Raison d'état

This taut, underrated little thriller might be called a British version of "The Parallax View". Ian Bannen plays a Profumo-like MP targeted by the security services because he knows too much. His career is ruined by muck-raking reporter Gabriel Byrne but the latter's determination to get to the bottom of the story, and his guilt at the death of a colleague (the superb Denholm Elliott), lead him down unexpected political byways...

"Defence of the Realm" can boast excellent location work and a convincing recreation of the vanished world of the "old" hard-drinking Fleet Street. The tone becomes darker and more claustrophobic as the film goes on and the apolitical Byrne enters a paranoid world of car headlights in the rearview mirror, bugged telephones and rifled apartments. The film taps into many of the issues that concerned the British Left in the mid-eighties (secrecy, American missiles on UK soil, the unaccountability of the security services, newspaper obsession with sexual gossip to the exclusion of harder material) and builds to a clever, if shocking, double-twist climax. Well worth locating and viewing.

Defence of the Realm is a slick British thriller, it's done in the style of John Le Carre. It's no surprise that it won a host of awards, it is exciting, enthralling, and superbly acted. The writing does perhaps lack some of the intricacies of Le Carre, the most notable perhaps being the ending, which was the only element I didn't particularly like.

Gabriel Byrne is terrific, very charismatic, and well suited to the part. He's in great company, with a host of British talent, Denholm Elliot in particular is superb.

It has of course dated a little, but it stands up so well twenty plus years later. 7/10

This movie is a good example of the British film industry quietly making good movies that nobody saw. Brought out at the height of the cold war , as far as i know it was only ever seen on channel 4 (which kept the british film industry alive). The plot is hardly revolutionary. A journalist (a hard bitten Gabriel Byrne)stumbles upon a coverup by the british goverment, of a nuclear accident on an american airbase (which actually happened in the 1950s, but thats another story). Shades of disaster at silo seven, presidents men and forth protocol. But where this movie is different is the feeling that THEY are following you, helped by an understated yet eerie soundtrack. Byrne is followed by a car from the american airbase, it crowds him off the road and all of its windows are seen to be blacked out. He phones the American embassy and hears his phone being tapped.We dont even see the watchers untill the very end of the movie (which weakens it slightly) Even the Kangaroo court at the end of the movie is reminicnent of Franz Kafkas THE TRIAL. This is the X FILES without ufos, yet Byrne and scacchi are more that a little reminicent of mulder and scully (who also break the rule and dont fall in love on screen). Helped by fine performances from Denholm Elliot and Fulton Mackay(Robert Maxwell?), it evokes a patina of the hidden state only equilled in the uk by EDGE OF DARKNESS and Ken Loache`s HIDDEN AGENDA. its not the best thriller ever made in the UK, but it deserves a damn sight more attention than its received. See it , before THEY do.....

If ever any one was in doubt that democratic governments may not be averse to using the occasional dirty tricks then this film is an eye opener. Based around a busy news paper office this is the story of one mans crusade to make sure a scandal involving a cabinet minister is not pushed under the carpet. The story is full of twists and turns as our intrepid hero gets the bit between his teeth but the powers that be haul in him and judge for yourself the meaning of their words. A must for any one into political thrillers.

Beginning with the later years of the Cold War and extending to this very day, there has been this question about the enemies of a nation: are the ones within more dangerous then the external ones? This question has produced quite a few intriguing thrillers over the years and one such is Defence Of The Realm from 1986. This film looks at that question from the perspective of late Cold War UK politics and in turn presents a realistic yet tense thriller in the process.

The film has a fine cast of some of the UK's best actors and character actors of the time. Leading the cast is Gabriel Byrne as reporter Nick Mullen who finds himself writing one story and then follows a trail of breadcrumbs that leads him to discovering he has in fact been used. That trail of breadcrumbs belongs to Mullen's colleague and mentor of sorts Vernon Bayliss in a BAFTA winning performance from Denholm Elliott who makes the most of a small part. Helping Mullen is Greta Scacchi as Nina Beckman, the assistant to a Parliament member (played by Ian Bannen) caught up in the events. They are aided by Bill Paterson as Mullen immediate boss and opposed by David Calder as the newspaper's editor and Fulton Mackay as the owner of the newspaper Mullen works for. Also in a small role is an early appearance from Robbie Coltrane as a fellow reporter in a few scenes. The result is that the film is well anchored by a fine cast.

The film is helped out by the realism of the production values. This is especially true of the production design of Roger Murray-Leach who, working with what was likely a small budget, nonetheless created a whole plethora of sets ranging from newsrooms to a U.S Air Force base before taking us inside the secret halls of the government. Roger Deakins cinematography gives the film a sense of claustrophobia at all times even when the film ventures into wide open spaces. The result of this is amplified by the editing of Michael Bradsell and the score from Richard Harvey to create an almost continuous sense of menace throughout the film. All this comes together under the direction of David Drury to give the film a strong sense of realism.

The production values though take that realism from the script by Martin Stellman. The script looks at the question mentioned in this review's opening and does so through the lens of late Cold War Britain. At a time when Cold War tensions were increasing and a good deal of the public clamored for the government to do something about it, the film looks at how far a government and its national security apparatus might go to prevent a scandal that could bring about just that. What appears to be just another sex scandal involving a high ranking member of the British Parliament who has ties to the Defence establishment ( that is itself is highly reminiscent of the 1963 Profumo affair) might in fact be covering up something that seems completely unrelated: a police chase of two escaped teenage prisoners that accidentally crossed over onto a U.S Air Force base sometime before. The script takes Mullen and those he encounters on a journey into the secret workings of the British government. As it reaches it climax the film asks an important question: when does a government's ability to protect secrets cross the line into becoming something much more darker, threatening and even criminal? By combining a fine cast, production values and a fine script Defence Of The Realm is able to create a realistic yet tense thriller. While it may be set and more or less about late Cold War UK politics, the film asks questions that are relevant today. All of these elements come together to make Defence Of The Realm far more then just another thriller and ever watchable nearly twenty-five years on from its original release.