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While an unfaithful criminal lawyer considers killing his wife, his spouse develops some schemes of her own.While an unfaithful criminal lawyer considers killing his wife, his spouse develops some schemes of her own.While an unfaithful criminal lawyer considers killing his wife, his spouse develops some schemes of her own.
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ANTHONY HOPKINS is the mentally agile lawyer who is continually thinking up ways to get rid of his wife, the fashionable and elegant BLYTHE DANNER. Evidently, their stormy marriage is at a breaking point and he decides he must plot her demise rather than go through with a messy divorce.
But what follows has enough plot turns to hold your interest, although the device of having Hopkins weigh all considerations against a trial lawyer (Hopkins in a dual role) gets a little tiresome after awhile. Not that he isn't a compelling actor whether playing the lawyer or the prosecutor, and he does create sympathy for a very detestable man.
The plot takes quite a surprising turn when SWOOSIE KURTZ shows up as his mistress, another very calculating character who has some surprises of her own to throw into the mix.
It all has the feel of a poor man's DIAL M FOR MURDER, showing its TV origins within some narrow settings. But you have to give credit to the writers who keep the tale spinning right until the sudden finish.
The cat-and-mouse byplay between husband and wife is reminiscent of the sort of banter between Laurence Olivier and Michael Caine in SLEUTH, but the overall result is not quite as clever.
But what follows has enough plot turns to hold your interest, although the device of having Hopkins weigh all considerations against a trial lawyer (Hopkins in a dual role) gets a little tiresome after awhile. Not that he isn't a compelling actor whether playing the lawyer or the prosecutor, and he does create sympathy for a very detestable man.
The plot takes quite a surprising turn when SWOOSIE KURTZ shows up as his mistress, another very calculating character who has some surprises of her own to throw into the mix.
It all has the feel of a poor man's DIAL M FOR MURDER, showing its TV origins within some narrow settings. But you have to give credit to the writers who keep the tale spinning right until the sudden finish.
The cat-and-mouse byplay between husband and wife is reminiscent of the sort of banter between Laurence Olivier and Michael Caine in SLEUTH, but the overall result is not quite as clever.
As my brother might say, "This has more twists than a bag of pretzels."
I wasn't expecting much and came out with feeling of extreme satisfaction, for this film is great. The beginning is a little slow but it soon picks up speed quickly and then you are on the edge of your seat.
Some people said 'GuiltyConscience' was predictable, but I severely disagree. Not only did Ihave no idea was was going to happen, but I gasped out loud at several points. The plot was simple but complicated. Hopkins was fantastic as the scheming husband and cross examiner. The rest of the cast was excellent as well. Thoroughly entertaining.
Check this film out if you are looking for interesting mystery-drama; you won't regret it.
I wasn't expecting much and came out with feeling of extreme satisfaction, for this film is great. The beginning is a little slow but it soon picks up speed quickly and then you are on the edge of your seat.
Some people said 'GuiltyConscience' was predictable, but I severely disagree. Not only did Ihave no idea was was going to happen, but I gasped out loud at several points. The plot was simple but complicated. Hopkins was fantastic as the scheming husband and cross examiner. The rest of the cast was excellent as well. Thoroughly entertaining.
Check this film out if you are looking for interesting mystery-drama; you won't regret it.
Hopkins always delivers his svelte, arrogant and yet intimidating and refreshing self to any performance. Blythe Danner as his beleaguered wife, in an unhappy marriage. Hopkins, an esteemed trial attorney, plays the Socratic "what if?" hypothesis game with himself, as he debates how to rid himself of his bothersome wife.
Blythe Danner, however, is an equal match. She is not to be fooled. She utilizes her patrician hauteur and surprise when she discovers his one (of several) mistresses. Swoosie Kurtz portrays a young sometime lover, Jackie, who at first seems to be in league with Hopkins. She plays the damsel in distress, and Danner is intrigued.
There is an interesting twist at the conclusion, which I will not spoil. Suffice to say, well worth watching for murder and mayhem as only Anthony Hopkins can project on the screen. 8/10.
Blythe Danner, however, is an equal match. She is not to be fooled. She utilizes her patrician hauteur and surprise when she discovers his one (of several) mistresses. Swoosie Kurtz portrays a young sometime lover, Jackie, who at first seems to be in league with Hopkins. She plays the damsel in distress, and Danner is intrigued.
