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IMDbPro

Bubblegum Crisis

Original title: Baburugamu kuraishisu
  • TV Mini Series
  • 1987–1991
  • TV-MA
  • 25m
IMDb RATING
7.3/10
1.9K
YOUR RATING
Akiko Hiramatsu, Michie Tomizawa, Yoshiko Sakakibara, and Kinuko Ômori in Bubblegum Crisis (1987)
Adult AnimationAnimeCyberpunkHand-Drawn AnimationSuperheroActionAnimationFantasySci-FiThriller

A female mercenary team, armed with unique power armor suits, battle the forces of the corrupt mega-corporation, Genom in futuristic Tokyo.A female mercenary team, armed with unique power armor suits, battle the forces of the corrupt mega-corporation, Genom in futuristic Tokyo.A female mercenary team, armed with unique power armor suits, battle the forces of the corrupt mega-corporation, Genom in futuristic Tokyo.

  • Creator
    • Toshimichi Suzuki
  • Stars
    • Yoshiko Sakakibara
    • Kinuko Ômori
    • Michie Tomizawa
  • See production info at IMDbPro
  • IMDb RATING
    7.3/10
    1.9K
    YOUR RATING
    • Creator
      • Toshimichi Suzuki
    • Stars
      • Yoshiko Sakakibara
      • Kinuko Ômori
      • Michie Tomizawa
    • 22User reviews
    • 5Critic reviews
  • See production info at IMDbPro
  • See production info at IMDbPro
  • Episodes8

    Browse episodes
    TopTop-rated1 season

    Photos55

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    Top cast97

    Edit
    Yoshiko Sakakibara
    Yoshiko Sakakibara
    • Sylia Stingray
    • 1987–1991
    Kinuko Ômori
    • Priscilla 'Priss' S. Asagiri
    • 1987–1991
    Michie Tomizawa
    Michie Tomizawa
    • Linna Yamazaki
    • 1987–1991
    Akiko Hiramatsu
    Akiko Hiramatsu
    • Nene Romanova
    • 1987–1991
    Amy Parrish
    Amy Parrish
    • Harmonies Of The Replicants…
    • 1987–1991
    Elizabeth Becka
    Elizabeth Becka
    • Linna Yamazaki
    • 1987–1991
    Sinda Nichols
    Sinda Nichols
    • Priss Asagiri
    • 1987–1991
    Joyce Leigh Bowden
    • Interviewer…
    • 1987–1991
    Hadley Eure
    • Additional Voices…
    • 1987–1991
    Marty Ellen Senseney
    Marty Ellen Senseney
    • Sylvie
    • 1987–1991
    Belinda Keller
    Belinda Keller
    • Female Boomer…
    • 1987–1991
    Susan Grillo
    • Nene
    • 1987–1991
    Jemila Ericson
    • Sylia
    • 1987–1991
    Barbara C. Lewis
    • ADP Commander
    • 1987–1991
    Cyndi Wheeler
    • Sings Of The Replicants
    • 1987–1991
    Katherine Burton
    • Ann
    • 1987–1991
    Amanda Tancredi
    • ADP Receptionist…
    • 1987–1991
    Loren Mash
    • Young Sylia
    • 1987–1991
    • Creator
      • Toshimichi Suzuki
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews22

    7.31.9K
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    Featured reviews

    DarthBill

    Good stuff, but...

    In a "Blade Runner" like future, four vigilante women - the Knight Sabers - assist the AD Police in fighting boomers, living machines not unlike the Replicants from "Blade Runner". The Knight Saber ring leader is Sylia Stingray, a rich, mysterious brunette who is the daughter of the man who created the boomers and whom might actually be a boomer herself. The others include rebellious biker girl Priss Asagiri, aerobics instructor Linna Yamazki and ADP computer hacker Nene. Other characters include ADP man Leon McNichol, a Brad Pitt like pretty boy with high ideals and a jerky attitude as well as a thing for Priss and with Leon is his hilarious partner Daley Wong. Oh and Sylia has a pervert whiz kid for a brother by name of Mackey. The villains include Quincy, chairman of GENOM, the company that produces the boomers, his right hand man Brian J. Mason (killed off too soon) and an obnoxious boomer man named Largo.

    A good series overall, but being dated is the least of its problems. Originally slated for 13 episodes, it was cut short at episode 8, leaving many series plot threads unresolved. A sequel series, Bubblegum Crash, was concocted to solve this problem but it didn't help. Also the characters are never as well developed as you would like them to be. The most interesting character, the Knight Saber ringleader Sylia, is never completely explored. Linna had potential, but her subplot involving a friend who was apart of a mafia family was never resolved and most of the time Linna was just ignored. Nene was cute and funny but only had one episode to call her own, the last one. Sadly, most of the series attention was centered on Priss, who somehow became the most popular character of the series, so much in fact that although she was originally suppose to die, a fan backlash saved her; I think this was due partly to the fact that she was voiced by a then popular Japanese singer. But Priss herself was not that interesting of a character: all her episodes basically revolve around her seeking revenge for a minor character friend that we the audience sometimes didn't even get to know in depth. Priss became repetitive and dull after a certain point. I could never quite figure out what Leon saw in her.

