Finnegan remet ça

Robert Preston, "Lonelyhearts newswriter" discouraged, sour on life, caretaker to his wife of many decades; Sylvia Sydney, in a role of heartbreaking depth, his wife, slipped in dementia; Mary Tyler Moore, the woman who's had it all go wrong, together in a story of life at its ending and its beginnings. Superb.

FINNEGAN BEGIN AGAIN was a delightful made for HBO TV movie about a lonely advice columnist (Robert Preston in a lovely performance), trapped into caring for his senile wife (Sylvia Sidney) who develops a relationship with a woman (Mary Tyler Moore) who is equally trapped in a dead end affair with a married man (Sam Waterston). This movie lovingly tells the story of two desperately lonely people, trapped in lives they don't know how to get out of and find solace and friendship in each other. The movie is well-written and directed and the stars, particularly Preston, are just wonderful. I don't know if this one is on DVD but it should be. If you can find it, try to catch this underrated gem.

Robert Preston is in so many movies I like with so many of my favorite leading ladies, that he's become one of my most favorite leading men! He's so great at playing a guy that we love to love, one that we root for!

And Mary! Mary, Mary, Mary...Dear, sweet Mary, as her TV co-stars would say- is at her sweetest here. I've never seen such tenderness from her, so much so, that it has made me see her in a whole new light. I have always been her fan, which is why I watched this movie in the first place, but here, she made me want a hug! She made me want her to hold me, she was so kind and understanding and tender, that I totally understood why the men in this film were so crazy for her- and it wasn't just cause she could turn the world on with her smile! This is one of her best roles!

This is one of those simple little films that is all about character development. It's a slow-burning love-triangle, romance movie, that's a little rough around the edges in some ways, but ultimately very good. This is a film that builds empathy, as it's easy to see oneself in the predicaments of the characters. This is a film that will have raised ones emotional IQ by the time it's over. It's a sweet film, filled with heavy themes, done with a light touch and a dash of humor.

My favorite lines in the movie:

MTM: "I love you for doing my ironing!" Robert P.: "Now say it again, for no reason at all." MTM: "I love you, for no reason at all!" *Both break into laughs*

And that about sums it up!

Recommended!

Typical Robert Preston acting at his best then add MTM and you have one great movie. Preston seems to be in a rut at work and at home with his ailing wife who is senile and refuses to throw anything. MTM is in almost the same boat but is widowed and having an affair with a funeral parlor owner. And their affair is going nowhere at all. Eventually Robert Preston and MTW meet and start sharing their secrets and lives. Movie is clean and well written, made for both Preston and Moore. The movie touches every nerve in your body with humor, sadness and everything in between. These two old acting pros make this movie shine. Highly recommend seeing it if you can find it. Very rare !

Home Box Office was still finding its footing in 1985 in regards to its original programming, but the romantic comedy "Finnegan Begin Again" was a bright spot for the cable network, a snug cross between a movie-of-the-week and a less-sensational film meant for theatrical release. Robert Preston does wonders with an impossible creation, that of Michael Finnegan, who might best be described as a cynical optimist (his anonymously-written advice column is tart and brutally truthful, while he skips along the crime-ridden streets of Virginia with joie de vivre); Mary Tyler Moore is a teacher having an affair with a married man who crosses his path. Walter Lockwood's teleplay, an original, is filled with interesting conversations and amusing repartee that bring out the best in both Preston and Moore (this was the warmest and most approachable Mary had been in some time). One particular scene of slapstick nonsense threatens to mar the film, and Sam Waterston is all over the place as Moore's married lover, but the main focus is on the satin-and-sandpaper relationship between the two principals, and they make the film worthwhile.