The Atlanta Child Murders

This miniseries is a good start for anyone interested in the "Atlanta Child Murders", for me it shows all sides of the equation Community Support, Police infighting, Racial tension across the board, this film is a spring board for the mind.

Robards and Torn are the best part of this long crime drama that you must struggle to stay with. The plot gets confusing and the already mentioned stars give the film its only stand out performances

Excellent, gripping Made-For-TV story of the abductions and murders of African-American children, adolescents, and adults in Atlanta in the early 80's, and the sensational trial of the one man brought to justice for these crimes. The murders and trial polarized the communities of Atlanta and its environs, and the TV Movie re-creates this stunningly well in its deliberately ambiguous portrayal of suspect Wayne Williams, the evidence against him, and the issues of presenting a capital case based almost solely on circumstantial evidence. Just as the case inspires controversy up to this day, so does this movie.

Calvin Levels has Wayne Williams down pat in this production - alternately charming, charismatic, strange, and menacing - and creates a web of confused desires and motives that deliberately leaves audiences guessing - what REALLY happened on that bridge? Co-stars Morgan Freeman, Jason Robards, Rip Torn and Gloria Foster provide equally interesting performances throughout. While some viewers, especially those living in the Atlanta communities affected by these events, may be dismayed or even angered by the portrayal of the law-enforcement authorities attempting to make sense of this case, their issue is more with the deliberate manner in which no real sides are taken by the producers of this film. If in more recent decades the historic portrayal of White apathy towards crimes committed on Blacks is universally deemed insulting or unacceptable, then perhaps some progress has been made after all.

I saw this movie as a young girl in the mid eighties and needless to say, especially being a young black child, it scared me. I just wanted to comment on what the previous commenter said. Though I am in no way claiming Wayne Williams is innocent, the murders and disappearances didn't stop with Williams' conviction as he stated, they actually continued until early '83 sparking talk that he may not have actually been the killer.

The evidence used to convict him was flimsy at best and there were actually over 100 children and young adults declared missing and or found dead. Williams was described as a "very weird" individual and did he commit these murders? Who knows but, the majority of evidence did not point towards him, there were over 100 children and young adults killed about 30 of them AFTER he was in jail.

When the "Atlanta Child Murders" first aired in the mid-'80s, it didn't raise too many eyebrows - even though Abby Mann's script intimates in the concluding minutes of the miniseries that convicted culprit Wayne Williams may NOT be the murderer of dozens of young men and boys in a horrifying crime spree that held Georgia's biggest city spellbound with fear three decades ago. Given Mann's film-making track record - "Judgment at Nuremberg," "King," etc. - nobody was going to accuse him of being a conservative. In fact, most of his work has always seemed philosophically bound by a boilerplate leftism and a near-obsession with black/white race relations in America. It wasn't too much of a surprise that he would spring his unique - and frankly bizarre - theory on network television. For Mann, Williams was the victim of incompetent police work, corrupt city government and that old devil, racism. OK. Sure.

But now, it's 20 years later. Wayne Williams is still in prison. While the serial killings of Atlanta's young have not continued (in fact, they stopped with Williams' arrest in 1981), Williams still maintains his innocence. So, where's Abby? Shouldn't he be working for William's freedom? Or, if he's changed his mind, repudiating his own theory? I mean: We're stuck with a 1985-vintage "J'accuse" that seems to have been conveniently forgotten by its own creator. Where's Abby? Is he sitting up in Beverly Hills with the rest of the Hollywood Chardonnay proletariat, reading the Daily Worker and ordering the Third World servants around?

If Wayne Williams is innocent, shouldn't SOMEONE be trying to free this poor victim-of-the-system from prison? And if, indeed, he's guilty, why did Abby Mann ever say he was innocent? Real mystery, huh?