Swing Shift

A quiet first-rate film that has Goldie Hawn at a factory to produce military goods during World War II while husband Ed Harris is off fighting the war. Hawn would have never thought that she would fall for co-worker Kurt Russell in this fine motion picture. Christine Lahti (Oscar-nominated) shines as another co-worker who has a bad reputation and Fred Ward gives another fine performance in a small supporting role. Directed by Jonathan Demme, "Swing Shift" is one of those diamonds in the rough from the 1980s. A good film. 4 stars out of 5.

"Swing Shift," director Jonathan Demme's sensitive story about women who went to war with a rivet gun, begins the night before the Japanese attack on Pearl Harbor. Living in modest California bungalows, Kay Walsh (Goldie Hawn) and her husband, Jack (Ed Harris) live a simple and enjoyable life. Everything is suddenly changed with the Sunday afternoon announcement of the devastating assault on the Pacific Fleet and the Army Air Corps bases in Hawaii.

Jack enlists immediately as do many of the couple's neighbors and friends. Alone, bored and motivated by genuine patriotism Kay goes to work at an aircraft plant that builds the tough, reliable SBD carrier-borne dive bomber. She strikes up, awkwardly at first, a friendship with neighbor Hazel (Christine Lahti), a woman with a nightclub-owning boyfriend. Jack had made some nasty not sotto voce cracks about her before he left for war.

Kay takes to the assembly line and enjoys being productive. But she's also lonely - it was a long war. Her "leadman," a sort of foreman, is "Lucky" (Kurt Russell). He and she begin a friendship that culminates in one of those wartime affairs that happened very often and is realistically portrayed by Hawn who is torn between marital fidelity and loneliness (and, obviously, dealing with separation-enforced abstinence).

Lucky is a 4-F. That meant he was "physically, mentally or morally unfit" for military service. In his case - phew - it's a latent heart condition.

The affair goes through various stages, punctuated by Jack's surprise arrival on a forty-eight hour pass. Whatever suspecting his wife is having it on with Lucky may do to him, he's also both bemused and confused that as a "leadman," (she's been promoted) she earns more in a factory than he does serving in the Fleet. Harris's portrayal is of a man on the cusp of a social change he feels but can't really identify.

There are a lot of ups and downs in this story but Hawn and Lahti in particular deliver strongly emotional and convincing performances. This was long before women could rise to general officer or flag officer rank and assume major wartime responsibilities. Hawn is Rosie the Riveter, the patriotic but largely uneducated and unskilled patriotic American female. There were tens of thousands of such women employed in every type of industrial work.

Obviously the absence of husbands and the surfeit of available albeit older or not totally fit men aided the initiation of extramarital affairs. But "Swing Shift" also subtly conveys the reality that the women who went to work were empowered by the global conflict. Despite an ending that affirms the women's promise and duty to relinquish employment to returning veterans (the promise was unnecessary since both law and custom insured their rapid dismissal), American women were fundamentally changed by the liberating reality of serving their country by working (often for the first time) and earning money. The political, economic and social reverberations would be felt for decades. "Swing Shift" is fine entertainment but it's also a chronicle of an important aspect of America's Home Front.

A fine movie. Available on DVD in a good transfer with no real special features.

9/10.

Jonathan Demme directed this period piece set during World War II, where women were recruited to take over from men in airplane making factories, because the men had to serve(unless they were declared 4-F).

Goldie Hawn, Christine Lahti, and Holly Hunter play the women, while Ed Harris, Fred Ward, and Kurt Russell play the men. The women must overcome the sexism and skepticism from management, and some of the men left behind. With their husbands gone, the women find that their increased responsibility makes them more involved with the world, but also gives way to some temptations as well...

Surprisingly bland, even lifeless film feels longer than it is, though it does have a good cast, story doesn't hold viewer interest much, and it feels like a wasted opportunity to portray an important part of the home front aspect of the war.

An easy-to-watch look at the Rosie the Riveter culture during WWII, "Swing Shift" is nothing special but passes. Goldie Hawn is her usual self as housewife Kay Walsh, who goes to work in the factories after her husband Jack (Ed Harris) goes off to fight in the war. If anything weakens the movie, it's something that we only recognize in the 21st century: the fact that Goldie Hawn and Kurt Russell met on the set (Russell plays her new love interest). Since then, stories of movie stars meeting on movie sets - and possible breaking up marriages - have become so commonplace that it makes our eyes roll.

But the movie itself is pretty interesting. Maybe it's not any kind of masterpiece, but it's fun to watch. Also starring Christine Lahti, Fred Ward and Holly Hunter. Jonathan Demme was certainly demonstrating the talent that he would later bring to "Silence of the Lambs", "Philadelphia" and "Beloved".

Nice period feeling and an interesting premise that doesn't get a lot of attention, women's role in the workplace during WWII. They should have focused on that and left the weak love story out and would had a better film. The problem is that Goldie's and Russell's characters are not really people you can feel much empathy for, she's spoiled and selfish and he's really rather a jerk whereas the more interesting and relatable characters played by Ed Harris and Christine Lahti are kept too much in the background. Christine Lahti however steals every second she's on screen apparently pre-release tinkering cut some of her best work to throw the spotlight more Goldie's way, perhaps costing her a best supporting actress Oscar although she was nominated. You'll spot Holly Hunter early in her career as one of the factory girls. Not without its merits and attractions but less than it could have been.