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6.0/10
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A bigamist must keep his wives from meeting each other, which becomes tricky when both become pregnant.A bigamist must keep his wives from meeting each other, which becomes tricky when both become pregnant.A bigamist must keep his wives from meeting each other, which becomes tricky when both become pregnant.
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- 1 win & 1 nomination total
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"Micki + Maude" is a warm, lovely little comedy, so sweet-natured and appealing that it's hard to resist. We identify completely with Dudley Moore, who honestly loves both his wives; his behavior never seems smug or calculating. He just can't choose between them, because he cares deeply for both of them. And because of that, the movie becomes emotionally involving. Warning: this isn't the kind of comedy that will make you laugh so much you won't be able to take a breath; it's the kind of comedy that will leave you, repeatedly, with a goofy grin on your face.
Dudley Moore plays a TV-reporter who's married and wants to have kids. Unfortunately, his wife (Ann Reinking) is very career-focused and doesn't want to start a family yet. Moore falls in love with a girl he interviewed (Amy Irving). They meet a few times, not so much later she's pregnant. Moore says he wants her to become his wife. The day he decides to ask his wife for a divorce, she tells him she's expecting a baby. Moore doesn't know what to do, he loves both Reinking and Irving and they are both expecting his baby. He can't cancel his wedding with Irving so he ends up being married to both.
Everyone who loves the romantic-comedies of the eighties will agree: Although some moments are a little boring, "Micki and Maude" is a fun and entertaining movie with great performances of the leading actors (and a well-earned Golden Globe for Dudley Moore). The end is a bit lame, but the hospital scene makes up for that.
Everyone who loves the romantic-comedies of the eighties will agree: Although some moments are a little boring, "Micki and Maude" is a fun and entertaining movie with great performances of the leading actors (and a well-earned Golden Globe for Dudley Moore). The end is a bit lame, but the hospital scene makes up for that.
I watched with increasing discomfort as the premise of this film started to unfold. My moral compass kept kicking in and I never managed to suspend my disbelief sufficiently to entirely enjoy the film. Dudley Moore plays Rob Salinger very well. Ann Reinking (Micki) and Amy Irving (Maude) play their parts wonderfully too as the situation turns into a farce. I became intrigued to see how the screenwriters might resolve the plot in a socially acceptable way. The story didn't end how I might have guessed; more of a non-ending really. I hope that intrigues you enough to watch it and find out how you react to this movie. It's probably worth watching to learn something about yourself!
I've been punishing myself watching all Dudley Moore's movies from the 80's. His usual unsympathetic movie persona is here: A successful man in his field despite lacking professionalism that inevitably advances on his leading ladies while running and screaming through corridors in labored plots.
Blake Edwards tries to sugarcoat Moore's dubious moral compass in this farce. Moore is a caring husband/lover that desperately wants to be a family man but shamelessly cheats his love interests. This dissonance in values never goes away and kinda ruins the lighthearted tone of this comedy.
I loved Ann Reinking as the innocent perfect wife. The really good acting on her part that kept this movie entertaining. Amy Irving's is not exactly a counterpoint and could be more fleshed out. Moore does a competent job being more awake in the role than in his later movies.
The plot is nothing special and there's a unfortunate shadow of Arthur (1981) in the relationship between Rob and Leo mirroring Arthur and Hobson that is underdeveloped and seems tackled into the movie. Curiously, in Lovesick(1983) Moore's character also has an older figure that his character listen to and try to sort his problems.
Not a bad movie, but not good either.
Blake Edwards tries to sugarcoat Moore's dubious moral compass in this farce. Moore is a caring husband/lover that desperately wants to be a family man but shamelessly cheats his love interests. This dissonance in values never goes away and kinda ruins the lighthearted tone of this comedy.
I loved Ann Reinking as the innocent perfect wife. The really good acting on her part that kept this movie entertaining. Amy Irving's is not exactly a counterpoint and could be more fleshed out. Moore does a competent job being more awake in the role than in his later movies.
The plot is nothing special and there's a unfortunate shadow of Arthur (1981) in the relationship between Rob and Leo mirroring Arthur and Hobson that is underdeveloped and seems tackled into the movie. Curiously, in Lovesick(1983) Moore's character also has an older figure that his character listen to and try to sort his problems.
Not a bad movie, but not good either.
Likable Blake Edwards comedy with Moore who plays a frustrated news reporter with two wives, who are both pregnant at the same time. Yikes! This farce is pleasant and Moore carries it beautifully with his usual timing and flair. One of his best!
Did you know
- TriviaDudley Moore recommended Amy Irving for the part of Maude. According to Barbra Paskin's biography "Dudley Moore: The Melancholy Clown" (2000), Moore "...was a staunch admirer of the beautiful actress with the renaissance face, and had she not been married at the time to Steven Spielberg, he would have pursued her into a romance".
- GoofsWhen the wives go to the OB/GYN, they go into rooms next to each other. Micki goes into an exam room on the right, with the nurse's desk clearly to the right. She leaves an exam room that is blocked by the nurse's desk.
- Quotes
Maid of Honor: [after catching the bouquet at Rob and Maude's wedding] I guess I'm next.
Leo Brody: Oh, I don't think he has the time.
[speaking of Rob]
- Alternate versionsCBS edited 22 minutes from this film for its 1987 network television premiere.
- SoundtracksSomething New in My Life
Music by Michel Legrand
Lyrics by Alan Bergman & Marilyn Bergman
Performed by Stephen Bishop
Produced by Spencer Proffer
- How long is Micki + Maude?Powered by Alexa
Details
Box office
- Budget
- $15,100,000 (estimated)
- Gross US & Canada
- $26,080,861
- Opening weekend US & Canada
- $2,742,458
- Dec 25, 1984
- Gross worldwide
- $26,080,861
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