Clair de lune

When I was 12 this was my favorite show on TV, but I've come to appreciate it more in my old age. Bruce and Cybill are great, but above all, the writing is among the best I've seen in a television series. The nonstop sledge hammer wit for a full hour makes me laugh out loud every episode. The scenes are always brilliantly constructed, the jokes always intelligent. The writers never got all the credit they deserved, I'm sure. No matter how funny one joke is, there is always a come back line. I think you have to get past the early episodes that were a little more serious. I didn't start watching until around the beginning of '86.

So much on TV nowadays is either over-the-top dramatic, or toilet humor. No one knows how to just have fun anymore. Moonlighting never forgot that it was just a television show, and it didn't mind poking fun at itself. Some lines that demonstrated this were, "Two teams [...] with the same story. Either someone's lying or the writers just Xeroxed the other scene", and, "What do we do now?" "Wrap this up in about 12 minutes so another show can come on the air."

After David and Maddie got together, then weren't together, then were, how did it end anyway? The show became a bit of a soap opera. But it was always a treat to watch. Everyone mentions Moonlighting's version of "The Taming of the Shrew." Some of my other favorite episodes are "The Bride of Tupperman", which ends with a hospital scene chase to 'Dem Bones, "Symphony in Knocked Flat" (guest appearance by Don King), "Yours Very Deadly" (Burt Viola's first appearance), and both Christmas episodes. And the show wouldn't be complete without the rhymes of Agnes Dipesto. If you aren't that familiar with the show, don't miss your next opportunity to see Moonlighting!

Moonlighting was one of those shows that I didn't watch at first but once I caught an episode I was hooked. The constant sparring of Maddie and David was excellent with a lot of acknowledgement to the camera. I even enjoyed the episodes where Agnes Dipesto and Herbert Viola were given more screen-time.

My favourite episodes include the feature length first episode, "The Lady in the Iron Mask", "Atomic Shakespeare", "The Straight Poop", "It's a Wonderful Job" and "Poltergeist III Dipesto Nothing".

It's currently airing on a cable channel in the U.K. and although not all episodes were good the majority were very well written with many memorable scenes.

Model Maddie Hayes is left almost penniless after being fleeced by investment adviser. All she has left is a two-bit detective agency. The manager of the agency, David Addison, convinces her to keep and run the agency. Together they form a dynamic partnership.

A great detective show from my youth. More a comedy than a drama, the humour was great, the relationship and banter between Maddie Hayes (Cybill Shepherd) and David Addison (Bruce Willis) was very engaging and it was simply great fun.

It also launched the career of Bruce Willis, to the show's detriment. Die Hard was released around seasons 3 and 4 and from then on sadly the writing was on the wall for the show as he was clearly destined for bigger things.

It is difficult to classify this series in its entirety since the 5 seasons that it lasted were very different from each other. The first season was very short, both Cybill Sheppard and Bruce Willis were trying to find their respective roles and the series was slowly finding its way. By the second season the cast was much more comfortable, each one doing their job to perfection and an amazing chemistry began to be noticed between Bruce and Cybill, the writers were improving with each episode and the stories were intriguing and funny at the same time. Season three was undoubtedly the best, Cybill and Bruce exploded on the screen, their characters had reached perfection, the scripts were intelligent and unpredictable, the dialogues between the protagonists were brilliant and witty, during this season the relationship between the two was intensifying. Crescendo until at the end and after so many twists and turns they consummate their love relationship. In the fourth season the decline of the series begins, Cibyll becomes pregnant and makes sporadic appearances, everything falls on Bruce's men who do everything possible to cope with the series alone but without his counterpart it becomes an impossible task. The scripts also begin to decline, it was the beginning of the end. For the fifth and final season, the problems between the production, the scriptwriters and the actors are transferred to the screen and wear and tear on everyone is noticeable. The production makes one last attempt to resume the course of the first seasons but it's too late, Maddie's character becomes insufferable, David's is absolutely blurred and stops being fun. The series loses spark and to make matters worse its last episode is a real disaster. This is the sad end of one of the most entertaining and intelligent series ever made and which established Cibyll Sheppard as a great actress and catapulted Bruce Willis to fame.

"Moonlighting" had the same basic template as "Remington Steele" (which "Moonlighting" creator Glenn Gordon Caron also wrote for), but the two shows were ultimately so different that it never really felt like a ripoff. (In any case, "Remington Steele" itself felt a bit like "Hart To Hart," about which the less said the better.)

The show's troubled backstage production is the stuff of legend (if Sky 1 viewers think the arrival of new episodes of "The Simpsons" is an event, they don't remember this show's travails - a new episode on ABC was practically a headline story); so self-reverential was "Moonlighting" that the episode "The Straight Poop" was actually about the show's backstage drama, with Rona Barrett (real-life gossip maven) hosting and interviews with Cybill Shepherd's ex Peter Bogdanovich and, amusingly, Pierce "Steele" Brosnan. But though the problems really affected the show to the extent that some episodes had to focus on David and Maddie's secretary Agnes and the agency's new recruit Herbert, it never really became unwatchable.

And at its best, "Moonlighting" was a gem; with dazzling wordplay, real sparks between Bruce Willis and Cybill Shepherd (although Shepherd never getting recognised by the Emmys was justified), and some occasionally good mysteries to boot. Listing all the highlights the show produced would take too long, but the show deserves its place in history for, among others:

1. "It's A Wonderful Maddie": Maddie finding that in an alternate timeline the Blue Moon Detective Agency has been taken over by Jonathan and Jennifer Hart (Maddie and Max together: "Don't I know you from somewhere?") and that David has wound up marrying Cheryl Tiegs - a much better choice than Cybill Shepherd methinks.

2. "The Murder's In The Mail": For the "man with a mole on his nose" scene with the doorman.

3. What the narrator at the start of one of the episodes called "those silly chases they like to do on 'Moonlighting'."

4. "Atomic Shakespeare": In which a boy who has to miss "Moonlighting" to study "The Taming of the Shrew" leads us into a very amusing reshaping of the yarn ("10 Things I Hate About You" was good, but can that give you a medieval wedding ceremony with "Good Loving"?).

5. The movie-length pilot, complete with the full version of the wonderful Lee Holdridge-Al Jarreau theme song over the credits.

6. "The Dream Sequence Always Rings Twice." Orson Welles and Bruce Willis. A match made in heaven.

7. "Camille": Especially the climax.

Bruce Willis can look back on this with pride; Cybill Shepherd had nowhere to go but down. And the show's writers (Caron, Jeff Reno and Ron Osborn, Roger Director, Chris Ruppenthal, Debra Frank and Carl Sautter...), I salute you. A true classic.

Too bad the Anselmo case was never solved, though.