Ma vie de chien

"Mit liv sum hund" directed by talented director Lasse Hallström is one of the reasons why I like Scandinavian movies so much. They always have this "real" feeling without ever overdoing things like in Hollywood movies often is the case.

The story is very simple and mainly because of that it all feels very real and heartwarming. Once you have started watching this movie you can't keep your eyes of it. It's a movie you'll easily fall in love with. The movie is filled with some great, emotional and heartwarming moments that are never exaggerated or overused in any kind of way.

There are some great characters, both adults and kids. I think that is the main reason why this movie is great to watch for adults as well as children. The characters are easy to relate with thanks to the "real" feeling of the movie.

A movie that'll not easily forget.

8/10

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"MY LIFE AS A DOG" is certainly my best film. Especially when I feel somehow composed, this movie always let me notice that such an uneasiness in my heart has been washed by an extremely tender way. Instead of the eradicated dirtiness, unconsciously I get full of warm affection and mildness. About each occurrences in this movie, however, I cannot describe which scene is the most impressive, the sad, or comical, because I think there is no exactly deliberate scene but just a boy's thought and life with his mother, brother, pet dog, other relative, friends, and other villagers.

The very basic natural humanity is vividly presented through those people. For example the boy, who is the main character, is normally of sensibilities and admirable as a 12 years old child. He is sometimes mischief and shows curiosity about girls, other time weeps missing his mom and his pet dog. While the boy seems to be about to get the sadness over and be going to grow mentally as well in the village. Because the people, to say the least, love to share something amusing with others.

Therefore I say that the heartwarming wonderfulness produced by this movie lies in the whole elements. Any fragment cannot be separated even bright sun ray particle in a car, roof fixing noise, and so on. Every details have a reason for being in the movie actually, so feeling moved comes slowly and deeply, top that off, gently. To get a mild temper, this is one of superb movies. For me, this is the best.

In 1950s Sweden a 12 year old boy Ingemar (Anton Glanzelius) is sent to live with relatives. His father is away and his mother is slowly dying of some unnamed disease (I think it's tuberculosis) and can't handle him (he's VERY mischievous and always getting in trouble). With his relatives he grows up and learns how to deal with life, love, feelings of abandonment, sex etc etc.

Sounds pretty obvious but it isn't. This film is beautifully directed by Lasse Hallstrom and perfectly captures what it's like to be a young boy growing up. That it takes place in 1950s Sweden makes no difference--all young boys go through the feelings and emotions shown in this movie. Some posters have complained about a (brief) instance of a topless young girl. Well--like it or not, kids that age DO think about sex and do "explore" their feelings with other kids. I actually think it's great that this film didn't shy away from that subject. Glanzelius is just great in the role and has a VERY expressive face (some of the looks he gives are fascinating and hilarious too). An excellent film.

This was a surprise hit in the US in 1985. It was so big Glanzelius actually toured the country with his parents to promote the movie. I remember seeing it in 1985 and loving it--it still holds up. A must-see.

This is an emotionally powerful (and sad) film about a boy coming to terms with the fact that his mother, who he loves dearly, is dying. It is also about being a child in a world where everyone older than you treats you with great condescension. Adults make decisions affecting his life without so much as asking for his opinion. No one talks about death, but it is in the back of his mind at all times. Everyone tries to hide what is really going on, as if "what you don't know won't hurt you", but the boy is hurting badly.

There are no car chases, shoot-outs, or space aliens in this film. This film is about real life, about growing up, and about children's sexuality. It is told wonderfully well, from a child's perspective.

A magnificent film.

This odd little film relates the story of Ingemar, a boy who learns about life, death, loss, and practically everything else. The boy is a charming little fellow, and all the odd people he meets are also charming in their own ways.

Because his mother is dying and his father is off in some other part of the world, he and his brother are split up. Ingemar goes to live with relatives in another town. There he must learn the meaning of the strange things that happen in life. He develops a simple but profound philosophy: no matter what happens to him, "It could have been worse." He even has to deal with the thought that he was not wanted by his parents. He distances himself from the pain in his life by comparing his predicaments to things he has heard about in the great, strange world beyond the little town where he lives.

This is an amusing, quaint film that shows us that life goes on no matter how difficult and hurtful it seems. Not only that, we can smile like the little boy in the face of all adversity.