a world record for jumping over buses with a motorcycle. He lined up 31 buses. If he'd left it at 30, maybe he would have survived.
- ConnectionsFeatured in The Cider House Rules: The Making of an American Classic (1999)
- SoundtracksFar, jag kan inte få upp min kokosnöt
(original song title "I've Got a Lovely Bunch of Coconuts")
Written by Fred Heatherton (joint pseudonym of Elton Box, Desmond Cox and Irwin Dash) (uncredited)
Swedish lyrics by Povel Ramel
Performed by Povel Ramel (uncredited)
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Details
Box office
- Gross US & Canada
- $8,345,266
- Opening weekend US & Canada
- $11,667
- May 3, 1987
- Gross worldwide
- $8,349,284