Série noire pour une nuit blanche

Goldblum plays an insomniac who one night goes to the airport on a whim, thinking' about going to Vegas. He runs into feisty Pfeiffer who's running for her life and what follows is his most memorable night ever.

While director Landis isn't always 100% successful at balancing the humor with explicit violence, Into the Night has enough memorable moments to fully compensate and make it a fun filled and suspenseful ride. Goldblum and Pfeiffer play extremely well off each other and supporting actors are plenty and all very good; David Bowie especially memorable in a small cameo and those assassins are quite literally hilarious.

It's rather nasty at times and some scenes kinda' leave you with a bad taste in your mouth, but overall it's a well written yarn that always keeps you on the edge of your seat.

Plenty to enjoy here in this escapist movie. Goldblum & Pfeiffer are fun in the main roles. Suspend belief and take the exciting journey that Goldblum has with Pfeiffer. Look out for the running joke with many famous directors in cameo roles. Look out for David Bowie and Carl Perkins in a knife fight (is this a metaphor for traditional rock v glam rock?). Although an escape action drama it has plenty of amusing scenes eg. the hoods eating peanuts and breaking candy with their guns.

And the title track and soundtrack by the worlds best blues guitarist -BB King.

This movie is a lighthearted romp! It is filled with laughs, some brilliant physical humor (who knew John Landis was a comic-action actor?), sudden surprises and a phenomenal cast.

And, as a little teaser to make you rent the theatrical version, Michelle Pfeiffer's only known nude scene! TSK, TSK, where she hid those gems!

Jeff Goldblum gives a deadpan performance that is perfect. It fits this movie, it fits his style, and at times it is just hilarious. Probably his best role ever.

The amazingly diverse cast includes Dan Aykroyd, David Bowie, Jim Henson, Paul Bartel, Carl Perkins, Bruce McGill (as Elvis!), Irene Papas, Vera Miles, Richard Farnsworth, Kathryn Harrold, Jake Steinfeld (Body By Jake) and even Clu Gulager! WOW!

But there's added richness for the film buff. Landis cast no fewer than 15 Hollywood directors in this film, plus himself! You can spot Lawrence Kasdan, Jonathan Demme, Paul Mazurski, Amy Heckerling, David Cronenberg, Roger Vadim, Jonathan Lynn, Jack Arnold, Don Siegel, Andrew Marton, Richard Franklin, Colin Higgins, Jonathan Kaufer and Carl Gottlieb.

Director Daniel Petrie even plays the director of a film-within-the-film, with the assistant director of this film, David Sosna, playing the assistant director of that film. There are cinematographers, writers and make-up artists, too, including Rick Baker, the first make-up artist ever to win an Oscar for his craft.

Too few people know about this sleeper. It's fast paced, funny and beautifully filmed. Rent it. You'll love it.

'Into the Night' stands as one of my favourite films of the '80's. In fact it stands as one of my most favourite films ever. Why? To be quite honest, I'm not sure why. It wasn't the best concept or script, the performances are okay -(with the exception of Goldblum who is outstanding)- and even John Landis' direction was at times on cruise control.

But what it did in 1985, was to reflect so much of what was going on. The ruthless drive for efficiency that makes Okin's aerospace company so demanding, the 'me' approach to relationships that results in Ed's wife's adulterous behaviour, the worship of fortune that dominates Diana's life and drives her so relentlessly - until Ed brings her something a little more worthwhile.

It had the right look, the right feel and the right cast to make you smile and go along with the goodtimes and the in-jokes between peers of the movie establishment. Here was a collection of successful players in Hollywood showing just how slick movie-making could be.

The screenings must have had the feel of a home movie with most of the cast sitting in the theatre enjoying their various cameos. Bowie, Cronenberg, Kasden and of course Landis himself, all doing it for their own.

I loved it when I first saw it and I'll be buying the DVD in Sept '03 when it finally appears. Is 'Into the Night' a great film? Probably not, but it makes me feel great everytime I take that ride to LAX in the little white Fiat...You had to be there.

Aerospace engineer Ed Okin can't get any sleep. He's in a rut, professionally and personally. After discovering his wife in flagrante delicto with another man, Ed drives out to LAX. He has no real plan in mind; maybe he'll go to Vegas. In the airport car park, he comes across Diana, a jewel thief on the run from a gang of vicious Iranian villains. He saves Diana, becoming entangled in a complicated web of malfeasance. Will Ed and Diana make it through the night alive?

