Taram et le Chaudron magique

"The Black Cauldron" provides us with "Exhibit A" of the disorganized nature of the Disney organization from the mid-1970s through the mid-80s. The company's feature films were attracting smaller and smaller audiences, and no real creative force had emerged since Walt Disney's death in 1966. By the mid- to late-70s, it was clear that new ideas needed to be tried. The phenomenal success of "Star Wars" appeared to offer a sure-fire way to box-office success: sci-fi/fantasy movies. At the same time, Disney Studio's full-length animated features continued their descent from the heights scaled in 1959's "Sleeping Beauty", at first downscaling the subject matter, then progressing to less and less impressive animation, and finally combining the first two trends with boring storytelling (see "The Fox and the Hound" - 1981).

It was in this context that pre-production began on "The Black Cauldron" in the late 1970s. From an artistic standpoint, its goals were two-fold. First, the film was to recapture the lead in animation quality that Disney had traditionally held, while the second goal was to incorporate the advances in animation and subject matter made in the 1970s (i.e., playing "catch up"). Some early decisions were good: the source material was top-notch. Lloyd Alexander's "Chronicles of Prydain" are fantastic works of fantasy for the young adult - I loved them as a middle-schooler in the mid-80s, and the choice to film the story in 70mm widescreen harkened back to the glory days of "Sleeping Beauty." Unfortunately, not much else worked. The studio's writers did a terrible job of condensing the first two books of Alexander's series, and we end up caring little for the characters that emerge, or for the plot as it unfolds. Also, the movie's tone is uneven. Overall, the work is very dark and un-Disney, which would've been fine had it been executed better. Further, the grimness of the plot doesn't mesh with occasionally clumsy and earthy attempts at humor, and the character animation fluctuates between sober naturalism and exaggerated, cartoonish mannerisms (stretching ears, gaping mouths, etc.) Still, some of the shots are stunning and rank among the best in the history of hand-drawn animation (e.g., multiplaned exterior shot of the Horned King's castle, beautiful backgrounds within the same, Hen-Wen's capture by the Horned King's creatures). The result of this mish-mash was a box-office flop ($25 million to make, $5 million in ticket sales upon its 1985 release).

In short, see this film for its often-impressive animation and intermittent charm. Be sure to get the newly-available widescreen version on DVD. Bemoan the end of the era of stunning hand-drawn animation (Disney has closed up its shop; "Home on the Range" was its penultimate hand-drawn feature). Don't expect a classic, but appreciate the vision of its artistry - even if the final product didn't quite mesh satisfactorily. "The Black Cauldron" is a noble failure.

1st watched 10/2/2004 - 7 out of 10(Dir- Ted Berman & Richard Rich): Well-done overlooked Disney film. This is one of the movies that came out before "Little Mermaid" in 1989 similar to "The Great Mouse Detective" that didn't get much attention but nevertheless was a well-done story & production. This may have been the first animated Disney film to be rated PG as well, which may have kept people away. The PG rating may have been given for a small blood being shown on the mouth of our hero or the very scary zombie-like "Horn King" who has to rate up there as one of the truly scary villains in the Disney films. The story revolves around the Horn King's reign and his attempt to have greater reign over the world by finding the Black Cauldron. An enchanted pig that is able to see the future is also much wanted by the Horn King in order to find out where the Black Cauldron is. What makes this movie good is the story, the animation, the music, and the overall presentation. I also like that it didn't follow other Disney films and became it's own entity. This may be another reason it's not associated with Disney often. Overall this is a very groundbreaking Disney film, but it was so forgotten that it's not had any impact on the future of Disney.

There were many good things going on in the Black Cauldron. First, there were NO SONGS, which really helped move things along. Second, the villain was truly frightening, the supporting cast was a lot of fun, and the movie's breakneck pace held my interest and entertained me throughout. But, there were some bad things as well. Taran wasn't really a character at all. Every important thing that happened to him was by luck or accident. And at the end of the story he's right back where he started. Also, the plot was little more than a succession of action sequences, with little sense holding it together. The heroes simply fell out of one situation into the next, perhaps the result of squeezing two full-length novels into one movie. And don't get me started on the ending. Our hero stumbles through the picture so that -- his furball sidekick can become the true hero of the piece. Yech. Still, I was entertained, and I'd see it again. But for those looking for the REAL Black Cauldron, read "The Chronicles of Prydain" by Lloyd Alexander. You'll be glad you did.

"The Black Cauldron" is not a typical Disney animated feature. For one thing, it's not a G-rated musical. In fact, it was the first-ever Disney feature to receive a PG rating. The story comes from the works of Lloyd Alexander, in the spirit of J.R.R. Tolkien. In it, Taran, a young pig-keeper must protect Henwen, a prophetic pig who can divine the whereabouts of a powerful weapon known as the Black Cauldron. The demonic Horned King is after this bastion of black magic to create an invincible army of the undead. This movie boasts impressive art shot in 70mm widescreen format, art which includes the contributions of a young Tim Burton. Sadly, this feature did poorly in theaters, possibly being too frightening, or going over the heads of Disney's usual target audience. Just the same, "The Black Cauldron" deserves a good look!

This is not your average Disney movie, which is full of happy characters and a long line of happy-go-lucky songs. For many years, Disney disowned this movie because it wasn't a box-office hit and was released on VHS/DVD only twice.

One of few PG-rated Disney movies, this one contains no music, and truly scary characters (age-depending, of course). Although characters like the Horned King and his undead army, may frighten younger viewers, the movie's dark side may be appreciated by some children (we forget that they too may appreciate the darker sides of things).The story is slow-moving for a Disney movie, but involving nonetheless. Although it is not the best movie, it is different from their usual gooey-mess of a film, while still having a fantasy-theme and does not seem like a Disney movie whatsoever (in a good way!).