    But the series itself is not inherently bad. Animation is still pretty good in most of the eps (excluding the first one, which is a bit herky jerky, and the last one, in which the characters are drawn much too thinly) and it had an interesting theme on humanity VS technology.

    Remade for TV as "Bubblegum Crisis Tokyo 2040" in 1999. Hate to say it, but 2040 was superior in many ways, though not completely perfect in and of itself.
    9chribren

    Pretty cool cyberpunk OVA of the late 80s

    "Bubblegum Crisis" is an 8-episode anime OVA-series which was released in Japan through 1987-1991. Made by AIC, Artmic and Youmex.

    Basic plot: The year is 2032 in MegaTokyo, seven years after Tokyo was destroyed by a giant earthquake. Genom Corp, the big company which recreated the city, began mass-producing cyberdroids called Boomers meant to serve mankind by taking part in recreating MegaTokyo. When the Boomers started to run out of control, the A.D. Police tried to stop these cyberdroids, something which proved to be more difficult but deadly than imagined.

    But, the hope isn't over yet, because four girls who have banded together as the Knight Sabers are also in MegaTokyo. These girls in powerful armor suits are strong enough to defend the city from Genom and the Boomers. And their names are: Sylia Stingray, Priscilla S. Asagiri, Linna Yamazaki and Nene Romanova.

    I first heard about this anime around year 2004. However, for some reasons, I didn't get a chance to watch this anime until late autumn 2014. And I'm so glad to get to see this for once, at least with Japanese dub. This anime was epic, with lots of cyber/robot-action, car chases, humor and a pretty cool soundtrack which all together made me hooked from beginning to end. The MegaTokyo-setting in this anime was fairly realistic.

    This anime was originally planned as a 13-episode long OVA-series, but was cancelled after 8 episodes due to legal problems between Artmic and Youmex. However, a 3-episode sequel called "Bubblegum Crash" was made. Still, the entire franchise remains a cult classic among anime fans.

    This anime is highly recommended for any fans of Japanese cyberpunk animation set in future. I mean, if you haven't seen this yet, then this anime is not to miss, the same with "Bubblegum Crash". My overall rating for such a classic is therefore: 9/10.

    Some similar anime also to be recommended include: "Angel Cop", "Appleseed", "Genocyber" and "Battle Angel".
    7vkn

    Quite good overall, but don't believe the hype too much.

    Considering the large following and high reputation this series has, one imagines it must be quite good. Oddly, it never struck me as mind-blowingly fantastic as the fan hype makes it out to be, but I did quite like most of the series.

    Many praises are sung about the soundtrack, and those are very true indeed; great rock songs with very good pace and vivid vocals accompany the action. They work a treat, and a lot of the songs stick with the viewer for very long.

    Alas, the raving over the music is probably the only point where the hype got it right. For the rest, the actual series seems a bit underwhelming compared to what one might expect. For example, the supposedly excellent character development is a much-trumpeted point that falls a bit flat. Not to say that the characters are poor by any means. They're very likeable, and they do have their own distinct personalities, but they don't seem all that revolutionary. Our four heroines, Priss, Nene, Sylia and Linna basically consist of respectively the tough rebellious youth, the pink-haired girly "cute" computer whiz, the mysterious and only -really- interesting one, and...err, the other one (yup, poor Linna is badly under-used and shows very little distinct character traits). It's true that this is a cast formula that was innovative for it's time, and that it has been copied very often, but maybe that's exactly why the whole thing sometimes seems a little below it's reputation. There are tough, rebellious youths and pink-haired squeaky cute computer geniuses all over the place on the anime market. The fact that they're all female is hardly a novelty anymore either.

    That might be the main problem here; time hasn't been too kind to Bubblegum Crisis. Those who first saw the series and became loyal followers in the 80's had every reason to be impressed back then. Alas, by now, the same formula has appeared so often, be it under different guises, that there's little left to be amazed about for one watching this series for the first time now. Somehow BGC doesn't really manage to hold up a feeling that it's the founding father of a whole generation of anime series.

    Animation quality has aged a bit better though, with only the first episode looking genuinely old hat by now. Episodes seven and eight are still lovely to look at (probably due to the nice and somehow "softer" color palette used for ep. 8). The mecha action scenes -another highly hyped point- are indeed fast and furious, and have some very intense moments. The mecha designs as well are admirably intricate and innovative sometimes. But like most over-hyped elements of BGC, the fights have flaws as well, namely that they are sometimes cut short a bit. The way the main villain in the sixth episode (who is utterly brilliant, by the way) is finished off struck me as rather too sudden, as was the end of the battle in episode 5. It's supposed to be a very dramatic moment, but it went a bit too fast and thus didn't have all the punch it -could- have had.

    There still is lots going in favor of BGC, however. Several minor characters are very likeable and amusing, and manage to actually be more entertaining than the four heroines. The adorable Daley springs to mind, not exactly because he's gay -homosexuality is very common in anime- but because during his few moments in the spotlight he's always delightful (and damn it all, he's -cute-). Most of the one-shot characters that only appear in one or two episodes are also handled with style and become very vivid. A very nice bunch, basically. And that goes for the minor nasties as well. The four heroines are also entertaining enough, despite not being all that full of surprises.

