Spinal Tap

Not too long ago, my classmates and I were allowed to bring in a DVD of our choice as it was nearing the end of the school term. Knowing that these pop culturists wouldn't be too happy to watch one of my 'arty cult films', I didn't give a shite and brought in 'This is Spinal Tap'. They quite happily agreed to put it on after I told them it was funny and had swearing in it. But soon, boredom started to sink in with the class. "Crap", they labelled it. "Boring", they yelled. After less than ten minutes, my teacher was changing the disk to, wait for it… 'The Others'. One of my chums, being a fan of the film, dismissed them as idiots. However, I told him it was all a matter of taste and that they would be much happier settling down to watch their 40-year-old virgins and American pies than this more subtly-coloured tin of paint. So as I walked over to the front of the classroom, tail between my legs, to pick up my DVD my teacher leaned over and said, "Don't worry, I liked it. You have to be cultured to enjoy this sort of thing." And you know what, she's right.

To be quite frank, 'Spinal Tap' is just like marmite. You'll either love everything about it or hate every frame of it. Some people say it's like watching wet paint dry, others say it was so funny it gave them a hernia. I definitely fall into that latter category. After the umpteenth viewing, I still find it painfully hilarious!

But that's not the only reason for seeing it. It's also a totally accurate, observational and witty deconstruction of rock's strutting pretensions. If you're someone who thinks rock bands take themselves far too seriously, you need this movie. If, on the other hand, you feel like rock stars should forever be treated like gods and worshipped on a regular basis, you might just want to avoid this. After all, when Aerosmith's Steven Tyler had finished watching it he said he just felt like he wanted to throw himself off a cliff! It reveals the utter shallowness of rock 'n' roll without even flinching!

If you're also a lover of in-your-face laugh-out-loud got-it-straight-away humour, just stay away. Far, far away. This is intellectual stuff. You have to possess intelligence to enjoy it. I've never met any stupid people who did enjoy this film.

Director Rob Reiner really shows how broad his range is with this (his best in my opinion!), bringing every authentic detail, no matter how seemingly minor, to the screen effortlessly with a wonderfully sharp cast. Its still a challenge to get my head around the fact that this is from the same tubby Santa Claus look-alike who made 'The Princess Bride' and 'Stand By Me'! Reiner has always been a man with extraordinarily wide horizons and always will be, constantly entertaining cinema-goers with so many different stories!

The film's fly-on-the-wall mockumentary style works wonders, getting some beautiful performances from its actors (namely Michael McKean and Christopher Guest) and adding to its 'natural' feel. Many films, mainly British ones, have imitated this style ever since. Even one of the film's actors and co-writers has stuck to the hip of this film for the most part of his career, coming up with new and even more outlandish 'mockumentaries' to entertain and sate his legion of followers.

On each viewing, you'll erupt into laughter at the discovery of a new joke. Then for weeks on end, you'll be quoting it to your friends and everyone you know. It's like a treasure trove without a bottom!

To finish this not-so-critical analysis, I can never find any fault or flaw even after the innumerable viewings I've had. I never get bored of it either. I think the reason I like this so much is, honestly, because it was made for people like me!

In 1982 the world's loudest band is about to undertake it's comeback tour of America to coincide with the release of the new album. The group, Spinal Tap, is accompanied by documentary filmmaker Marti DeBergi on what turns out to be a fateful chapter in the band's colourful history.

Despite what anyone else tells you, this is easily one of the most quotable movies made and is just as funny today as it was when it was made, unless you are so out of touch with the world that it affectionately spoofs. The film is almost a tragedy so well does it chronicle the absurd collapse of the band. However, regardless of the hows and whats, the comedy is in the characters and the sharp dialogue. While most of the specific action is really funny, it is best during the backstage arguments and the candid interviews.

The dialogue is fantastic from start to finish and is made better by a superb cast delivering absurd lines with a straight face! McKean, Guest and Shearer are the strongest of the cast have most of the best lines. The support cast is also crammed with cameos from such people as Bruno Kirby, Billy Crystal, Begley Jnr, Macnee, Paul Shaffer, Anjelica Huston and others. Reiner excels as director, writer and documentarian, the film has his hands all over it.

Overall this is a great film, so much has been said about it that I won't go on any longer. While it is not an out and out spoof like Naked Gun, this film is wittier as the comedy comes from the dialogue and the sheer imagination of the writing!

When it comes to the glorious stupidity of rock 'n' roll music, the whip-smart mockumentary gold standard "This Is Spinal Tap" has no peers. Sidesplitting on an epic scale, this is also a shortlist candidate for Greatest Comedy Ever, and can claim parentage of every self-aware music film made since, from the wildly inventive "24 Hour Party People (2002)," to recent Tap-evocative record label satire "Stadium Anthems (2018)."

"Tap" now transcends its early filmic and rock confines: Nigel Tufnel, David St. Hubbins, and Derek Smalls have burrowed deep into the cultural zeitgeist, holding sway in the very words we choose in conversations at the pub and by the water cooler (see: "goes to eleven"). And its commentary on the fleeting absurdities of fame have never been more relevant.

Almost forty years old and still swallowing everything in its path, "This Is Spinal Tap" is as enduring as it is the hilarious, and that's quite a feat. This is one of the most joyously experienced entertainment vehicles ever assembled. - (Was this review of use to you? If so, let me know by clicking "Helpful." Cheers!) - WATCHED IT? THEN WATCHLIST: "Dans la peau de John Malkovich (1999)," "Stadium Anthems (2018)," "24 Hour Party People (2002)"

A classic, scathing lampoon of every successful rock band that's ever been guilty of taking themselves too seriously. Rob Reiner directs (and plays an important supporting role) but it seems like all he really needed to do was point a camera in the right direction, then edit several hours' worth of golden improvisational delight into a concise, intelligible ninety-minute package. It's a roaring parade of nonstop laughs, some blunt and easy, others sharp and witty. Famous bits like Christopher Guest's "this one goes to eleven" have been played to death but still elicit smiles, while deeper cuts, such as the band's reaction to contemporary critics or their infamous Stonehenge performance, land as if they were brand new. And the music is great, too, not just as a cutting satire, but as a convincing love letter to the days when power rock was all the rage and flocks of buzzed, well-feathered teens would still pack a stadium to hear the loudest noise on the planet.

THIS IS SPINAL TAP (1984) **** Rob Reiner, Christopher Guest, Michael McKean, Harry Shearer (Cameos: Billy Crystal, Dana Carvey, Fran Drescher, Paul Shaffer, Howard Hesseman, Ed Begley, Jr., Fred Willard, Angelica Huston {note spelling!} ).

Hysterically funny and dead-on "rockumentary" spoof of absurd documentaries and lame so-called rock groups with wicked satirical approach and clever camera shots as well. Directed by Reiner (his debut) with accurate depiction of super-inflated egos, pompous hangers-on and hilarious intimate moments with great dialogue thanks to the improvisations of the trio who reportedly worked from no screenplay. Best moment: Spinal Tap trying to find the stage. And I personally agree with the keyboardist's philosophy of "Have a good time, all the time".