Non ci resta che piangere

Two actors at their best (Roberto Benigni before he became big-headed after the world wide fame and the late lamented Massimo Troisi) playing a strange story, where these two young modern men wake up in 1492 after spending a night out because their car broke down.

Settled in the italian reinassance, pretty well depicted despite the low budget used, the movie is substantially a collection of sketches based on the struggles that the two men must fight against the different lifestyle, with some secondary stories based on historical personages lived in that time (Savonarola, Columbus, Da Vinci). This is one of the most beloved italian movie of all the times, and everybody saw this movie can remember all of the most famous dialogues (Vitellozzo after the death of his brother, the "remember that you shall die!" speech, the scene at the customs, and many others) by hearth, as they were funny and innovative.

Directed with a very slow rhythm, that adds a quite poetic touch to the story, this movie must be considered as a small masterpiece, a comedy unique of its kind. Comparing this with one of the later italian comedy should be done to understand the meaning of the term "good taste".

Unluckily, anybody without a very fluent italian can't completely enjoy this movie, because a big part of the funny side of this movie follows from the two heavy accents of the two main actors, mainly the one of Troisi.

One of the best comedies ever done in the film history. Benigni and Troisi a couple that can hardly be repeated. Money doesnt necessarily make great films...and great films do not always need loads of money. This is a great example.

Sadly, the only occasion we had to see together two of the best italian actors of the century: Benigni and Troisi. Anyway, it's a comedy: there's nothing else to do, but laugh.

Totally unawares, Saverio, a teacher and Mario, a janitor of the same school in which they both work, travel back in time and find themselves in central Italy at the end of the 15th century. They carry with them an unresolved squabble concerning Saverio's sister, creating a lot of tension between the two, which will increase in the plot. From this moment on they will have to come to grips with the grotesque situation they find themselves in, trying to "hitch a lift" back to the future in a most outlandish way, using and misusing their foresight of the events taking place round that time, and generally making fools of themselves in the eyes of "normal" renaissance folks. Their meeting with Leonardo da Vinci is hysterical, when they become more and more convinced that the genius is in reality a moron. Another character they meet is Savonarola the heretic, who enjoins them to repent, before he is taken to the stake, eliciting some breezy comment from them. If it weren't for a weird kind of homesickness, they would quite enjoy living in this period, full of daring fashions and tantalising damsels.

The couple shows great chemistry and is funny in every respect. The psychology of their characters is complex and credible - for once comical roles with a depth. Basically, Saverio is an embittered petit-bourgeois forever attracted and rejected by women, envious of Mario, an easy-going proletarian every woman falls in love with. Saverio is scheming, mean and vindictive as much as Mario is naive, generous and forgiving. What a match of talents: Roberto Benigni and Massimo Troisi at the peak of combined creativity. Too bad they will never come back together for another joint venture. Or maybe it is better this way: masterpieces of this level cannot be improved on, at best they can be imitated. For this reason Non ci resta che piangere will shine like a gem in the crown of the best Italian movies of all times. Sadly not many people seem to have seen it, not even in Italy, where the viewers do not need subtitles to enjoy the hilarious juggling of the two actors with the language, but their body language can be universally appreciated.

If you miss it you will have to repent!

"Non ci resta che piangere" is definitely a piece of art, directed by two of the most important Italian comedy writers: Benigni and Troisi. This is the work of a Napolitan and a Tuscan comic put together to make a film that'll make you laugh from its start and if you start, you'll never stop.

The plot is very simple: Mario and Saverio, a teacher and a janitor in an elementary school, find them in the year 1492 and it is the origin of all the funny situations you'll find in the movie.

The language used by Mario and Saverio is Italian, but Mario uses a typical Naples accent and Saverio it's using his Tuscan influence, so the language they use is crucial to the final meaning of the movie.

In the original version there was an additional scene, that the directors had to cut off when publishing the movie, despite this the movie is still very funny, and is its freshness, its lack of bad words what makes it a good comedy and a good film.

Ending, I think this movie is one of the best ever produced in Italy, but unfortunately, due to its dialectal language and the direct speech it can't be translated to other languages.