There is an interesting twist at the conclusion, which I will not spoil. Suffice to say, well worth watching for murder and mayhem as only Anthony Hopkins can project on the screen. 8/10.
Fans of Anthony Hopkins will delight in this carefully staged teleplay. Fans of Blythe Danner will also be pleased to see a favorite character actress given more screen time than usual.
Although the plot is fairly standard and the events mostly predictable, it comes off much better than say your average Perry Mason or Columbo Movie. Hopkins, as a high-priced, high-power attorney, is delightful as he comically and and viciously destroys his own plans for his wife's murder. The play succeeds in its own ability to recognize its weaknesses. Unlike most television mysteries where the audience is asked to ignore the plot holes and revel in the detective's brilliance at spotting the clue and solving the crime, this play takes pride in pointing out its own holes as it goes along. As an audience participation spectacle, it is fun to play along, spotting the holes before the characters do. Overall, it's a bit static, with the vast majority of the action never leaving the main house, and cynics will find fault or boredom with the events leading up to the conclusion. But fans of the genre, or of Hopkins, will no doubt remain intrigued and find the ending quite satisfying. The whole play comes off much like the great Olivier and Caine character study, "Sleuth" and those who have seen that longish masterpiece know what kind of a compliment that is, and will also appreciate that this is 34 minutes shorter.
Mystery fans can do much worse for an evenings entertainment.
Although the plot is fairly standard and the events mostly predictable, it comes off much better than say your average Perry Mason or Columbo Movie. Hopkins, as a high-priced, high-power attorney, is delightful as he comically and and viciously destroys his own plans for his wife's murder. The play succeeds in its own ability to recognize its weaknesses. Unlike most television mysteries where the audience is asked to ignore the plot holes and revel in the detective's brilliance at spotting the clue and solving the crime, this play takes pride in pointing out its own holes as it goes along. As an audience participation spectacle, it is fun to play along, spotting the holes before the characters do. Overall, it's a bit static, with the vast majority of the action never leaving the main house, and cynics will find fault or boredom with the events leading up to the conclusion. But fans of the genre, or of Hopkins, will no doubt remain intrigued and find the ending quite satisfying. The whole play comes off much like the great Olivier and Caine character study, "Sleuth" and those who have seen that longish masterpiece know what kind of a compliment that is, and will also appreciate that this is 34 minutes shorter.
Mystery fans can do much worse for an evenings entertainment.
This movie will mess with your head, and you'll be delighted about it! A true sleeper, Guity Conscience is a bit talky, but delivers a deliciously tongue-in-cheek story of a prominent criminal attorney's (Anthony Hopkins) attempt to devise the perfect murder. His intended victim is his wife (Blythe Danner). Their marriage is anything but blissful, and their early interplay is civil yet icy.
Into the mix comes Hopkins' ditsy girlfriend, wonderfully played by Swoozie Kurtz, who may be much smarter than she seems. Soon the surprises start coming out of nowhere (or do they?) and the many clever plot twists along the way lead up to an equally unexpected finish. Nothing is what it seems, or is it? Finding out the answer is great fun.
A WARNING- Most DVD versions that I've seen of Guilty Conscience are very poor, both in sound and picture quality. This will detract from the viewing enjoyment, so it's worth searching out a good one.
Into the mix comes Hopkins' ditsy girlfriend, wonderfully played by Swoozie Kurtz, who may be much smarter than she seems. Soon the surprises start coming out of nowhere (or do they?) and the many clever plot twists along the way lead up to an equally unexpected finish. Nothing is what it seems, or is it? Finding out the answer is great fun.
A WARNING- Most DVD versions that I've seen of Guilty Conscience are very poor, both in sound and picture quality. This will detract from the viewing enjoyment, so it's worth searching out a good one.
Did you know
- TriviaTV Guide gave a rave review, writing "Tightly plotted, flawlessly paced and clever rather than gimmicky, Guilty Conscience is the sort of Hitchcock homage that can hold its own against the master's work."
- GoofsWhen Arthur shoots Louise, the gun is pointed downward, but when shot she grabs her left lower chest. He would have shot her in the waist or lower.
- Quotes
Arthur Jamison's Double: Isn't it a fact that you are one of the prominent criminal attorneys in the state if not the country?
Arthur Jamison: Guilty!
Arthur Jamison's Double: Beg pardon?
Arthur Jamison: You make it difficult to be modest, counselor. Since I am under oath I'm simply agreeing with you.
- ConnectionsReferenced in Le silence des agneaux (1991)
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