Berlin, 1938: Louise, a diplomat's wife, begins an affair with Mitsuko, a Japanese artist. Heinz, Louise's husband, discovers and pursues Mitsuko. An art professor and Heinz's Gestapo cousin... Read allBerlin, 1938: Louise, a diplomat's wife, begins an affair with Mitsuko, a Japanese artist. Heinz, Louise's husband, discovers and pursues Mitsuko. An art professor and Heinz's Gestapo cousin complicate matters.Berlin, 1938: Louise, a diplomat's wife, begins an affair with Mitsuko, a Japanese artist. Heinz, Louise's husband, discovers and pursues Mitsuko. An art professor and Heinz's Gestapo cousin complicate matters.
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This can not even be considered a pun, right? If you feel so, sorry for the pun. But it might never have been more apt then here. You have the world on the verge of second world war - and some people who just are getting it on ... and on ... and on.
But with so many affairs, you would be excused if you lost the count. Or who is doing it with whom. Now saying all that, do not imagine this to be too titilating/exciting. Actually the main cast isn't really nude in this. There is some nudity, but from others/smaller roles and not during the ... act. No pun intended.
This is a special kind of drama. You will either like what is happening - with confusion and trying to please ... oneself - or you will find it annoying at best. Don't blame Berlin for anything ... I think.
But with so many affairs, you would be excused if you lost the count. Or who is doing it with whom. Now saying all that, do not imagine this to be too titilating/exciting. Actually the main cast isn't really nude in this. There is some nudity, but from others/smaller roles and not during the ... act. No pun intended.
This is a special kind of drama. You will either like what is happening - with confusion and trying to please ... oneself - or you will find it annoying at best. Don't blame Berlin for anything ... I think.
It's simply one of the best darkest movie I've ever seen in my life. Very well told story. And the performance of Mio Takaki (Mitsuko Matsugae) is just exceptional. Perhaps is what Liliana Calvani use to do when she makes any film: to put her particular seal in each of them. And she put a huge one in "The Berlin Affair". Excellent!
It has long been fashionable in critical circles to bash the films of Liliana Cavani. Her films tend to show sleazy low life characters---------even when they live in palatial mansions. Her controversial NIGHT PORTER was unjustly accused of being deplorable, and insult to the intelligence of the average moviegoer, an offense to Jews and women, and generally condemned by everyone of cinematic importance. For me, she is the modern purveyor of film noir at it's darkest.
THE BERLIN AFFAIR tells the story of Mitsuko, daughter of the Japanese ambassador to Germany during the Nazi era. She is publicly quiet and demure, but in private, flamboyantly bisexual and seduces the wife of a high Nazi official-------and eventually the husband himself. This leads to a rather unusual ménage a trois with each member of the triangle becoming more and more jealous of the others. Eventually, this self-destructive relationship becomes harder and harder to resist in spite of the personal dangers to the individuals and their respective families and political causes.
It would be easy to dismiss this film as another sleazy sex opera from Cavani. But a great deal is going on in this film---------politically, sexually, socially, racially and artistically. There is a definite message for those willing to see it-------and it would be more fun for each viewer to find it for himself. Ignore Leonard Maltin's opinion and decide for yourself.
THE BERLIN AFFAIR tells the story of Mitsuko, daughter of the Japanese ambassador to Germany during the Nazi era. She is publicly quiet and demure, but in private, flamboyantly bisexual and seduces the wife of a high Nazi official-------and eventually the husband himself. This leads to a rather unusual ménage a trois with each member of the triangle becoming more and more jealous of the others. Eventually, this self-destructive relationship becomes harder and harder to resist in spite of the personal dangers to the individuals and their respective families and political causes.
It would be easy to dismiss this film as another sleazy sex opera from Cavani. But a great deal is going on in this film---------politically, sexually, socially, racially and artistically. There is a definite message for those willing to see it-------and it would be more fun for each viewer to find it for himself. Ignore Leonard Maltin's opinion and decide for yourself.
The wife of a high Nazi official starts an affair with the daughter of the Japonese ambassador. The daughter made the first move. That escalated until the husband demanded it end. It did not end. The Nazi husband then discovered how great the Japonese woman was and fell for her. Somehow the threesome was exposed in a tabloid. This was 1938. I can't reveal the devastating end. It is not a sleazy film; eroticism is handled well. I would recommend it to anyone interested in how one little person can ruin many lives.
This film certainly has many flows, probably in the terms of script, but it definitely falls into the category of cinematic classics. If we celebrate The Night Portrait, or The Last Tango in Paris, than we should celebrate this movie, too. The performances of the two main female leads are marvelous. Passion, forbidden love, irresistible attraction to the unknown and potentially deadly field - all this makes this film unique. The script is somewhat weak - but it definitely is not what this film is worth for. In the first place, long shots without a word between characters - this is what makes this film unique. Definitely worth seeing.
Did you know
- TriviaBased on the novel Quicksand by Japanese author Jun'ichirô Tanizaki, originally published in Japan with the title "Manji." There have been four Japanese movie adaptations of the book.
- Alternate versionsThe English language USA version runs only 96 minutes, 20 minutes shorter than the European version, which deletes at least one of the more explicit lesbian lovemaking scenes between Louise and Mitsuko as well as removes more subplots of Heinz's office work and Nazi social gatherings. Also, several other scenes are taken out of chronological order or shortened.
- ConnectionsReferenced in Manhunter: The Eye of the Storm - An Interview with Dante Spinotti (2016)
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