Old Enough

I could not remember the name of this movie. In 1984 I was 11 years old and I watched this movie every time it was on. This movie moved me. When I was 9 years old I was a lot like the innocent girl. A new girl moved across the street from me. She was from a city. I was from a very small town. She had me wanting to be like her. I even helped her steal a mini-skirt outfit for her school pictures. She was the one who told me about the "period". She used curse words, she wore makeup, and her mother used to drink vodka all day long. After she got into some trouble, her mother said I was a bad influence and we were no longer allowed to hang around anymore. She moved away 2 years later and I never saw her again. When this movie started showing on cable when I was 11 I was drawn in forever. This movie is wonderful and so real. This movie was able to show exactly what I had lived and that I was not the only one. Nobody knew then or knows now that these things had happened to me. Im glad I finally found the name and now I will look for its next showing on bravo or IFC. I will record it and have it for my daughter.

This is a rare gem, one that isn't afraid to confront what it means to grow up in 80s America. Set in 80s New York, Silver has lensed an astonishingly authentic view of childhood, surprisingly devoid of sentimentality. She isn't afraid to paint life in realist tones, often shocking the audience with the intrusion of adult behavior upon the young protagonist's life. The issue of class difference is central to the film's development of the two main characters Sarah and Kare; the former a rich Upper East-side innocent; the latter a brash, precocious Italian-Catholic schoolgirl. Yes, this treatment of the different class systems seems rather trite at first, but the complexities of the characters are mapped through until the sombre end, which is a refreshing change from the feel-good nonsense made by Disney et al. This independent film could have been a Disney film; thank Mickey Mouse it wasn't. A testament to the true spirit of independent cinema in the 80s.

This movie had all the elements it would take to become one of the defining movies of a generation. It had the right characters, the right setting, and the right themes. Classism, racism, religion, coming of age (on multiple fronts), deep family dynamics, urban violence, and adultery were all touched on and even a minor plot turn could have explored any number of them. However . . .

it seems that the film makers deliberately missed out on this opportunity. The viewer can almost feel the hand wringing and pearl clutching amongst the powers that were as even the mildest of controversial themes was approached. The "bad girl" wasn't all that bad, and the "good girl" was naive almost to the point of imbecility. This is no fault of the performers - the acting was very good (with the possible exception of the brother (played by Neill Barry), who was a little wooden - hey, ya can't win 'em all). Even for the '80s it was just too mild.

I can see how the milquetoast WASP crowd might find this movie enjoyable, but for anyone with pulse it's a pretty dull exploration of a potentially deep movie. I think it could be remade today with a little more depth and a little more internal exploration of a great bunch of characters and people would rave.

This movie is such an underdog. It is such a great movie that will never be captured again. Innocence, growing, great acting for such young people. The eyes alone tell the story. I highly recommend this movie. And Danny Aiello Is great as usual. These are people that never went anywhere and should have. The director was 24 years old. It encompasses everything a naive young girl, or woman would see in the city being from a rich foundation. Her compadre is just as naive towards the rich. She doesn't even know what to do as far as opening or closing doors with a maid. Simply gratifying movie that has been left in the dust.

I just watched a 13-year-old taped-from-Bravo copy of this film, and let me tell you: it's a delight. Not only does it knowingly tap into the teenage experience of expanding cultural sensibilities, but it does so in a completely unpretentious and earnest way-- no John Hughes slapstick or over sentimentality here, just an honest portrayal of a pivotal friendship.

The two female leads are excellent young actresses, and the soundtrack is really quite unique (think a more primitive version of the "Virgin Suicides" soundtrack by Air).

Plus, you can see what Alyssa Milano was doing before she rocketed to "Who's the Boss?" fame.

Check it out if you can.