Train express pour l'enfer

Night Train to Terror (1985)

* 1/2 (out of 4)

God and Satan are on board a train where a rock band is playing. The two talk about who is respected more and then we see three separate stories. The first story deals with a man who feels guilty over a drunk driving death that he caused. He finds himself involved in a strange experiment. The second story deals with a medical student who falls in love with a beautiful woman and gets drawn into a strange world of monsters. The final story has a detective (Cameron Mitchell) investigating a murder that leads to a Satanic playboy with special powers.

NIGHT TRAIN TO TERROR is a really, really bizarre little movie with an even more bizarre behind-the-scenes story. The only new footage here are the scenes dealing with the rock band and God and Satan. Everything else is footage taken from three completely different movies. What's so strange is that all three of those movies are available to view in their complete form so it's kind of pointless watching them chopped up to fit 20-30 minute segments.

The biggest problem with this movie is that all three stories are completely confusing and they never make too much sense. THere are so many logical issues with each of the three stories and it's easy to see why because all of them are missing over a hours worth of footage. To say that this film was a complete hack job would be fair and it's also fair to say that the studio was just trying to make some cash out of the previous films that I'm guessing they already owed. Why not cut them down, add a wrap-around story and try to pass it off as something new?

Whatever their reasons were, it's funny to think that NIGHT TRAIN TO TERROR has remained easy to find over the years while the three other complete films (MARILYN ALIVE AND BEHIND BARS, THE DARK SIDE TO LOVE and CATACLYSM) aren't as easy to track down, although THE DARK SIDE OF LOVE was released as a bonus feature for the Blu-ray release of NIGHT TRAIN TO TERROR.

As it stands, this is a pretty hard film to judge simply because of the editing process. The end result is quite poor and it's hard to be entertained by NIGHT TRAIN TO TERROR simply because the stories are so bad as they are presented here. To really judge them you'd need to see the complete films. As it stands, NIGHT TRAIN TO TERROR is pretty bad but the backstory is much more interesting.

I remember having seen "Night Train to Terror" on VHS twelve or thirteen year ago when I was a kid.This trippy and disjointed celluloid nightmare was sewn from condensed version of low-budget horror movies "Death Wish Club","Cataclysm" and an at-the-time unfinished 1982 film "Scream Your Head Off".The campy discussions between God and Satan takes place on a train known both as the Heavenly Express and Satan's Canonball since it carries unknowing souls to one or the other destination.In the first story "The Case of Harry Billings" a man is kidnapped and taken to an insane asylum were he is put under hypnosis and lures victims to become tortured and murdered as part of an organ-harvesting operation.The second story "The Case of Gretta Connors" entails two young lovers who become involved in a sinister cult of people fascinated with death.The final story "The Case of Claire Hansen" involves an apprentice to the Devil who is out to destroy mankind and a group of immortals who are out to stop him.Very amusing and and inept horror film perfect for the lovers of cinematic trash.8 out of 10.

Greetings And Salutations, and welcome to my review of Night Train To Terror; here's the breakdown of my ratings:

Story: 0.75 Direction: 0.50 Pace: 0.75 Acting: 1.00 Enjoyment: 0.75

TOTAL: 3.75 out of 10.00.

There are two good elements to Night Train To Terror - One: The Video Cover. Two: The last few seconds of the end credits when you can see the light at the end of the tunnel and escape is near. But what surprises me most is that the damned film still makes it onto the steaming and terrestrial services. I believe it's on Amazon now, and a couple of years ago, I think I spotted it on Channel 5. You guys and gals know there are supremely better flicks you're failing to air for your audiences. I would be amazed if any appreciated you giving them this mess of a movie.

Philip Yordan penned the screenplay for this trilogy of short stories. And while each is terrible, the last tale is the best. Story one is about an asylum who's found a novel way to earn extra cash. Sell the body parts. So what happens when you run out of inmates? Easy; you brainwash a stranger to grab some lovely ladies for you to chop up. Sadly, what should've been a nicely terrifying story becomes nothing more than a way to get boobies onto your screens. And the story becomes more nonexistent with every bosom revealed: It becomes a case of Thanks For The Mammaries (sorry, I couldn't resist - because we all know resistance is futile). However, in the poorly scribed tale, the lunatics appear to have taken over the asylum. But their insanity could just be reflections of the dire dialogue Yordan has them speak. The second story introduces us to a loving couple who, to ease the boredom of being together, join a Death Club. The club members take turns to devise a bizarre demise, which will kill at least one member. Sadly, it's the poor writing and dialogue that once again hinders the power of this tale. Handled correctly, it possessed all the elements for it to engage the viewer. Unfortunately, it's merely a dull dross. Whereas with story number three, Yordan appears to have taken a creative writing course or three. The story of a never-ageing Nazi is intriguing and a tad complex compared to the previous tales. These convolutions make it the most enjoyable watch of the compilation. And had it been merely about the three stories, the scores may have been different. However, Yordan binds the three tales with God and Satan, vying for their souls. I can see what he's trying to accomplish, but it doesn't work because he's forgotten about the logic of their process. Example: In story one, beautiful girls get slaughtered for spare parts. I'd guess that not all the topless beauties are without sin. But we never hear a peep about their souls. So what makes the chosen soul so special? So these little segues have holes of their own. And let's not forget about the breakdancing rock band that plays pop music and only knows one tune. WTF? So, terrible characterisations, poor structuring, horrid dialogue, and unrealistic and unbelievable situations. Well, let's hope the directors are better.

