Old Enough

This is a story of a friendship between an unlikely pair but kids don't care. One young girl comes from a well-bred upper class family and another girl is a street smart daughter of a New York apt. building super. They learn from one another about a different culture and the dialog is fantastic - extremely believable. I'm sorry the overall rating this movie received was so mediocre. The low scores were obviously given by persons out of touch with real life, especially from the perspective of a young girl.

This movie is such an underdog. It is such a great movie that will never be captured again. Innocence, growing, great acting for such young people. The eyes alone tell the story. I highly recommend this movie. And Danny Aiello Is great as usual. These are people that never went anywhere and should have. The director was 24 years old. It encompasses everything a naive young girl, or woman would see in the city being from a rich foundation. Her compadre is just as naive towards the rich. She doesn't even know what to do as far as opening or closing doors with a maid. Simply gratifying movie that has been left in the dust.

This movie has a very very special quality to it. Yes, I understand it's dated. You don't have to tell me the dialogue is totally basic nearly throughout. This is a classic 1980's movie. This movie touches on something. The ending scene very nearly spells it out, but it keeps its message veiled, and leaves it for you to figure it out, like all good movies should.

This movie had all the elements it would take to become one of the defining movies of a generation. It had the right characters, the right setting, and the right themes. Classism, racism, religion, coming of age (on multiple fronts), deep family dynamics, urban violence, and adultery were all touched on and even a minor plot turn could have explored any number of them. However . . .

it seems that the film makers deliberately missed out on this opportunity. The viewer can almost feel the hand wringing and pearl clutching amongst the powers that were as even the mildest of controversial themes was approached. The "bad girl" wasn't all that bad, and the "good girl" was naive almost to the point of imbecility. This is no fault of the performers - the acting was very good (with the possible exception of the brother (played by Neill Barry), who was a little wooden - hey, ya can't win 'em all). Even for the '80s it was just too mild.

I can see how the milquetoast WASP crowd might find this movie enjoyable, but for anyone with pulse it's a pretty dull exploration of a potentially deep movie. I think it could be remade today with a little more depth and a little more internal exploration of a great bunch of characters and people would rave.

I just watched a 13-year-old taped-from-Bravo copy of this film, and let me tell you: it's a delight. Not only does it knowingly tap into the teenage experience of expanding cultural sensibilities, but it does so in a completely unpretentious and earnest way-- no John Hughes slapstick or over sentimentality here, just an honest portrayal of a pivotal friendship.

The two female leads are excellent young actresses, and the soundtrack is really quite unique (think a more primitive version of the "Virgin Suicides" soundtrack by Air).

Plus, you can see what Alyssa Milano was doing before she rocketed to "Who's the Boss?" fame.

Check it out if you can.