L'ascenseur

A superb Dutch film, with truly suspenseful moments! Nothing is quite so sinister as stretches of silence in movies, especially when they accompany Hitchcockian (which is to say here, predictable) suspense sequences. From the moment you read the synopsis, and figure that a film about bewitched microchips cannot expect to be taken seriously, you'd be forgiven for laughing at yourself for even contemplating seeing the film. However, If you're like me, and you consider that music, background noise, post-production, lipsynching, subliminal messaging goes too far in films, rendering terrible scenes risibly hyperactive, then you'll get off on the real-time sparsity of effects used here. Each delay to the denouement, agonisingly adds to the deathtoll. Is this going to change the world? Would a suspiciously murderous lift, in the real world? Tell the director, I'd like to see more.

I agree that the movie does have a lot of flaws, but considering the fact that it is impossible to make high budget movies in Holland (Paul Verhoeve could never have made a movie like Robocop in Holland!) and considering how old the movie is, it's a quite decent movie.

There are enough American movies in English which are far worse.

What do you get when a new elevator is installed and the evil of Stephen King's Christine? You get...THE LIFT. Dick Maas directed a stylish thriller about an elevator with malicious tones. Try suffocation, a blind man falling down the shaft (nice sound FX for this scene) and the famous decapitation scene. My friend was grossed out after seeing the decapitation scene. Nevertheless, it is up to our hero Felix (Huub Stapel) to find out what is wrong with the lift. After seeing this, I want to check out the 2001 remake DOWN, also directed by Maas with James Marshall in the role of the maintenance man in search of the lift's problems.

Keep in mind that this low budget film was made for a dutch audience, and was only released internationally because of it's tremendous success in the Netherlands.

The english voices are horrible! I was able to see this version when I visited the US and found it in a small-town video store. The english voices pretty much ruined the movie.

This is no reason to give the movie a low rating however, since the movie in it's original form was an amazing breakthrough in Dutch film making. This movie's rating would be much higher if it was only rated by it's intended, dutch audience.

I agree with John Hartl's review about the quality of this movie. It could easily have been silly, but it definitely is not. The last part, with Felix lit only by his industrial hand lamp in the enemy's own domain, is completely engrossing. The - quite sparse - music is eerily effective and the photography very good, as are the performances. In the version I saw, the dubbing is well done and convincing. Another winner from the Netherlands. About time we high risers took the lift seriously!