Sorry! They're not. In fact, they make the story segments worse. Not one of them knew how to handle the pacing. John Carr, who directed the first two, even uses some awful stock footage - in a different aspect ratio. The guy couldn't crop it to the correct sizing - he merely spliced it in. I'll say this for the directors of the third segment, Philip Marshack and Tom McGowan, they attempted to make the extended story more engaging. They employed better lighting and colour techniques. And there are a few nicely composed shots, especially the villains' last walk down the hospital's corridors. However, they still suffer from too mundane a pace. This story deserved more excitement and tension in its atmosphere. Another disappointment came from the special effects. Though there's one decently filmed electrocution showing a bloke who's frying tonight, there are also two monstrously obnoxious stop-motion sequences. One shows a flying bug, and the other gives us a lousy rendition of a demon in hell. Both bug and demon are poorly constructed. They would've done better handing out plasticine to a group of kindergarteners and then used their creations. As for the stop-motion itself, well, the FX people are not Harryhausen. These are some of the most unrealistic animations you'll see. It looks as though they got bored and reduced the number of frames for each movement.

The acting between the stories varies immensely. The psycho's selling body parts is the worst. Even Richard Moll does little to save this travesty, though he's a lot better in the Immortal Nazi story. Luckily for the audience, the performers in the death club are average, which helps to level out the story a tad. Though, it is a case of saving the best for last. Not only was the story and its direction better than the previous tales, but the Immortal Nazi also offered a stronger cast.

Had the first two tales been as well written, filmed, and acted as the third, I'd recommend Night Train to Terror for one watch - had you completed your watchlist. However, they're not that good, and then you have that damned band and their dancers. All of which drops the movie into the 1-2-Miss pile.

Tickets Please; Tickets Please. Next stop, Hell and Damnation. Half an hour before Hell and Damnation: So you have time to read my IMDb lists - Absolute Horror and The Final Frontier to see where I rated Night Train To Terror before we pull into your final terminus, where you and the train will terminate.

Take Care & Stay Well.

Night Train To Terror is a genuine modern classic. It's a three-part horror anthology edited from three movies, two of which were released separately (Cataclysm and The Death Wish Club) and the third of which was never properly finished. It doesn't make any damn sense, although Richard Moll appears in two segments complete with hair.

The stories are hosted by God (played by "Himself," really Ferdy Mayne) and Mr. Satan (played by "Lu Cipher," ha ha indeed) who sit on a train where a terrible breakdancing '80s band plays the same song over and over again. Highlights include, well pretty much everything. The first segment (the unfinished one) is the most extreme, featuring lots of sadistic violence and gratuitous nudity. The second, The Death Wish Club, is the weakest, although it's still basically a series of cheesy, fun death scenes. The third segment, Cataclysm, has been punched up with new footage of badly-animated stop motion monsters throwing dolls of the characters around.

Not one of the three stories is coherent, but the whole thing is immensely entertaining for fans of strange bad movies. Sit down with some friends and some kind of intoxicating substance (by which I obviously mean beer or other alcohol, I wouldn't advise anyone to take anything illegal, no sir) and you'll have a whale of a time with this one.

My review was written in May 1985 after a Times Square screening.

"Night Train to Terror" is a hodge-podge of at least three separate horror films, crudely edited together as an omnibus picture.

Wraparound footage has God (Ferdy Mayne sporting an arresting white beard) and the Devil (Lu Sickler) quarreling on a train over which human souls they will get, giving rise to three case histories. (An inept rock group is also on the train with its souls up for grabs, and irritating musical numbers interrupt the action at random.)

First two cases were filmed circa 1982 by director John Carr and play like excerpts from unfinished features, both presented here with the entire story carried by voiceover narration. John Phillip Law toplines in "Harry", sent to a sanitarium after his car crashes, where mad doctors and a crazed orderly (Charles Moll, of tv's "Night Court" series) use him to pick up pretty girls who are then killed, their organs sold to medical schools. Segment includes lots of nudity, gore and many shots filmed out-of-focus. Next, Meridith Haze portrays "Gretta", an aspiring pianist, duped into joining The Death Club, where jaded folks play fatal, sadistic games.

Finale, apparently shot in 1979 as a feature title "Cataclysm" (which received an R rating in 1981 from the MPAA on its own), is a religious tract in which veteran screenwriter Philip Yordan gets on a soapbox. James Hansen (Charles Moll, again) is a Nobel prize winner who has written a book "God Is Dead" and goes on tv preaching his anti-religion party line. He gets his comeuppance from an ageless Nazi named Olivier who in fact is the devil's emissary. Cameron Mitchell appears as a cop hunting Olivier.

Mishmash features stock footage, including widescreen shots hilariously "squeezed" in an attempt to match the other scenes, plus several stop motion animation monsters that comically battle tiny puppet versions of the cast members.