Iceman

This is what I love about Movies back in the 80's and 90's, and really just older movies in general, you can see the difference. The difference is they didn't have the technology to make what they do today, which in actuality is usually too much! Therefore though, that's what people like, so that's what you get nowadays, tons of special effects with the same type of action, CGI, with little or no story. The older movies had better stories and were more clever about their action and special effects, and actually I preferred the not so fancy special effects, in my opinion, it kind of ruins a movie nowadays it seems because it's just too much CGI and too much action.

So with Iceman, this is a very thought driven movie. Lot's of crazy ideas/concepts being thrown out there. I'm not sure how John Lone didn't get nominated for any kind of awards here(I mean he's even academy award nomination worthy here as his portrayal as the Neandrathal Man).

It's truly a brilliant performance by Lone, and probably one of the best portrayals I've ever watched in a film of an actor playing a Neandrathal Man. Iceman is really worth a look just for John Lone's performance, it's a brilliant performance to watch. John Lone is an excellent actor, you won't even be able to believe that this is the same guy/actor from The Last Emperor.

A group of scientists stumble upon a fully frozen Neanderthal, whose cells seem to have miraculous not been ravaged by the subzero temperatures and long term prison. It is these cells the scientists wish to harvest and study as a means of advancing cryogenics. Little do they know that their attempts revitalize the Neanderthal and in turn lead to an even bigger scientific, and personal, feat.

While it doesn't drastically stray from the 'fish out of water/unlikely friends' tropes, the usually comic Fred Schepsi actually pulls in a fairly decent sci-fi drama. Sure, some of the science here is a fairly sizeable stretch, but John Lone's outstanding and sympathetic performance as Charlie the Neanderthal easily carries to film. His simian movements, expressionistic grunting and the incredible make up utterly sell him in the role, and he completely vanishes into it. The rest of the cast include the likes of Timothy Bottoms, Lindsay Crouse, David Strathairn and Danny Glover as the various scientists, though Bottoms plays the main one who bonds with Charlie, and he does fine, being the typical 'nerd with a good heart' but Lone eclipses him.

The film also does a good job capturing the frigid and lonely landscapes of the Arctic region, with plenty of snow covered vistas, wide chasms and pastel blue skies, very much contrasting an ancient natural world with the tech of the science base. The score by Bruce Smeaton also captures a similar vibe, going for a very ethnic/tribal sound with plenty of woodwind, and comes off as both touching yet also complementary, and never too obnoxious or grand to upstage the story or the actual emotions. In fact, it actually reminded me a lot of Jerry Goldsmith's work.

Honestly, this is a pretty cut and dry affair; if you're looking for a moving little drama of clashing worlds with an incredible title performance, 'Iceman' is an easy recommend. However, suspension of disbelief may have to be pushed further to swallow its somewhat goofy premise and science.

I saw this again after many years, and was not disappointed. It's a well written, thoughtful SF film that doesn't insult the viewer's intelligence. John Lone is very moving as the bewildered hunter who is discovered by scientists. Timothy Hutton is credible as Shepherd, the compassionate scientist who connects with the Neanderthal, who he calls "Charlie". The film's portrayal of Charlie as a human being with a deeply spiritual side is strangely prescient, especially in light of recent discoveries about our own Neanderthal DNA. The scene where Shepherd and Charlie try to sing Neil Young's "Heart of Gold" is memorable and fun. This is a quietly effective film with a subtle message that doesn't beat you over the head with it.

Anthropologist Stanley Shephard (Timothy Hutton) is part of an arctic exploration team which discovers a frozen prehistoric man from 40,000 years ago. When they thaw out the Iceman (John Lone), they discover that they can revive him. It's a shock when he starts to wake and Stanley takes his surgical mask off to calm him down. They place him in the artificial enclosure which he finds out. Stanley tries to befriend and study the Iceman giving him the name of Charlie. Other scientists want to use him as a specimen to study how he is able to be revived after so many years. Stanley struggles to defend Charlie's rights and understand his world.

The science is suspect. Sure it's sci-fi but it's important if the movie wants to revive a Neanderthal man. Once the audience gets pass this, the movie is not really about the science but about humanity. It's about the struggle for Charlie's rights. It's about the connection between Stanley and Charlie. This is a magnificent human story and a poetic ending.

Unusually intelligent sci-fi, about a group of polar researchers who discover a hibernating (and slightly too human-looking) Neanderthal. The scientists (predictably) just want to cut him up, but Tim Hutton plays the lone anthropologist who befriends him and teaches him how to sing along to Neil Young. At times the film (pre-CGI) seems dated in appearance, but its strength is not to underestimate the difference between the Neanderthal's world and our own, nor his capacity to deal with it. Good to see a sci-fi film that for once is more interested in substance than surface.