Death Warmed Up

This one was made 3 years before Peter Jackson's Bad Taste and was the first horror coming out of kiwi-land New Zealand. So for the real collectors it's a must have and for somehow it wasn't that easy to find a copy of it. There are a lot of bad copies to find and even mine was a bad copy even as it was a DVD release. Is it worth searching, well, there's splatter in it but overall it bored me a lot and I had the skip button ready in my hand. If you see what Peter Jackson did 3 years later that is unforgettable but here the storyline is really stupid, it's all about the gore but again, made in 1984 it could have done much better. There's a bit of nudity in it but don't mentionable. If you are a hunter for splatters than you must have it in your collection or for being the first kiwi-horror. Don't expect some kind of eighties German splatter or Jackson splatter, just watch it and forget it.

"A deranged scientist is on a remote island working on his experimental brain procedures on human test subjects. Unfortunately, many of the patients suffer side effects from the procedure that transforms them into murderous zombies. Arriving on the island is a group of youths that include the son of the scientist's chief rival. Years before, the mad doctor had hypnotized the youth and had him murder his own father, so the young man has come to track down the scientist and make him pay," according to the DVD sleeve's synopsis...

If he'd only added some exposition, director David Blyth might have had something with "Death Warmed Over". It has style and promise - like in, for example, the scene where Michael Hurst (as Michael Tucker) and his friends are pursued by a couple of motorcyclists in the underground Australian tunnels. The story is way too distant, though. Villainous doctor Gary Day (as Archer Howell) and the arousable young Hurst seem to have had some past sexual relationship ("You're all sweaty, let's get you cleaned up"). Perhaps, since he strokes his walking stick while watching kids at play, the mad doctor started early with Hurst?

***** Death Warmed Over (11/84) David Blyth ~ Michael Hurst, Margaret Umbers, Gary Day

Seven years after gunning down his parents, Michael Tucker (Michael Hurst) is released from his padded cell and goes looking for revenge on the man responsible for turning him into a killer: deranged scientist Dr. Archer Howell (Gary Day), who now runs an island-bound institution where he operates on the inmates, turning them into crazed zombies.

I remember thinking that New Zealand horror Death Warmed Up was a pretty weird film way back when it was first released on VHS, with its all-over-the-place plot, oddball characters and gaudy, '80s 'plastic and neon' aesthetic; thirty years later, and the film's new-wave punk style and aimless story-line seem even more bizarre. There's a little fun to be had with the gore—an exploding head, some bloody squibs, random brain surgery, an impalement etc.—and we also get some gratuitous nudity and sex, but on the whole, this is way too shambolic to be considered anything but a failure.

Interestingly, Death Warmed Up was made three years before Peter Jackson's classic debut, splatter-fest Bad Taste, making me think that the Lord of the Rings director saw this back in the day and thought to himself, 'I can do better than that!'. And you know what? He could!

3.5/10, generously rounded up to 4 for Ranji Gandhi (Jonathan Hardy), the Indian character who looked and sounded like something out of '70s TV series Mind Your Language.

I bought this on Amazon.Com, and watched it last night, not knowing at all what to expect. And I must say, I liked it.

Ten years ago, Michael was hypnotized by a very unstable doctor into killing his own parents. Then he is locked up in the mental institution for it. In the present (or the present time of the movie) Michael, his girlfriend Sandy, and their friends Lucas and Jeannie head to an island for a vacation, where the doctor has moved his work to, and has started a new experiment in reprogramming people's minds. And Michael wants revenge for what was done to him, planning to kill the doctor. But they still plan to have a fun vacation, too. (I told you the movie was strange.) Anyway, when they get there, they see how the doctor has taken over the island, and then get themselves involved in some risky business to find the doctor, which leads to chases, attacks, and some all-around good scares.

I wasn't sure I liked this movie, but now I think I did. Some of it was weird, and I didn't understand every aspect, but it was still exciting. The chase scene in the tunnels was great, as was the attack on the pub. The characters were all likable, and the acting was surprisingly good. Of course, there's no denying that this is a B-movie, but it's well done. Towards the end, it gets sort of weird, and actually sort of tense, because you don't know if Michael is crazy or what, because he is pushed to the edge in this movie. But luckily, he isn't the only one in the spotlight. Everyone seems to be a star. Sandy, his girlfriend, is a great character, even though she manages to really set in with the waterworks towards the end of the movie. I think she cries for five minutes straight.

The actual ending is odd, but really good. I didn't understand what the deal was with Michael at that point, but it was still pretty cool, and the slow-motion of Sandy running seemed to have a weird effect. Overally, a pretty good movie. I'd recommend it, but don't try to understand it all.

These revenge, gore-fest movies are all a little the same. It starts with no real motivation for the initial actions. The mad scientist is just mad. Still, he seems to have plenty of money for his sick research. What is his product? A bunch of zombie characters. Do we really need some of these? Anyway, the hero(?) drags his pals into his effort to avenge his father and mother's murders (actually, he committed them under the doctor's influence). Then there's the agony and the pain that goes on and on and on. People are dismembered, stabbed, burned, one after the other. I don't get the attraction. Why do audiences want so much of this? In the end, we're left wondering about a lot of things. There are no real answers. Maybe it's just obsession. Who knows.