Viol sans issue

Opening with an unseen attacker ranting about hookers, followed by some ridiculous set up assaults on female victims, "Forced Entry" has few redeeming qualities, and is in fact a quite tedious exploitation film. The psycho rapist, Ron Max, comes across as nothing more than a weak David Hess clone. Slow motion assaults are repeated in dream sequences, while voice overs further weaken an already weak screenplay. The climactic home invasion takes forever to get underway, as Tanya Roberts talks on the phone, makes tea, reads magazines etc. This movie actually pushes the viewers patience to the breaking point, and is not recommended even for die hard exploitation fans. - MERK

This movie will no doubt offend many viewers. The story is seen through the eyes of a serial rapist. The movie is notable for early appearances by Nancy Allen and Tanya Roberts. The serial rapist is played convincingly by Ron Max who despises women and feels an urge to lash out and hurt any young attractive women. He sees them as "sluts". The viewer cannot help but feel for the young red-haired woman who has car trouble. When she sees the serial rapist pull up in his van ... Well, let's just say he puts his hands to use. He has a number of other crime conquests throughout the movie. I won't give away the ending but I would call this a gripping movie of sorts.

If THIS movie ever played in theaters with a 'PG' rating, (suitable for children) I will eat my hat. Truly, not one frame of this seedy slice of 70's perversion is "family viewing" material. This film about a woman-hating mechanic who spends his off time raping and murdering whatever pretty girl who has the misfortune of crossing his path, exists in two versions. The original came out in 1976, and ran only 75 minutes long..which is strange for a mainstream theatrical release. (That running time was more typical for porn films at the time.) That version is a lean and mean portrait of a psychotic serial rapist-killer, that precedes William Lustig's "Maniac" by five years, but has very similar themes and style. It's seedy location shooting and non-existent budget add to the dark and ominous tone of this atmospheric 70's gem. The film was reworked in 1981, for video release, when the names of Tanya Roberts and Nancy Allen became well-known. (Allen must have been mortified when this thing resurfaced.) Suddenly it's running time increased to 90 minutes, thanks to clever editing, using flashback sequences twice and filming some additional scenes. Most noted difference is the inclusion of the voice-over narration provided by the killer, in an effort to give the audience a deeper understanding of what makes this guy tick. That was a bad choice, because while some of the narration is interesting, it is way overused, and it only strips away the mystique of a faceless maniac with no explained background. Unfortunately it robs the film of it's potency. Thanks to a recent Bluray release, that infamous, long unavailable 75 minute version is finally available to be seen again. Offered on the disc is two versions, including the 75 minute version, as well as a 'PG' rated 72 minute version, which again, is hard to believe exists. Missing is the reworked 86 minute version, which is a shame, because that version is part of the legacy of this movie, and should also be preserved. Tanya Roberts, looking stunning here, wisely opted out of doing any nude scenes. Nancy Allen did not make the same choice, but she was an actress who didn't seem to mind disrobing in later movies like "Carrie." The 4 star rating for this solid exploitation film, is a mystery to me. For this genre, this is very good stuff.

This film by Jim Sotos (the director of the surprisingly decent eighties slasher 'Sweet 16') is apparently a remake of the earlier infamous film of the same title by Shaun Costello and starring Harry Reems. Forced Entry was never meant to be a mainstream flick, but it would appear that Sotos was trying to turn it into one with this film as the plot is basically the same but we don't get any of the sexual violence, which is a bit of a shame because that's the only thing that most people will have tuned into the original for and it's always going to be difficult to make an R-Rated film based on this plot line and make it a success. The plot is very simple and focuses on a psychopath who works at a gas station. It's the old story of abuse as a child and this man suffered at the hands of his mother; which has lead to an acute hatred of women. Naturally, he decides to use his job (which involves meeting women) to find females to have his way with and murder. However, soon he meets Nancy and actually falls in love with her, which puts him at odds with his murderous rage.

On the whole, it has to be said that this film is not successful and the only part of it I really liked was the music on the opening credits sequence. Showing the violence and gore is not always necessary in films; but it is in this one. The original was meant to shock and it did; but this film's neglect towards showing the violence means that it is not shocking, not true to the original and it also doesn't feature a plot strong enough to hold up a film like this without violence. Ron Max is the lead and while he convinces as the psychopath, he isn't very charismatic and the performance feels a bit flat. Luckily, there's some female talent in the form of Tanya Roberts and Nancy Allen on hand to help the film along. The film features a voice over that shows us what the psycho is thinking and feeling and it's all rather generic stuff and the film could have done without it. There's not a great deal of interest created in the plot and the ending is both predictable and generic. The film has a handful of decent moments and it's worth tracking down as a companion piece to the original; but it's not very good unfortunately.

This is a trashy film and will be of no appeal to most viewers, but what's interesting about it is that it would make a great companion piece to the notorious 1980 "Maniac". I don't know why anyone would want to watch THAT film in the first place, but it's hard not to notice the obvious similarities. Although far less graphic and bloody, "Forced Entry" also allows as to "share" the maniacal killer's warped worldview, and the depiction of his mind seems pretty accurate. There is a minimal amount of plot, but it's starkly directed, and this is also one of the few chances you'll have to see Tanya Roberts giving a halfway good performance. (**)