IMDb RATING
6.8/10
24K
YOUR RATING
Kermit and his friends go to New York City to get their musical on Broadway only to find it's a more difficult task than they anticipated.Kermit and his friends go to New York City to get their musical on Broadway only to find it's a more difficult task than they anticipated.Kermit and his friends go to New York City to get their musical on Broadway only to find it's a more difficult task than they anticipated.
- Nominated for 1 Oscar
- 4 nominations total
Jim Henson
- Kermit the Frog
- (voice)
- …
Frank Oz
- Miss Piggy
- (voice)
- …
Dave Goelz
- Gonzo
- (voice)
- …
Steve Whitmire
- Rizzo the Rat
- (voice)
- …
Richard Hunt
- Scooter
- (voice)
- …
Jerry Nelson
- Camilla
- (voice)
- …
Featured reviews
I personally don't think it is QUITE as good as Muppet Movie or Great Muppet Caper, and one or two scenes towards the beginning could have been better paced, but along with those two Muppet movies, Christmas Carol and Treasure Island, The Muppets Take Manhattan is one of the better Muppet movies by far. It has a great story, different but still a fun one, bouncy songs especially It's Time for Saying Goodbye and the superb Together Again, the Manhattan locations are clever and truly stunning and the cameos from the likes of Liza Minelli, Joan Rivers, Brooke Shields and Gregory Hines are fun personified. And the Muppet performers are once again spot on, and any scene with Miss Piggy especially is a joy. Overall, terrific fun and recommended. 8.5/10 Bethany Cox
I distinctly remember seeing "Muppets Take Manhattan" in the movie theater when I was 8 years old--following the film, I immediately demanded that my parents purchase the soundtrack LP (yes, on vinyl!). I loved this movie then; I love it still.
Actually, it's my favorite among the first three, classic Muppet films; "Muppet Movie" is great but overlong, while "Great Muppet Caper" is terrific, but seems a bit dated now. "Muppets Take Manhattan," on the other hand, never fails to entertain me, still makes me laugh out loud (the purse-snatching scene; Kermit in his Bert Convy 'fro), and even tugs at my heartstrings.
What's particularly nice about this adventure is that it's an affectionate love letter to Hollywood musicals of yore, without being overly parodying. The musical comedy cliches are presented in a matter-of-fact manner; just as we were expected to suspend our disbelief when Ruby Keeler went out onstage a nobody but "came back a star!", we suspend our disbelief to encompass a group of talking animals putting together a big budget Broadway musical in 2 weeks. These kind of hoary plot devices are presented straight-faced, without any self-conscious "winking" or irony.
The songs are all pretty darn terrific; the show-stopping "Together Again" finale is as good as any contemporary musical number of the last 20 years or so, while "It's Time for Saying Goodbye" always puts a lump in my throat: it's sentimental without being maudlin. The finale, "He/She Makes Me Happy" goes from being sweet to comically over-the-top in less than 3 minutes, and it's a joy.
The expected parade of cameos work well within the structure, without being intrusive. My particular favorites are Liza Minnelli's (the whole Sardi's scene is wonderful), Linda Lavin's (another terrific comedy moment: "YOU are Mr. Enrico Tortellini of Passaic, New Jersey!"), and Joan Rivers' (another gem). The Muppet performers are their usual, endearing selves: lovable, warm, likable. The "love triangle" between Kermit, Piggy and the human Jenny plays surprisingly well, and Piggy's jealous reactions are hysterical.
These days, "family entertainment" usually means disgustingly white-washed pap that anyone over 10 or 11 would find either sedating or inane. (Disney's live action "101 Dalmations" and its sequel spring to mind.) The Muppet movies proved that a G-rated film could be intelligent, witty, funny and entertaining for all ages. It's a formula that has yet to be improved upon, and "The Muppets Take Manhattan" just might be the best example of it.
Actually, it's my favorite among the first three, classic Muppet films; "Muppet Movie" is great but overlong, while "Great Muppet Caper" is terrific, but seems a bit dated now. "Muppets Take Manhattan," on the other hand, never fails to entertain me, still makes me laugh out loud (the purse-snatching scene; Kermit in his Bert Convy 'fro), and even tugs at my heartstrings.
What's particularly nice about this adventure is that it's an affectionate love letter to Hollywood musicals of yore, without being overly parodying. The musical comedy cliches are presented in a matter-of-fact manner; just as we were expected to suspend our disbelief when Ruby Keeler went out onstage a nobody but "came back a star!", we suspend our disbelief to encompass a group of talking animals putting together a big budget Broadway musical in 2 weeks. These kind of hoary plot devices are presented straight-faced, without any self-conscious "winking" or irony.
