Old Enough

This movie had all the elements it would take to become one of the defining movies of a generation. It had the right characters, the right setting, and the right themes. Classism, racism, religion, coming of age (on multiple fronts), deep family dynamics, urban violence, and adultery were all touched on and even a minor plot turn could have explored any number of them. However . . .

it seems that the film makers deliberately missed out on this opportunity. The viewer can almost feel the hand wringing and pearl clutching amongst the powers that were as even the mildest of controversial themes was approached. The "bad girl" wasn't all that bad, and the "good girl" was naive almost to the point of imbecility. This is no fault of the performers - the acting was very good (with the possible exception of the brother (played by Neill Barry), who was a little wooden - hey, ya can't win 'em all). Even for the '80s it was just too mild.

I can see how the milquetoast WASP crowd might find this movie enjoyable, but for anyone with pulse it's a pretty dull exploration of a potentially deep movie. I think it could be remade today with a little more depth and a little more internal exploration of a great bunch of characters and people would rave.

This is a rare gem, one that isn't afraid to confront what it means to grow up in 80s America. Set in 80s New York, Silver has lensed an astonishingly authentic view of childhood, surprisingly devoid of sentimentality. She isn't afraid to paint life in realist tones, often shocking the audience with the intrusion of adult behavior upon the young protagonist's life. The issue of class difference is central to the film's development of the two main characters Sarah and Kare; the former a rich Upper East-side innocent; the latter a brash, precocious Italian-Catholic schoolgirl. Yes, this treatment of the different class systems seems rather trite at first, but the complexities of the characters are mapped through until the sombre end, which is a refreshing change from the feel-good nonsense made by Disney et al. This independent film could have been a Disney film; thank Mickey Mouse it wasn't. A testament to the true spirit of independent cinema in the 80s.

Enjoyable little film about friendship, the fun and pains of growing up, and incidently, growing up on the streets of New York; Though not for everybody, this is still engaging to watch. 4/5 stars.... Maybe we see on DVD one day, no?

I was also surprised to see the low rating of this great little film. I saw it as a teen in the mid 80's on cable and, like so many others, was unable to stop watching this story through to its end. Even though it now looks so dated, I mean, no dot coms, facebook or cell phones here, the meat of the story holds true now, as it did in '84. The acting is fine and the issues are realistic. Speaking for myself, as a young teen-aged girl growing up in New Orleans, I could totally relate to the emotions expressed by the two lead characters, both New Yorkers, because the feelings were universal. If you're a female, you'll probably get it (and let me just say, I don't usually enjoy 'chick-flicks'). Like someone else has already posted, I, too, look forward to my own daughter viewing this film. It's still one of my all-time faves & whenever I catch it on TV, I still have to watch it, all these years later. I'd say it has stood the test of time.

This movie is such an underdog. It is such a great movie that will never be captured again. Innocence, growing, great acting for such young people. The eyes alone tell the story. I highly recommend this movie. And Danny Aiello Is great as usual. These are people that never went anywhere and should have. The director was 24 years old. It encompasses everything a naive young girl, or woman would see in the city being from a rich foundation. Her compadre is just as naive towards the rich. She doesn't even know what to do as far as opening or closing doors with a maid. Simply gratifying movie that has been left in the dust.