    The storyline also manages to present some interesting themes. Revenge is one of them, as is the blurred borderline between machines and living beings. There's also a very intriguing triangle between Sylia, minor nasty Mason and more impressive nasty Largo. There are also hints that Sylia might be more than meets the eye. All these themes and possible subliminar messages are only established in the background and hardly ever mentioned in so many words. One could very easily miss them altogether.

    Subtelty is all very well, but it's a shame that none of these possible deeper plot threads are ever tied up; the end of episode 8 is -not- a proper ending. The series was supposed to continue on for a few more episodes, but alas the project ran into murky waters at that point. And that's why BGC is so tricky to judge; it's an unfinished piece (a sequel tried to sort of tie everything up but didn't really succeed). It's as if Return of the Jedi was missing from the first Star Wars trilogy, for instance. And that's quite a shame, as the -promise- certainly is there.

    If the series had lived to see it's originally planned ending, it might have become the masterpiece it's -said- to be. As it stands, it's a good, solid series with plenty to enjoy and a few flaws that don't get in the way too much. Give it a go, see what you think. You probably won't be blown over with amazement, but chances are high you'll have a very plain good time all the same.

    (just note that you should avoid the dub if possible. It's tolerable, but the songs are dubbed as well, and as a result suffer overall. Besides, dubs are always inferior to the original)
    9Vegeta-2

    Finally, the classic series given the treatment it deserves.

    The DVD set of this series is excellent. The sound is great, and the picture quality is perfect, even surpassing the laserdisc release. The ability to watch it in the original Japanese without subtitles covering the picture is nice, also. All 8 episodes are in the set, which is a steal at about $50 (compared to about $120 for the tapes, or around $100 for the laserdiscs, if you can even find them). My only complaint is that the music videos are compressed really badly, giving them an M-PEG look, and compared to how the actual episodes look in this set, that low quality is unacceptable. Still, that one complaint aside, this set is more than worth the money if you like this series even a little.
    7coles_notes

    Good

    Following the Knight Sabers, a highly elite group of female mercenaries living in a futuristic cyberpunk Tokyo, where they take down machines known as Boomers, many created by the evil mega-corp Genom. This whole series screams 80s anime and I loved it. The original series is only 8 episodes released over multiple years, produced more as OVAs (Original Video Animations) rather than a series, meaning each episode tends to be longer, typically at 44 minutes, and is considerably higher budget than the traditional 26 episode 22 minute standard we often see. This also means each storyline, while generally disjoint from other episodes, is a bit more involved or complex than other anime shows of the time, and I was quite impressed by its visuals. The art and aesthetic is perfect though and through. If you're one to have nostalgia from any of that sci-fi anime future punk era: Akira, Mobile Suit, Robotech, etc, you're going to love this. Definitely adult, there is nudity, violence, and swearing, the plots are generally good, again with each narrative being self contained per episode and each slowly clueing us in on the futuristic city, its technology, and how society now functions. Its not all great, plot-wise we never really get as much explained as we'd like, characters don't really develop, and with transforming vigilante heroes a la Charlie's Angels meets Power Rangers, there's a lot of tropes presented, some great, some not the best. I don't know enough anime history to say which if these tropes the series pioneered vs simply reenforced, but overall I did constantly have fun and felt vested in the characters. Unfortunately the english dub of this series is also not the best, with a lot of line delivery being very questionable if not laughable, but if you're like me it somehow only added to the charm and nostalgia. Also something not an issue if you watch the original subbed, so I can't fault it for that anyway. Fortunately for those wanting more there's multiple other spin-offs and reboots since this original, and for all this series was it deserves them, I'd already consider this a classic.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      There are many references to Blade Runner:
      • The band is called "The Replicants";
      • The general mission in both is to kill androids who are almost too human;
      • There happen to be characters named Leon and Priss in both;
      • Both feature a huge, pyramid-shaped building.
    • Quotes

      Priscilla S. Asagiri "Priss": You little idiot! If you die, what will Sylvie have died for?

    • Connections
      Edited into Baburugamu kuraishisu hariken raibu! 2032 (1988)
    • Soundtracks
      Konya Wa Hurricane
      (There's a Hurricane Tonight)

      Lyrics by Tomoko Aran (as Aran Tomoko)

      Music by Kisaburô Suzuki (as Suzuki Kisaburoo)

      Arranged by Nakashima Masao

      Performed by Kinuko Ômori (as Oomori Kinuko)

      English Performance by Joyce Leigh Bowden

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    Details

    Edit
    • Release date
      • February 25, 1987 (Japan)
    • Country of origin
      • Japan
    • Languages
      • Japanese
      • English
    • Also known as
      • 吹泡糖危機
    • Production companies
      • Anime International Company (AIC)
      • Artmic
      • Youmex
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      • 25m
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 1.33 : 1
      • 4:3

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