Moscou à New York

This movie is the story of a Russian immigrant to America. We can all relate to it in that we all have had dreams and then lived them only to discover that our dream may not have been all it was cracked up to be. The movie is all Robin Williams, it is an excellent showplace for his many talents. He is very much like Charlie Chaplin and Red Skelton in that they can be very funny and also very sad, often at the same time. The movie is set in New York City, but everyone is from somewhere else in the world, all trying to make a new life there. Williams' character is very multi-level and rich. He is not merely a clown, you really do get under his skin and understand his motives. The movie can strike some as sad in that Robin's character has a deep sense of melancholy about him, from his days as an unhappy Russian musician to his days as a "free" american. We sense his deep sadness behind the laughs. Recommended if you are a fan of Robin Williams or just need a pickup. This would make a good Fourth Of July tradition movie to watch.

My main reason for checking this movie out was because of Robin Williams. After seeing him in so many great films like "Insomnia" and "One Hour Photo" and watching his numerous hilarious talk show appearances, I've become even more curious about checking out the movies on his filmography that I have yet to see. Well, this is more than just a Robin Williams vehicle. Paul Mazursky cleverly combines comedy and drama, and expresses some good morals. He accurately portrays an immigrant's journey to America, and how he/she expects that America is a beautiful place where everyone can run free without any set limitations. It starts out as a fish-out-of-water comedy in which Russian immigrant Williams (who decides he wants to become an American citizen) explores the oddities of New York City and revels in its ambience, no matter how rough the neighborhoods are, no matter how many wackos are running around. Then he slowly learns that freedom has a price. America may be a free country, but that doesn't stop him from getting mugged and having his upstairs neighbors constantly complain about him playing his saxophone.

One thing that impressed me was rather than have a bunch of American actors don Russian accents, Mazursky actually has the actors speaking Russian to each other. Now, there are certain movies like "Schindler's List" and "K-19: The Widowmaker" in which we do see American actors speaking English and putting on foreign accents and still prove to be good movies, but it's always more engaging to see characters from a certain country speaking their native language. I mean, what if Russia were to make a movie set in America, where all the American characters were speaking Russian in American accents? How goofy would that look? I'm guessing that Williams was the only American actor in the cast, and the rest are actual Russians. I don't speak Russian, so I can't tell whether or not Williams was actually speaking Russian, but it looked convincing to me. But since mainstream American audiences have grown to hate reading subtitles, you probably won't see a movie like this released nationwide.

Robin Williams gives a terrific performance, totally disappearing into character. I was actually convinced he was a foreigner, as he speaks just like a Russian immigrant, in broken English, not articulating his words one bit. There was no sign of Robin Williams the Comedian in his character. Whenever he gets a laugh, he gets a laugh as Vladimir and not as Robin. Besides, this is one of his more serious roles and he never really plays it for laughs. Maria Conchita Alonso still sounds Cuban, as her Italian character, but she still gives a fine performance. Since I haven't seen her in any recent movies, it's nice to see her pretty face again. She was like the Salma Hayek of the 80's. Williams and Alonso have a good on-screen chemistry.

The friendship between Williams and his African-American friend, who goes as far as letting him move in with his family, is very touching. Working as a security guard at Bloomingdale's and seeing Williams wreaking havoc around the store, he starts out hating his guts. Before you know it, they're best buddies. The most touching scene is the one in which Williams leaves a jazz club, depressed after being told by a well-known jazz musician that he needs practice. He decides to throw his saxophone away and forget about being a musician altogether. His friend relates to his problem and gives him plenty of encouragement in pursuing his dream of playing the saxophone, as they get drunk and laugh their heads off. The movie stresses the outburst of immigrants in New York City, which is a melting pot society. Almost every character Williams comes in contact with is either a foreigner or a minority. Strange but undoubtedly true, if you were to examine the streets of New York. It's not unlikely to walk across a whole city block, where not one person speaks English.

The movie has no real plot structure, as it is mainly character-driven. The comedy is subtle, and arises naturally. My favorite quote from the film is when Williams says, "I bought my first pair of American shoes. They were made in Italy." That is a sample of the kind of humor in this film. I definitely suggest people check out this oldie-but-a-goodie.

My score: 7 (out of 10)

Robin Williams truly shows his amazing acting skills in this film. This movie is more of a drama than a comedy which is to be expected when you hear the plot of the story. Williams's Russian is quite convincing and the over all acting from the cast must be a 10 out of 10. It is easy to feel for Vladimir and the journey brings you along. The accuracy is stunning for those who lived through those kinds of situations. Vladimir finds that life is not perfect anywhere but he is sure happy to live in the land of opportunity, the land that gave him `Freedom'.

Robin Williams became famous, I think, for his stand-up comedy, like his idol Jonathan Winters, but do you realize how many movies this guy has made over the years? He's really become quite a film star and is especially good playing against-type as a criminal or simply as a wacko (see "One Hour Photo?")

Anway, this was an early Robin Williams film in which he plays a Russian musician defecting to the United States. He ("Vladamir Ivanoff") first hides out in a big store in New York City before being taken in as an immigrant by a black guy (can you say PC?) Williams does an outstanding job speaking Russian, by the way, as opposed to most English-speaking actors.

There really isn't much of a plot here, just slices of life, if you will, some of it with the usual Liberal promiscuous (i.e. "I'm a liberated woman and if I stay the night, don't misinterpret that I want to get involved with you," the Italian tells the Russian. I can think of a few more accurate descriptions that the word "liberated.")

All in all, despite the premise and talents of Williams, this was only so-so. It kind of runs out of steam halfway through and it's hard to maintain interest in the final 40 percent of it. Actually, I like Williams better when he plays more serious roles like this although I'm not sure if he himself was ready to play it straight this early in his career. He's just too tempted in this film to produce comedy. He's a talented and very strange guy; this film reflects that.

I first saw this film when the Iron Curtain was still firmly in place and of course it was intriguing and funny. Seeing it again, I found it quite prescient if less intriguing and funny. Robin Williams plays a Muscovite who visits the Big Apple as part of a cultural troupe. On a visit to Bloomingdales, he suddenly decides to defect (a very spin is made on this term!). The rest of the film deals with his attempts to settle in the US.

Obviously given the great political changes in the USSR and Eastern Europe since the film was released, it has aged noticeably. However, it is not entirely without merit. The big plus is obviously Robin Williams. He was and is a great actor and seems to have put in great effort on his Russian and spoken English accents. Notice the way he says "Mister". The hot, hot, hot Maria Conchita Gonzalez (Miss Venezuela 1971) plays an Italian immigrant and the love interest. The overall bent of the film is liberal - African-American families are especially realistically and positively portrayed. The central lesson of the film is that the transition from a Communist to a Capitalist mentality is not easy and the adjustment can bring great joy and sorrow. That is a very valid lesson in the largest context of the later collapse of the USSR and the painful transition ex-Soviet states are still going through.