The songs are all pretty darn terrific; the show-stopping "Together Again" finale is as good as any contemporary musical number of the last 20 years or so, while "It's Time for Saying Goodbye" always puts a lump in my throat: it's sentimental without being maudlin. The finale, "He/She Makes Me Happy" goes from being sweet to comically over-the-top in less than 3 minutes, and it's a joy.
The expected parade of cameos work well within the structure, without being intrusive. My particular favorites are Liza Minnelli's (the whole Sardi's scene is wonderful), Linda Lavin's (another terrific comedy moment: "YOU are Mr. Enrico Tortellini of Passaic, New Jersey!"), and Joan Rivers' (another gem). The Muppet performers are their usual, endearing selves: lovable, warm, likable. The "love triangle" between Kermit, Piggy and the human Jenny plays surprisingly well, and Piggy's jealous reactions are hysterical.
These days, "family entertainment" usually means disgustingly white-washed pap that anyone over 10 or 11 would find either sedating or inane. (Disney's live action "101 Dalmations" and its sequel spring to mind.) The Muppet movies proved that a G-rated film could be intelligent, witty, funny and entertaining for all ages. It's a formula that has yet to be improved upon, and "The Muppets Take Manhattan" just might be the best example of it.
What else can you expect when the Muppets don't take Manhattan but steal the show from cameo celebrities and a plot to get their musical on Broadway called "Manhattan Melodies." The Muppet gang finished college in some small town New England and go to the big city. Kermit and the gang try but unsuccessfully at first to get Manhattan Melodies. Kermit and the gang split up and get jobs in various places. Miss Piggy works at a department store with Joan Rivers. Kermit works at a diner with Jenny. Kermit comes with innovative ways especially the scene at Sardis where he replaces Liza Minnelli's picture with his own in her cameo. There are plenty of celebrities like the three term Mayor Ed Koch; Gregory Hines in Central Park; Brooke Shields at the diner; Linda Lavin as Kermit's doctor; Elliott Gould; James Coco; Dabney Coleman; Gates McFadden and more. The story and songs are entertaining and likable. Jim Henson was still alive and this film was done in his adoptive city.
This is my least-favorite of the three Muppet movies of the Henson era. There just isn't enough Muppets. Most of the gang leaves during the very beginning and it's all about Kermit, Piggy and Rizzo. Great characters, yes, but without the whole wacky ensemble it's just not the same. That, and the film is kind of just reinforcing what happened in the original Muppet movie, only replacing Hollywood with Broadway.
Don't get me wrong, it's an enjoyable movie, but it's not grade 'A' muppet material.
Don't get me wrong, it's an enjoyable movie, but it's not grade 'A' muppet material.
I was lucky enough to see this film countless times when I was a child. A few days ago while taking a break from college work I saw the movie on television and was really impressed by it. The film is excellent. Kermit and the gang are not only entertaining to children but also to adults. Children are entranced by the puppets and the humor is very well suited to adults. If you have children I recommend this film, there's singing, puppets, action, and Miss Piggy what else could be more entertaining and it beats being stuck with the teletubbies.
Did you know
- TriviaThe portrait of Kermit in his producer's disguise has become a permanent fixture at the real Sardi's, and can be seen in other movies set there.
- Crazy creditsAfter the final credits roll, we can hear Animal say "Bye Bye, Bye Bye, Bye Bye...Hasta Luego".
- Alternate versionsThe most recent VHS and Family Channel versions have Animal's slow growls of "BAAAAAAD MAAAAAAN" (at Dabney Coleman) dubbed out, though his repeated shouts of the phrase can be heard at the end of the scene. However, the growls are present on the DVD version. The same goes for the sound of Kermit's panting for breath immediately after leaving Leonard Winesop's office.
- ConnectionsEdited into Les Muppet Babies: Musical Muppets (1985)
- SoundtracksTogether Again
Music and Lyrics by Jeff Moss
Performed by Jim Henson, Frank Oz, Jerry Nelson, Richard Hunt, and Dave Goelz
- How long is The Muppets Take Manhattan?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- The Muppets Take Manhattan
- Filming locations
- Vassar College, Poughkeepsie, New York, USA(Danhurst College)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $25,534,703
- Opening weekend US & Canada
- $4,416,022
- Jul 15, 1984
- Gross worldwide
- $25,535,829
- Runtime
- 1h 34m(94 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content