Mort d'un 'dealer'...

Seems like many films fall into this category- especially when they were not blockbusters, had an interesting plot, and do not conform to the formulaic Hollywood trend.

Debra Winger is very good in this film as a 20-something girl, living on her own, who soon gets in over her head. Mark Keyloun plays Mike, her tennis coach, with whom she develops an interest.

The backdrops of LA are interesting and mood inspired, as was the score- if it wasn't I wouldn't be remembering it right now. Brooke Alderson ("Urban Cowboy") also has a brief part as Winger's friend- who tells her to get out- get out of the relationship. Apparently Mike has ties to the drug world- and Winger's character is embroiled in the plot. There are also some interesting scenes with Paul Winfield as a corrupt record producer.

Watch this film. The story is film-noir, set in L.A. Debra Winger is excellent, as always. You will not be disappointed.

The 1980's saw the release of a lot of silly and trashy movies, that were heavy on style but light on substance. "Mike's Murder" is not one of those films. This is a very well constructed mystery thriller; a "film-noir" in broad daylight,if you will. Los Angeles provides a deceptively bright backdrop for this story, which is quite dark and sinister. The fact that we get to see into a dark, seedy L.A. Underworld of drugs and prostitution, through the eyes of a "normal citizen," like Debra Winger's 'Betty,' makes everything so much more believable. Betty's tennis coach and sometime lover, Mike, is living a double life. By day he is a tennis coach to rich older ladies, but by night he deals cocaine, and at times sells his body to both women and men, in order to maintain his flashy, drug fueled lifestyle. The viewer is along for the ride, finding out bits and pieces of a sinister puzzle, alongside Betty Parish, after she is told that her lover was violently murdered in a drug deal gone wrong. Being a normal, law abiding girl, with a straight job as a bank teller, Betty quickly finds herself out of her league and terrified at what she is discovering about her lover. The great thing about "Mike's Murder" is how well it is constructed; the story unfolds slowly, but deliberately, and keeps it's audience truly on the edge, waiting to find out just how far it will go. It helps if the viewer has a fascination with the lifestyles depicted here; others might just be lost, and wondering what the point of it is. This is not a flashy film, that relies on impressive camera angles or quick cut editing. Instead we have an old fashioned style movie, that tells a tale with facial expressions, and music, and a masterfully told story. I imagine the critics of this gem must surely have the attention spans of children; I just cannot understand how anyone could consider THIS a bad movie. It isn't really a commercial film, and it's no surprise that it did poorly at the box office; films like this rarely become "blockbusters." Still, it seems to have stuck in the memories of a lot of people, including mine; I saw it as a young teen in the mid 80's; and I never forgot it. I found the world of Mike to be fascinating and terrifying; and I still do. And I've known a few guys like Mike, and they are all no longer living. I recommend this exciting film to those who can appreciate a good mystery.

Last night, Debra Winger spoke about this film at UCLA. The campus theatre that shows films to the general public was renamed the James Bridges Theatre in honor of the writer and director of Mike's Murder. Debra said that Bridges was an actor's director. The scene in the film where Debra's character checks her phone messages and we hear a voice say it's mom-that was Debra's real life mother Ruth-Debra didn't know she would hear that voice until the moment the scene was shot!

That example really highlights the strength of the film, the acting. All of the performances are first-rate. I was touched by Debra's quiet strength in the face of some sad and even bizarre discoveries by her character about her dead lover. A very underrated film!

There's a lot of good things to say about this obscure mystery from the 80s. The best thing is Debra Winger, who never looked better. She is beautiful and sexy, earthy and smoldering, yet she possesses an approachable, naive quality.

The story is intriguing, with a different way of looking at the drug underworld in Los Angeles. This is not about cops, gangsters and car chases. It's about an innocent woman who accidentally becomes involved in a drug-related murder. It's really all about Winger's character, although Paul Winfield stands out in a small role as a gay music producer.

The mood is low-key and dreamlike with a subtle erotic undertone. It also has a nice score that stays with you. Give it a chance.

This is one of the most harrowing pictures I have ever seen. It is a very good and very underrated film. All of the actors do a great job in their roles and Darrell Larson gives an outstanding portrayal of a young man who inadvertently signed his own death warrant.

I only wish that this film was nominated for an Academy Award for best picture, best actress and best supporting actor.!!

If you have not seen this film, be sure and check it out--nerve wracking, nail-biting, and an edge of your seat film--you don't know what to expect from minute to minute.

One of the best films of any year!!