L'Homme à la Chaussure Rouge

Keep your expectations in check and you won't be disappointed. This film was hilarious! While not the best vehicle for Tom Hanks to show his talents, the movie's pacing, score, visual style, sound effects, and black humor were extremely effective. James Belushi was at his comic best as Hanks' best friend whose facial expressions constantly suggest he doesn't have a clue as to what's going on, but he's still probably the sanest person in the film. Well worth a look, despite what the other over-critical reviewers had to say.

If there is a lesson to be learned by Hollywood is not to try to remake whatever was already made, and better. Which seems to be a lesson American movie people seem to forget. The criteria might be that the original film didn't reach a wide American audience, thus the reason for the remake, but frankly, neither Stan Dragoti, the director, or Robert Klane, its adapter, put a dent in what Francis Vever and Yves Robert achieved with the original.

Then again, if one hasn't seen the French film of the same name, this comedy will appear to be the real thing. In fact, there are hardly any laughs in the film. The best sequence involves the Richard and Maddy in the seduction scene where some of her hair is caught in a zipper.

In a way, this was Tom Hanks' third film as a lead man. One can't blame him because he is bogged down by a screen play that could have been better. Tom Hanks pales in comparison with the original Pierre Richard, who was a better comedian.

The cast shows several familiar faces, Dabney Coleman, Charles Durning, Edward Herrmann, John Belushi, but ultimately the ones that fare better in the film are Lori Singer and Carrie Fisher in smaller roles, but ones that afford these two actress good opportunities in which to shine.

Stick with the original version if you can find it in DVD format.

OK, it's not the most brilliant piece of art in the world, but neither is it the turkey that the video guides make it out to be. It's a cute spy-cliché spoof with good performances from Hanks, Durning, Coleman, Belushi, Herrman and particularly Tom Noonan as the deadpan Agent Reese. Super music by Thomas Newman (one of his first scores), an elegant string of sight gags featuring Belushi and a couple of corpses, and a sweet ending scene more than make up for the underlying silliness of the plot and a handful of flatly delivered lines. Good to watch on a Sunday afternoon when you need to occupy your mind, but not TOO much.

There is a rivalry between Burton Cooper (Dabney Coleman) and his boss CIA director Ross (Charles Durning). Maddy (Lori Singer) is one of Cooper's agents. Cooper is able to doublecross Ross by getting a CIA agent arrested for cocaine smuggling in Morocco. The Senate calls on Ross to testify and he has 48 hours. Ross intends to misdirect Cooper by sending him on a wild goose chase. Ross' second Brown (Edward Herrmann) picks random guy at the airport, Richard Drew (Tom Hanks), the man with one red shoe. Richard is a violinist having an affair with his best friend Morris (Jim Belushi)'s wife Paula (Carrie Fisher). Cooper swallows the bait whole as his team struggles to discover what evidence Richard has against him.

Tom Hanks is playing an everyman. If this movie works at all, it is due to his charms. At times, it tries to be a screwball comedy but it never gets to be outright funny. It's nice ... like Hanks. He's never unleashed and neither is the movie.

In this remake of the French comedy "The Tall Blonde Man with One Black Shoe", Tom Hanks plays a violinist who randomly gets selected as a spy, leading the government to turn his life upside down. There are certainly some really funny scenes here - namely anything involving plumbing - but it's really undesirable when Hollywood remakes a foreign movie. "The Man with One Red Shoe" is pretty characteristic of Tom Hanks's career before he got into serious roles: innocuously silly.

So, I recommend the original, but this one isn't bad. Just don't expect any kind of religious experience. Also starring Lori Singer, Dabney Coleman, Charles Durning, Edward Herrmann, Carrie Fisher, James Belushi and David Ogden Stiers.