Beaucoup de bruit pour rien

Original title: Much Ado About Nothing

TV Movie
1984
Not Rated
2h 28m

IMDb RATING

YOUR RATING

Benedick and Beatrice fight their merry war of words. But when Beatrice's friend, Hero, is humiliatingly jilted by Benedick's best friend, Claudio, Benedick has to choose which side he's on.... Read allBenedick and Beatrice fight their merry war of words. But when Beatrice's friend, Hero, is humiliatingly jilted by Benedick's best friend, Claudio, Benedick has to choose which side he's on. But unknown to all, Claudio's been tricked by the bastard Don John, and (unfortunately), ... Read allBenedick and Beatrice fight their merry war of words. But when Beatrice's friend, Hero, is humiliatingly jilted by Benedick's best friend, Claudio, Benedick has to choose which side he's on. But unknown to all, Claudio's been tricked by the bastard Don John, and (unfortunately), it's up to Dogberry and Verges to solve the case.

See production info at IMDbPro

IMDb RATING

7.9/10

291

YOUR RATING

17User reviews

See production info at IMDbPro

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User reviews17

7.9291

Featured reviews

9mhk11

a sparkling production

I concur with the predominantly favorable assessments of this production that have already been posted. Robert Lindsay and Cherie Lunghi are both excellent, and Katharine Levy is likewise outstanding in the role of Hero. Robert Reynolds (presumably intentionally) makes clear how repellent Claudio is, as he delivers a fine performance in that difficult role. Jon Finch emphasizes the silly and decadent dimension of the role of Don Pedro, in a capable performance that could have been enriched with a bit more gravitas. Michael Elphick is far, far better -- far, far funnier -- in the role of Dogberry than was Michael Keaton in Kenneth Branagh's cinematic version of the play.

My only complaint relates to Graham Crowden in the role of Friar Francis. He conveys the impression of not having memorized his part very well; his intonation in his recitation of some of his key lines is decidedly odd.

10tonstant viewer

Splendid Fun

Robert Lindsay is an excellent Benedick, punchy and precise in word, action and emotion. Cherie Lunghi finds less variation in her Beatrice, but is nonetheless quite good.

Jon Finch camps outrageously as Don Pedro, delivering his lines in frank imitation of Sir Laurence Olivier at his giddiest. How did this apparent party turn wind up in here? But it does not distract from the progress of the play.

The rest of the cast is fine and the whole affair moves at a reasonable pace. The physical production is beautiful to the eye, inspired by the finest Italian Renaissance painters. Highly recommended.

9Troopie

Shows Branagh how it's done!

This remains, for me, one of the best of this superb BBC series & certainly the best version of this particular play. This production saw no need to dress up the actors in ridiculous fake-military costumes (a vice Branagh shows off in all his productions, I know not why) or cut those parts which it didn't like (either do Shakespeare as he wrote it or write your own play!). Robert Lindsay reveals previously unsuspected Shakespearian talent & I would dearly love to see him take on some other such roles. He is superb in this, using his comic ability to bring out the humorous essence of Benedick & the beautiful Cherie Lunghi (who has never shown me a poor performance, be it in Shakespeare, Hornblower or even "A Touch of Frost") is a perfect partner, being both cuttingly witty & enticing -- enough to make any Benedick risk her barbs to chase her! Admittedly, Jon Finch isn't as good as Denzil Washington, who also showed untapped Shakespearian talent (a future Othello or even Iargo, maybe?) but he isn't actually bad. All in all, a joy to watch & a great introduction to Shakespeare's lighter works. Sincerely recommended.

8eparis2

Much Ado About Nothing has director Stuart Burge's mates hitting top form

Lunghi's Beatrice and Lindsay's Benedick are nearly perfect and certainly seem perfect for each other. Television close-ups give an immediacy to their courtship that is hard to match on stage. The text is almost complete, allowing the two cleverest lovers in Shakespeare to shine as only they can.

Most of the characters in the play declare that Beatrice is unattractive because she is independent. Cherie Lunghi is especially good at proving the opposite to be true.

The rest of the cast is uniformly excellent, with a properly snobbish Leonato; unbearably and idiotically self-satisfied Dogberry; and a thoroughly clueless, moderately cruel Claudio.

The production would be stronger, however, if it were more playful. The deception of Benedick is mostly humorless, with the tricking of Beatrice not much better.

filmbuff-147

Superb rendition that that reaffirms one's love of Shakespeare

An afficianado but not expert on Shakespeare, this production was my introduction to "Much Ado About Nothing". I found it a sheer delight. So much so that I fell into the production and it seemed it was over after barely starting. Normally with Shakespeare one seems to maintain a distance whilst mentally translating the old English prose/rhyme but that wasn't necessary with this play. The sets are adequate but we must remember that this is a film of a stage version. It's the acting that makes it so exhilerating. Lunghi is nothing short of stupendous, speaking the lines with great wit, clarity and effect. Lindsay is admirable as her foil and indeed matches her line for line. I would recommend this play/production for anyone who needs an introduction to Shakespeare. For those who are familiar with the bard, they will find this rendition a delight, and far superior to that inadequate, emacerated film version by Branagh.

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Trivia
The inaugural episode of BBC Shakespeare was originally set to be a production of Much Ado About Nothing, directed by Donald McWhinnie, and starring Penelope Keith and Michael York. The episode was shot (for £250,000), edited and even publicly announced as the opening of the series, before it was suddenly pulled from the schedule and replaced with Romeo & Juliet (which was supposed to air as the second episode). No reasons were given by the BBC for this decision, although initial newspaper reports suggested that the episode had not been abandoned, it had simply been postponed for re-shoots, due to an unspecified actor's "very heavy accent," and concerns that US audiences would not be able to understand the dialogue. However, as time wore on, and no reshoots materialised, the press began to speculate that the show had been cancelled entirely, and would be replaced at a later date by a completely new adaptation, which was in fact what happened. The press also pointed out that the fact that the production was never shown in Britain rubbished any suggestion that the prevailing cause for the abandonment was to do with accents. Indeed, there is evidence to suggest that BBC management simply regarded the production as a failure.