A grieving family whose daughter was killed in a car crash with a drunken driver is outraged and frustrated as they encounter the inevitable bureaucratic delays in bringing the case to trial... Read allA grieving family whose daughter was killed in a car crash with a drunken driver is outraged and frustrated as they encounter the inevitable bureaucratic delays in bringing the case to trial. Once in the courtroom, they are horror-stricken as the young, hard-pressed district atto... Read allA grieving family whose daughter was killed in a car crash with a drunken driver is outraged and frustrated as they encounter the inevitable bureaucratic delays in bringing the case to trial. Once in the courtroom, they are horror-stricken as the young, hard-pressed district attorney seems unable to overcome the technicalities and maneuverings that the driver's attorn... Read all
- Campbell
- (as Joe Rainer)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
The main characters are the members of the Peterson family -- father John (Farentino), mother Judith (Fuller), and younger daughter Amy (Meyers) -- each of whom struggles with his or her grief when the elder daughter of the family, Lynne (Vigard), is killed by a drunk driver. The family drifts apart as John obsesses over getting the guilty driver convicted of manslaughter; Judith sinks into helpless depression; and Amy is left lonely and afraid, her world suddenly upside-down.
Denzel comes into the picture as the extremely overworked but nevertheless competent public prosecutor Martin Sawyer, who is assigned the case against the driver charged with Lynne's death.
It's not a spectacular movie -- it has its maudlin moments, its result is predictable, and there are times you'll want to kick some of the characters for their obstinacy -- but as I say, it's a product of its time, and there are worse ways of spending an hour and a half. The message is a little heavy-handed, but it remains a valid one, however dated the movie itself may be (check out Denzel's glasses!).
Maybe in its day the movie had some merit as a propaganda tool. But a generation later, the film's blunt, too-direct theme is highly off-putting. The story is not particularly entertaining. Indeed, it is something of a downer. Characters are all cardboard cutouts, lacking any degree of complexity. The family of the victim is highly respectable and squeaky clean. The head of the other family is an arrogant businessman named Tom Fiske (Don Murray) who is easy to dislike. The film's plot is trite and predictable. Script dialogue contains very little subtext. And the film's low-key piano score reeks of cheap elevator music.
I can think of no reason to recommend "License To Kill". Its thematic message of don't-drink-and-drive has long since been pounded and beaten into Americans, the highly moralistic theme belabored, ordained, and codified in countless other ways. To find films with relevant social themes, the viewer will need to look elsewhere.
I think we all know it's a crime. Irresponsible to operate a vehicle while intoxicated, but people still do it regardless. Parents lose a daughter in this tale and there's no grey area. No unavoidable tragedy. The offender is a lush. Drunk behind the wheel in the early afternoon and portrayed as semi-wealthy and a snob.
James Farentino is effective as the father on the verge of obsession seeking justice as is Don Murray good as the drunk who doesn't think he did anything wrong. Denzel is fine, but Donald Moffat (The Thing, Clear & Present Danger) is particularly effective as the defense attorney who serves his client well but the kind you love to hate.
It's not unmanageable to watch, but it strictly goes thru the numbers. If you didn't know what you were getting into before well you do now. Don't tune in for a early role for the future star alone.
Did you know
- TriviaAlthough Denzel Washington was used to promote the home-video version of this TV movie after he became a star, his role in the film is limited.
- Alternate versionsPan and scanned to 1.78:1 aspect ratio in some DVD releases.
- ConnectionsFeatured in Cubby Broccoli: The Man Behind Bond (2000)
- SoundtracksTime in a Bottle
Written and Performed by Jim Croce
Produced by Terry Cashman and Tommy West
Courtesy of Lifesong Records