Directed by John Landis from a screenplay by Ron Koslow, 'Into the Night' is an offbeat crime comedy, a little like Martin Scorsese's 'After Hours' or Jonathan Demme's 'Something Wild.' Like those two films- which were released after Landis's- it follows an ordinary man thrust into an extraordinary situation. Okin is tired of the dull routine his life has become. After meeting Diana, he rediscovers excitement- and the will to keep on going- through his spontaneous journey into the Los Angeles underworld.

In this way, the theme of escapism is cleverly interwoven into the narrative. Okin's mundane existence is suddenly replaced by a thrilling escapade unfolding under the cover of darkness. This transition, from the banality of his daily routine to the unpredictability of the night, reflects a deep-seated desire to break free from the shackles of conformity. Similarly, the film delves into the search for meaning in life, as Okin embarks on a quest that is as much about self-discovery as it is about survival. The night becomes a metaphor for the unknown, a space where the characters are free to explore their identities away from the prying eyes of society.

If one were to explore the film's thematic content further, one could say Okin's chance encounter with the uninhibited Diana acts as a catalyst for an existential awakening. The film's portrayal of the night as a metaphorical journey from desolation to discovery is compelling, suggesting that, sometimes, one must be lost in the darkness to find the true light of life. This is a resonant theme, as everyone, at some point, yearns for an escape from the monotony of their daily lives. Landis captures this universal longing with a winning blend of humour and suspense, making proceedings all the more engaging.

Moreover, Koslow's dialogue sparkles with clever banter and funny lines, while his characterization- with particular regard to the supporting roles- adds another layer of humour, with each character bringing their own quirks and idiosyncrasies to the table. From the bumbling hitmen to the eccentric Hollywood figures Okin and Diana encounter, the film revels in the absurdity of each situation and character. The juxtaposition of comic and dark elements is a hallmark of Landis's direction, creating a film defying easy categorization; remaining memorable long after the credits roll.

However, it is not without its issues. The narrative feels meandering, with a tendency to wander as aimlessly as its protagonist through the sprawling Los Angeles nightscape. This occasionally results in a loss of momentum, leaving the audience yearning for a tighter storyline. Additionally, a plethora of side characters are introduced who, while colourful, sometimes distract from the central plot and lack depth and development. While this ensemble adds to the film's depiction of Los Angeles life, it also dilutes the impact of Okin and Diana's journey.

Having said that, Robert Paynter's cinematography perfectly captures the dichotomy of Los Angeles' glossy veneer and its shadowy underbelly. He brings a kinetic energy to the night-time escapades, with neon lights and the city's luminescence painting a backdrop that feels both dreamlike and gritty. The use of shadows and light not only adds to the film's noir aesthetic but also symbolizes the characters' journey from ignorance to enlightenment.

Furthermore, the soundtrack- featuring the likes of B. B. King, The Four Tops and Marvin Gaye- complements the film astutely. The bluesy tunes underscore the film's themes of loneliness and the search for connection, while the more upbeat tracks accompany the film's action sequences, adding a layer of excitement to proceedings. Moreover, Ira Newborn's original score acts as an emotional guide for the audience, subtly influencing our perception of the characters' experiences and the stakes of their adventure.

The film stars Jeff Goldblum as Okin, alongside Michelle Pfeiffer as Diana. Portrayed with a weary charm by Goldblum, Okin is the quintessential everyman, lost in the ennui of modern life. His character's evolution from a passive observer to an active participant in his own story is relatable; and Goldblum pulls it off with ease. Pfeiffer's pitch perfect performance as Diana is the ideal foil to Okin's inertia. With her quick wit and captivating allure, she embodies the excitement and danger that he craves. Their dynamic is the driving force of the film, as each character finds in the other something they didn't realize they were missing.

The chemistry between Goldblum and Pfeiffer seems genuine, providing a grounding human element to the film's wilder comedic escapades. As they navigate the night's challenges, their interactions offer moments of connection, underscoring the film's exploration of loneliness and the human need for companionship. Additionally, the numerous supporting characters are each and all realized brilliantly. Paul Mazursky's performance as a sleazy director and Kathryn Harrold's as an actress friend of Diana's are the stand outs, as well as Richard Farnsworth's as a millionaire and David Bowie's as a mysterious hitman who- as in David Lynch's 'Twin Peaks: Fire Walk with Me'- is given too little screen time.

Despite its meandering narrative and a surplus of side characters, John Landis's 'Into the Night' is compelling, unpredictable and comedic. Its exploration of themes such as escapism and the search for meaning- paired with standout performances by Jeff Goldblum and Michelle Pfeiffer- make it an engaging, entertaining watch. Boasting fine cinematography from Robert Paynter, as well as a stirring score, it works on nearly every level, and surely is a night to remember.