Copacabana

I must admit, I am a Barry fan, and any one who is will certainly enjoy this movie. However, even those who may not consider themselves fans will find this lighthearted musical comedy to be a treat. It's fast-paced, the musical numbers are splendid, and Barry Manilow is a surprisingly good actor. I wonder why he never did any more theatrical roles, other than this. Unfortunately, the DVD offers no additional insights or extras on this movie, a dissappointment. All in all, if you are a fan of the romantic comedies of yesteryear, "This one's for you, where ever you are...". They just don't make 'em like THAT anymore!

I saw this movie when it first came out in and again several years later, on CBS also. Well the 2nd time around it was horribly butchered clearly to put its run time under 2 hours and stuff it full of commercials. I've been trying to find it that longer version for years cause yeah hey, Barry's on screen for more than an hour; I can live with that .

Okay Barry's passable actor. He's not as good as Gene Kelly but not as dismal as Neil Diamond (Two minutes of the "Jazz Singer" remake with Diamond on screen was all I could stomach). It has the distinction of being of 4 TV movie musical I could tolerate. The musical numbers are above average and the setting (refetrring to the time period) has a more authentic look than many movies over the last 20 years taking place in the 40s or 50s. Baring that sad ending; it brought back to mind MGM musicals.

My gripe with this movie, why I'm giving it an 8 is Tony, the character Barry plays--What (acting) reach is he doing??? He's playing himself! Manilow nut me has read books about him, every article I could get my mitts on and the background story is his life with a little tweaking here and there. Wish he had put himself in another movie genre first. As good entertain as it was, the chosen role for his debut was not a very good one.

Underrated tribute to 40s screwball comedies and musicals. First rate score, excellent performances, and beautiful period settings. The feature film lighting is also quite remarkable for this time as most TV movies adopted flat TV lighting. Manilow interprets his own material far better than any of the Tonys in the

various stage musical versions that followed in later years. He's sort of a male Barbara Streisand with an underplayed comic edge, versatile acting skills, and a great voice. Too bad musicals were (and still are) dead by 1985. The

showcase number, "Who Needs to Dream" is both the highlight and the biggest

disappointment because it should have been staged better, even on a low

budget. It's reminiscent of Gene Kelly's famous "Singin' In The Rain" but without the rain and painfully static camera shots--cutting back and forth, back and forth between Tony and Lola. Tony (Barry) moves around a bit more toward the end,

but one is left with the impression this was the last scene they shot when they were out of money or time to do it right. The DVD version offers a beautiful transfer but, sadly offers no commentary or extra features.

Who doesn't love Barry Manilow? A singer, song writer and all round performer. This film came out the same year I was born, but thanks to my mum and sister I'm a fanilow. I'm probably the harshest critic of films but I loved every minute, this isn't just a film but something to enjoy. . Could it be better? Yes, in this day and age a film couldn't be updated and gives a modern twists, I don't think the song was completely told. But Barry Manilow is that what makes it. His music deserves a full musical (like mamma Mia) but just enjoy it for what it is, it's cringy, it's poorly edited but it has something and beautiful beautiful music.

it was just SO great to see Barry in his first movie, i LOVED it so much.. he was excellent , ive been a fan of his for over 25 years and it was so neat and awesome to see him in the movie , he is so very talented and this showed off his talents perfectly !!!