Comedy featuring interweaving stories of seven households caught up in a property chain on moving day, each one dependent on the other.Comedy featuring interweaving stories of seven households caught up in a property chain on moving day, each one dependent on the other.Comedy featuring interweaving stories of seven households caught up in a property chain on moving day, each one dependent on the other.
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The sort of film that reminds us that a nice story and a great cast still make a great film.
The film centres around a group of Londoners who run across the social spectrum who are all moving home on the same day, some of whom are being ably assisted by a gang of removal-men fronted by Warren Mitchell.
Among others, notable appearances from Nigel Hawthorne, playing a socially obsessed miser, Leo Mckern as a plutocrat who's decided to go back to his roots, and of course Mitchell himself who is clearly the wisest person in the whole film.
The pace is excellent and the characters well realised - and for anyone who loves seeing London on film it's a treat too.
It's a charming and very humanitarian film that you'll enjoy immensely if you allow it to.
The film centres around a group of Londoners who run across the social spectrum who are all moving home on the same day, some of whom are being ably assisted by a gang of removal-men fronted by Warren Mitchell.
Among others, notable appearances from Nigel Hawthorne, playing a socially obsessed miser, Leo Mckern as a plutocrat who's decided to go back to his roots, and of course Mitchell himself who is clearly the wisest person in the whole film.
The pace is excellent and the characters well realised - and for anyone who loves seeing London on film it's a treat too.
It's a charming and very humanitarian film that you'll enjoy immensely if you allow it to.
10gray4
This is TV drama at its best. The plot is tightly constructed, involving seven linked house moves. Jack Rosenthal's writing is exceptional, blending comedy and pathos in just the right proportions, and the very realistic London settings are an integral part of the drama.
The script is delivered to perfection by a team of top-quality actors, led by Warren Mitchell and Bernard Hill as the linking furniture removers. The introduction suggests an overall 'seven deadly sins' theme, and on reflection that can be picked out. But the stories intertwine and grip the viewer so effectively that broader messages are of little consequence. The recent revival of Rosenthal plays on BBC's arts channel is a reminder of the high quality of TV drama in the 1970s and 1980s, now sadly diminished. And the overall IMDB rating is a complete mystery, given the votes actually cast for The Chain.
The script is delivered to perfection by a team of top-quality actors, led by Warren Mitchell and Bernard Hill as the linking furniture removers. The introduction suggests an overall 'seven deadly sins' theme, and on reflection that can be picked out. But the stories intertwine and grip the viewer so effectively that broader messages are of little consequence. The recent revival of Rosenthal plays on BBC's arts channel is a reminder of the high quality of TV drama in the 1970s and 1980s, now sadly diminished. And the overall IMDB rating is a complete mystery, given the votes actually cast for The Chain.
...but not to the east side, "Jeffersons"-style. Rather, a study of the mind sets of the various social classes in London. The film might be simply described as 'a day in the life of London' as several people move houses, each to a more upscale neighbourhood, each to the house of the next one in the film. A 'nice little movie' is an apt description - there are no car chases, no action heroes, no blonde bombshells, just a study of what makes people tick. I grew up in Canada, but lived in London at age 20, and am somewhat familiar with the areas in question, and can't help but smile to myself as I watch this film. The philosophical musings of the moving crew boss can be a little confusing, particularly with his heavy accent, but all-in-all, it's a simple set of sub-stories to follow, each with its own particular flavour. A must-see for the film festival crowd, similar movies would be the West German-made "Aria" and the internationally directed "Night On Earth".
The Chain is a film that I can only describe as a gem. It is set in London in the Thatcher era , and does not shirk in its light critical observation of a London at a time of polarised beliefs and values.
The film is not just a journey of London Boroughs , but a journey to the very inner motivations and ideals of the class-ridden characters portrayed in the film. The writer uses the Biblical seven deadly sins in which to drive the film along . Warren Mitchell is superb as Bamber , the leader of the removal crew. A philosopher who never loses his sight of humanity , somehow makes sense of the most complex insecure people and situations that surround him in the day. My favourite line is "I've got my bricklaying at two". This underlined the Black Economy that existed in London , during a period of economic uncertainty. A must see , for any film buff into social criticism of the eighties.
