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Rich Caleb and Lu Swain give birth to alien twins Wilbur and Eliza, who are the smartest kids around when they put their heads together. Events threaten to keep the twins apart and a Chinese... Read allRich Caleb and Lu Swain give birth to alien twins Wilbur and Eliza, who are the smartest kids around when they put their heads together. Events threaten to keep the twins apart and a Chinese ambassador needs the twins' help.Rich Caleb and Lu Swain give birth to alien twins Wilbur and Eliza, who are the smartest kids around when they put their heads together. Events threaten to keep the twins apart and a Chinese ambassador needs the twins' help.
- Awards
- 1 nomination total
Cheire Harris
- Maria - the Maid
- (as Cherie Harris)
Steve Aaran
- Cadet #1
- (as Steve Aaron)
Rebecca Edwards
- Air Force One Lieutenant
- (as Becca Edwards)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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I stumbled on a mention of this movie after Jerry Lewis died. Based on a Vonnegut book, I expected something different and was not disappointed in that respect. It really impressed me as something that they just threw together in real time, just figuring out what to do next in between shooting scenes. I'm extremely surprised at caliber of some of the name involved in the project, Jerry Lewis (two roles!) and Orson Welles?!?! I give them some credit for trying to make a film out of the crazy book Slapstick, even though it is a colossal failure and only covers the beginning of the novel. A few scenes remind me of typical Tom Green comedy schtick, nothing but noise and mess, but just noise and mess doesn't make something funny, it's just infantile. I watched it yesterday and I think it is like trying to get the smell of burnt milk out of your nose, the ridiculously bad scenes just hang around in my memory. Someone would literally have to pay me $500 to watch this again, it is that painful.
Vonnegut novels have proven time and again very difficult to translate to film. For whatever reason, the subtlety and humanity of the novels get lost or scrambled in the interpretation. And this is probably the most glaring example.
Missing most of the point of the book and pulling focus from any reflection on loneliness or the absurdity of modern life and putting that energy into seeing Jerry Lewis interact with a poorly SFX overlay fortune-cookie-shaped UFOs. Which is the tip of the iceberg in terms of the high key racism in the film.
An arguably stellar cast gets mostly wasted on a joyless slog through a story that feels only tenuously adjacent to the source material.
I was too young when it came out to notice, but it's hard to imagine this seeing some release in the same year that Ghostbusters came out. It feels like it was made in a different decade, in a different dimension. I feel like this film and Heartbeeps bring similar grim energies. Both films I find interesting in their approach. Both intended to be comedies with heartfelt messages at the core, and both of them leaving you with a forlorn emptiness. If you absolutely love the book, maybe don't seek this out. If you want to see a big weird mess, then go for it.
Missing most of the point of the book and pulling focus from any reflection on loneliness or the absurdity of modern life and putting that energy into seeing Jerry Lewis interact with a poorly SFX overlay fortune-cookie-shaped UFOs. Which is the tip of the iceberg in terms of the high key racism in the film.
An arguably stellar cast gets mostly wasted on a joyless slog through a story that feels only tenuously adjacent to the source material.
I was too young when it came out to notice, but it's hard to imagine this seeing some release in the same year that Ghostbusters came out. It feels like it was made in a different decade, in a different dimension. I feel like this film and Heartbeeps bring similar grim energies. Both films I find interesting in their approach. Both intended to be comedies with heartfelt messages at the core, and both of them leaving you with a forlorn emptiness. If you absolutely love the book, maybe don't seek this out. If you want to see a big weird mess, then go for it.
With huge talents such as Jerry Lewis & Madeline Kahn I thought this movie was going to be gas, sitting in my favorite chair ready to laugh...NEVER DID. Movie made me ill, The directors & producers of this film should be arrested for letting this "VOMIT" on the screen.
The concept of having Jerry Lewis as a space alien could have been funny (See Visit to a Small Planet) which wasn't that funny either, but it wasn't crap like this. I've seen bad movies, like "Manos Hands of Fate", "Gigli", "Plan 9 From Outer Space", and many other terrible films, but with the exception of "Gigli", this is the worst movie I have ever seen, I truly had to take Maalox after this one. How in the Hell did they get The KING of Comedy, Jerry Lewis, and one of the funniest ladies to ever live Madeline Kahn to star in this bag of Dung?
They must have owed favors to the producers or something, because this movie really bit the big one.
Pardon My French, but It Sucked!
The concept of having Jerry Lewis as a space alien could have been funny (See Visit to a Small Planet) which wasn't that funny either, but it wasn't crap like this. I've seen bad movies, like "Manos Hands of Fate", "Gigli", "Plan 9 From Outer Space", and many other terrible films, but with the exception of "Gigli", this is the worst movie I have ever seen, I truly had to take Maalox after this one. How in the Hell did they get The KING of Comedy, Jerry Lewis, and one of the funniest ladies to ever live Madeline Kahn to star in this bag of Dung?
