Fanny Hill

I have to admit that I was one of those people who, let's say, were not very best pleased when Fanny Hill was first released. Some of the thoughts that came to mind, I am afraid, I cannot repeat. So what's changed? A few weeks ago, I heard that a extremely talented screenwriter is adapting Fanny Hill for one of the main TV channels here in the UK, I decided to do some researched. I got myself the John Cleland book, and the DVD with Lisa Foster, expecting the worse. The book is very good, go read it. The DVD was fantastic, go watch it! The storyline is good, it was very well filmed with lots of good period pieces, quite authentic as well, and follows quite well the book. Having read the book first and then watch the DVD, I was not disappointed. I thought the erotic aspects, of which there were lots, with lots of nudity, were tastefully presented.

The acting? Surprisingly good. Let's put aside the over acting by big names like Oliver Reed and Shelley Winters, they were good and amusing, but at best were the support act. The star's Lisa Foster, or Lisa Raines. I thought she was very beautiful, with an excellent body, and you can see a lot of her. The movie, the story, called for lots of nudity, and I did not feel that any nude scenes were unnecessary, or out of context. She showed what a good actress she is. Nudity aside, she could act, the story line required the show of innocence, a sense of naughtiness, excitement, adventure, sadness, elation, Lisa Foster showed all of these. I am very surprised by her entry in this database that this was probably her most major piece of work. What a shame. I am sure that when the movie was first released, Lisa was probably put into some sort of category like 'actress who likes taking clothes of', and may have accounted for the lack of good roles after that. Shame that she made the movie 20 years too early.

As a woman, and a married woman with kids, I am not afraid to say that Fanny Hill is a very good movie, and Lisa Foster is a very good actress. I have since seen the movie again, with a bunch of friends who had the same thought as me when it was first released, and they loved it too.

If you have not seen the movie, go watch it.

Wow, what a good and entertaining movie! A great movie. The first thing that comes to most people's mind is the erotic nature of the movie, with lots of sex and nudity. They would not be wrong, with lots of sexual implications, male and female nudity, and sometimes quite explicit, but this is not a hardcore movie. And in Lisa (Raines) Foster, an extremely beautiful actress. But let's look at the whole movie.

First, the story, from John Cleland's once banned (and still is in some countries) book has a good story, and probably had some truth in his days. A young girl coming to misfortune after the death of her parents, eventually finding happiness.

Second, the film itself was well shot, well lit, good scenery, with a good accuracy of the period, follows quite well the spirit of the novel. Well done.

Third, actors and actresses. Well known stars such as Oliver Reed, Shelley Winter, Wilfred Hyde-White) contributed interesting characters, I guess to give gravitas to the movie to the relative unknown star, Lisa (Raines) Foster and to encourage cinema goers. I have not seen anything she has done apart from this role, and I thought she was excellent, and I am not referring to the nudity, which is not shocking, although she is extremely beautiful with a very pretty and well defined face, great eyes. It seems to me that she could act, she was serious, she was funny, involved, emotional. She clearly carried the movie, and did not need the stars (although they were amusing) It is a pity that she has not acted in more roles after this. I see in her IMDb entry that she has left acting and now into directing, well done. Does anyone know her email? I would certainly like to wish her luck.

I believe that this movie has been a good contribution to the erotic genre. Over twenty years old and it still captures my imagination and attention. I have bought the DVD and so should you.

Perhaps the most entertaining part of this movie is the appearance of veteran Wilfred Hyde-White, one of those individualistic character actors who,like his friend Robert Morley, never fail to entertain even in the most pedestrian film. Fanny Hill isn't great cinema, but it is great fun, and Hyde-White is hugely enjoyable to watch. Shelley Winters is clearly relishing her role, and between them these two reliable veterans prove that a film that might easily become reliant on nudity to make an impact has chosen, like so many British sex comedies, to use actors of experience and talent to make more of a movie than its sexual content can provide. An enjoyable romp.

This is the kind of movie that if you compare it to your average non-sex film is not too good perhaps, but for a sex film?--trust me, this is a frickin' cinematic masterpiece. This is yet another adaptation of John Cleland's scandalous 18th century novel about a penniless young virgin who comes to London and becomes a prostitute, but eventually uses her body to ascend into wealth and nobility.

There's a moderate amount of sex here (I guess there was quite a bit more in the original British version) and the girls are all attractive, especially Lisa Raines who plays the lead (she looks kind of like a young Dana Plato or Michelle "Blame It On Rio" Johnson, but is a far better actress than either). What's impressive about this though is the production values--NOBODY spends this kind of money on a film like this these days. The actors are all fairly believable in their roles (or they just don't talk). The costumes and sets are all appropriate for the time period, as is the music. There's also a smattering of real actors here who don't (totally) embarrass themselves, like Oliver Reed, Shelley Winters, and Wilfed Hyde-White (I was afraid for the moment the latter was going to have a sex scene with Raines, but the movie fortunately steps back from that particular brink).

This doesn't really compare to the original novel, of course, or (I would suspect) to the more prestigious cable TV adaptations of the same story. But it's better than the more exploitative versions of the story that I've seen like Joe Sarno's "The Young Erotic Fanny Hill", the horribly dubbed Italian rip-off "The Seduction of Angela", and the bizarre "modern-day" Swedish adaptation "Around the World with Fanny Hill". It's actually pretty good for a sex flick.

When I chanced upon FANNY HILL at the local DVD rental shop, I only had a vague notion of either this version existing or of what the "classic" novel was about – but since American sexploitation maverick Russ Meyer had made it into an intriguing movie himself back in 1964, I figured it was a bawdy period romp and, since I had been in a costume picture state-of-mind for a while now, I decided to give it a spin.

The presence of three veteran film stars (Oliver Reed, Shelley Winters and Wilfrid Hyde-White) was also enticing but, unsurprisingly, they are only there for marquee value: Reed's almost incoherent Popeye-ish accent is simply embarrassing, likewise watching flabby madam Winters being surrounded by all that petite naked flesh (not hers, of course, but that of her charges and their consorts) flailing about, but it's octagenarian Hyde-White (in his last film, no less) who tops both of them by snuggling in bed with the title character…who is all of 19 years of age; I've seen Hyde-White in several of his earlier films and I'm positive he never performed a love scene in any of them!

Indeed, it's gorgeous leading lady Lisa Foster – who, thankfully, indulges in much full-frontal nudity by shedding her clothing completely at every possible opportunity – which, even in the heavily-censored variant I've watched, makes this consistently raunchy period piece tolerable; it's a pity that she didn't get much ahead in her acting career as one would certainly have liked to see even more of her. Interestingly enough, she later switched to doing animation work and was also involved in the digital restoration of Walt Disney's SNOW WHITE AND THE SEVEN DWARFS (1937)!

The orphaned innocent Fanny Hill soon falls in with some ladies of ill-repute as she reaches London to better her prospects, and is immediately instructed in what is expected of her by a more experienced companion Phoebe (Maria Harper) by jumping into bed with her, and later spying on their fellow co-workers in action through hidden holes in the wall BELLE DE JOUR (1967)-style! In fact, the film's plot line is very similar to that of Jess Franco's MARQUIS DE SADE'S JUSTINE (1968) and it's small wonder that the producer of that one, Harry Alan Towers, is also behind this production but, while I'd say FANNY HILL is a more agreeable picture, ultimately it's just too blandly made to stick in one's mind for much longer after it's finished.