The film is not just a journey of London Boroughs , but a journey to the very inner motivations and ideals of the class-ridden characters portrayed in the film. The writer uses the Biblical seven deadly sins in which to drive the film along . Warren Mitchell is superb as Bamber , the leader of the removal crew. A philosopher who never loses his sight of humanity , somehow makes sense of the most complex insecure people and situations that surround him in the day. My favourite line is "I've got my bricklaying at two". This underlined the Black Economy that existed in London , during a period of economic uncertainty. A must see , for any film buff into social criticism of the eighties.
'The Chain' is an excellent film from the pen of Jack Rosenthal (who later reworked it into the TV series 'Moving Story'), starring Warren Mitchell as Bamber, a student of philosophy and pronouncer of wisdom to those about to move home. On his shift are a rag bag of working types including the ever reliable Bernard Hill.
The premise of the film is simple - we watch several people moving up in the world and follow the chain of progress through the eyes of the removal men (Last Removals, as good a name as any). So as we watch the moves from Hackney to Tufnell Park to Wilesden to Hammersmith to Hampstead to Holland Park to Knightsbridge, seeing how the different families inside the flats and houses deal with life, we see both a range of people and ways of life, and a travelogue of 80s London.
Bamber of course is the wisest of all - encountering a pompous couple doing everything on the cheap (Nigel Hawthorne and Anna Massey), a young couple just starting their future (Denis Lawson and Rita Wolf), and a widowed lady longing for her Mediterranean home (Billie Whitelaw), amongst others. Not one seems as settled as he is.
Great writing and razor sharp characters give 'The Chain' the edge over similar dramas, and although it may now feel a bit of a period piece, it is still an excellent film - and a good companion to Rosenthal's feature length drama for TV about taxi drivers, 'The Knowledge'.
The premise of the film is simple - we watch several people moving up in the world and follow the chain of progress through the eyes of the removal men (Last Removals, as good a name as any). So as we watch the moves from Hackney to Tufnell Park to Wilesden to Hammersmith to Hampstead to Holland Park to Knightsbridge, seeing how the different families inside the flats and houses deal with life, we see both a range of people and ways of life, and a travelogue of 80s London.
Bamber of course is the wisest of all - encountering a pompous couple doing everything on the cheap (Nigel Hawthorne and Anna Massey), a young couple just starting their future (Denis Lawson and Rita Wolf), and a widowed lady longing for her Mediterranean home (Billie Whitelaw), amongst others. Not one seems as settled as he is.
Great writing and razor sharp characters give 'The Chain' the edge over similar dramas, and although it may now feel a bit of a period piece, it is still an excellent film - and a good companion to Rosenthal's feature length drama for TV about taxi drivers, 'The Knowledge'.
Did you know
- TriviaScreenwriter Jack Rosenthal used the same character name, "Bamber", for the head removal man in this movie and in the television series Moving Story (1994). In both cases, the character was a know-it-all who incessantly impressed, and bored, his colleagues with his prodigious knowledge, hence the nickname "Bamber", a reference to Bamber Gascoigne, the Question Master on University Challenge (1962).
- GoofsDes's mum hands a cup of tea to Thomas. When seen from behind, he has the cup and saucer resting on his thigh, When viewed from his front, he has the cup at chest height.
- ConnectionsSpin-off Moving Story (1994)
- SoundtracksKarma Chameleon
Composed by Boy George (as O'Dowd), Roy Hay, Jon Moss, Mikey Craig,
Phil Pickett
Performed by Billie Whitelaw
Used by kind permission of Virgin Music (Publishers) Limited and Warner Bros. Music
- How long is The Chain?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Ein Umzug kommt selten allein
- Filming locations
- 94 Huddleston Road, Tufnell Park, London, England, UK(Tufnell Park flat)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £1,125,000 (estimated)
- Runtime
- 1h 40m(100 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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