They must have owed favors to the producers or something, because this movie really bit the big one.
Pardon My French, but It Sucked!
Despite the consensus that Jerry Lewis hasn't been funny in decades, I opted to watch this painful farce out of my reverence for the great book which 'inspired' it. And it had Marty Feldman -usually a real hoot. What unforgivable tripe! Lewis and Khan play Wilbur and Eliza (giant, ugly twins who are a genius collective genius when together, but idiots when apart) and their aristocrat parents terribly. Sadly, I'll concede that it sticks to the book fairly well -THE FIRST HALF! All the best portions are ultimately lost due to a cop-out screenplay which aims to get laughs from caper-style bumbling and mess-making by over-aged comedians sadly better suited to telethons. Read the novel -it's brilliant; Wilbur becomes the last (and tallest ever) President of the United States just before a plague kills off the majority of its population (wildly suspected to be due to inhalation of microscopic Chinese). His recollections of his better years and falling-out with Eliza are signiature bitter-sweet Vonnegut. The best part of the movie was Pat Morita as a prototypical 3" Chinaman ambassador.
I understand the book this is "adapted" from was not great by any means, but I don't think a book could possibly be this bad.
The description for the movie does no justice in describing this atrocity. Twins are birthed from the loins of two "beautiful" people, only they look like Sasquatch sized creatures from another world (oops, spoilers! Oh wait no one will care). They apparently seem smart together but the film gives us little insight into that. On one hand, we do get tons and tons of bad vignettes of people well past their prime trying to be funny. Jerry Lewis seemingly shaped this after Blazing Saddles, but took out any social commentary, acting prowess and humor.
The worst part is all of the actors look like they are being confronted by existential dread. They probably saw the dailies and were horrified. Apparently the weirdo that made this film also made Baby Geniuses. No wonder it was so terrible. There is a morbid curiosity of seeing a train wreck like this, but most people have better things to do with their lives.
The description for the movie does no justice in describing this atrocity. Twins are birthed from the loins of two "beautiful" people, only they look like Sasquatch sized creatures from another world (oops, spoilers! Oh wait no one will care). They apparently seem smart together but the film gives us little insight into that. On one hand, we do get tons and tons of bad vignettes of people well past their prime trying to be funny. Jerry Lewis seemingly shaped this after Blazing Saddles, but took out any social commentary, acting prowess and humor.
The worst part is all of the actors look like they are being confronted by existential dread. They probably saw the dailies and were horrified. Apparently the weirdo that made this film also made Baby Geniuses. No wonder it was so terrible. There is a morbid curiosity of seeing a train wreck like this, but most people have better things to do with their lives.
Did you know
- TriviaThe original 1982 cut of the movie featured a score by Michel Legrand. When the movie was re-edited and subsequently re-released in 1984, it was replaced with a more science-fiction-laced score by Morton Stevens (of Hawaii police d'état (1968) fame). A soundtrack LP was released containing on one side the score by Stevens and on the other side highlights of the score by Legrand.
- GoofsThe boom mic is visible in the scene where the staff at the mansion is attempting to cheer up Eliza after Wilbur is taken to military school (on full frame 1.33:1 prints; the prints cropped to 1.85.1 mask the boom out).
- Quotes
Ah Fong - the Chinese Ambassador: Up your a** with Mobil gas !
- Alternate versionsIn the original 1982 cut of the film, Eliza sings a song called "Lonesome No More" (which is part of the title to the original novel "Slapstick") after the staff tries to cheer her up after Wilbur is taken to military school. Michel Legrand wrote the music, Kurt Vonnegut, Jr. wrote the lyrics and Madeline Kahn sings the song in the character of Eliza. This clip also occurs before the flying saucer with the Japanese inside fly into the attic window where she is staying. In the 1984 US release, the song is still credited in the final credits, but has been edited out of the movie. The 2005 German DVD "Director's Cut" of the film also omits the song.
- SoundtracksPuttin' Our Heads Together
Music and Lyrics by Randy Bishop
Performed by Randy Bishop and Bonnie Paul
Produced by Spencer Proffer for Pasha
Music Engineered by Duane Baron
Coordinated by John Lombardo
Published by The Grand Pasha Publisher and S. Paul Music Company
Available on Pasha/CBS Records
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- Also known as
- Slapstick of Another Kind
- Filming locations
- The Rindge House - 2263 South Harvard Boulevard, Los Angeles, California, USA(House of the twins)
- See more company credits at IMDbPro
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By what name was Slapstick (Of Another Kind) (1982) officially released in Canada in English?
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