L'enfer de la violence

A tense thriller that's not for everyone, but if you're one of those people that just thinks Bronson does Death Wish, check this one from the early 80s out. Bronson doesn't overplay it with explosions and a bad plot - this movie is tight and very believable.

One of the most widely hated films with the great late Charles Bronson, "The Evil That Men Do" of 1984 is the nastiest most brutal, and in my opinion one of his better collaborations with director J. Lee Thompson. I haven't seen "The White Buffalo" yet, but their other collaborations include the decent "10 To Midnight", the mediocre "Murphy's Law" and the god-awful "Death Wish 4". Even though far from flawless, "The Evil That Men Do" is another highly entertaining Bronson flick, with a super-tough Bronson, non-stop action and extreme brutality - can one ask for more? Bronson plays Holland, a professional assassin who has retired to a tropic paradise on the Cayman Islands. When an old friend, an oppositional journalist in a South American dictatorship is tortured to death by the English torture specialist 'The Doctor' Clement Molloch (Jospeh Maher), Holland decides to come out of retirement to avenge his friend and free Latin America of its most despicable torturer, The Doctor, who travels from one dictatorship to another in order to fulfill his evil deeds...

Bronson is great and super-tough as always and Joseph Maher makes a particularly evil bad guy. Bronson has had better roles playing a professional assassin - Sergio Sollima's great "Citta Violenta" is just one example. But he nevertheless kicks ass as Holland in this movie, even if it is far away from being one of the masterpieces he has starred in. The only character that annoyed the hell out of me was that of Teresa Saldana, who plays the wife of the friend Holland is out to avenge. On the one hand she wants Bronson to avenge her husband and put an end to the Doctor's evil deeds, but on the other hand she keeps complaining when people get hurt. The violence is omnipresent and bloody, the film begins with a torture scene that is more than a bit nasty. People keep complaining about the lack of character development and plot, and about the violence. I wonder what people some people expect from a mid 80s action flick with Bronson that runs 87 minutes. Citizen Kane? Charles Bronson is one of my favorite actors, and director J. Lee Thompson was doubtlessly talented, which great films like "Cape Fear" (1962) prove. I admit that their collaborations were not exactly masterpieces, but most of them, such as this one, are pure, violent fun made strictly for entertainment purposes. And that is exactly what "The Evil That Men Do" provides: Pure, violent entertainment! Enjoy!

Charles Bronson plays Holland, a man who has retired from his 'professional killer' days and lives at a beautiful island home. Suddenly, Bronson's character is coerced into un-retiring upon hearing about various crimes committed by a sadistic Josef Mengele copycat-killer/torturer named Mulloch (J. Maher). By plotting his vengeance step-by-step, Bronson eliminates Mullochs inner circle in a cold, calculated fashion leading up to the inevitable confrontation at the end of the film. This film to me seems to follow the vigilante-Bronson thread pretty well, his character in this movie seems to reflect previous characters he portrayed in earlier efforts in his career (i.e. The Mechanic and Death Wish). Director J. Lee Thompson's pace throughout the film was enough to keep me interested, Maher's portrayal of the sadistic Mulloch was very eerie and uncomfortable at times, his methods/beliefs of and about torture are pretty gruesome, which greatly impacts how we as the viewer look at him during the film. This is definitely a good installment to the collaborations that J. Lee Thompson and Charles Bronson have had together in film, it isn't the best they've done together but it is well worth a watch if you are a fan of either Thompson's or Bronson's works.

In recent times I've been watching the collaborations between director J. Lee Thompson and actor Charles Bronson with pretty decent results. "The Evil that Men Do" was somewhat an interesting, and cynically effective little shocker. From the very beginning you realise this gritty b-grade fodder is looking to simply shock you with its sadistic subject of torture for political ground, and the hidden acceptance of it in the governments that makes Maher's pitiless character believe his actions of the trade to be far from evil. The material stays powerful, scathing and covered with moral questioning. It's always seems to be about retribution, and finding it in themselves to take that next step. Even when it isn't visually hard-hitting, the despairing oral context can get under your skin. Strictly the tone and style Thompson opts for is unpleasant, rough and ice-cold.

I was engrossed, but then the formula (but still packing an excessive sting) changed to a by-the-numbers revenge spin and an unconvincingly irate Theresa Saldana floods the screen. I just didn't buy her, and the chemistry with Bronson felt weak. Joseph Maher easy performance drips with a strangely subtle intensity of callousness that's purely evil. He's not some demanding, towering presence but those vile sadistic acts, and unflinching cruelty comes second nature for this character, that just listening to his softly spoken voice is very uneasy. Charles Bronson's calculated, stalwart and quite mystique turn is hard to switch off because he makes this character an all-out professional killer with a more humane view of things, and managing to keep his self-righteousness intact.

Thompson's raw, tactical direction utilises the low-budget, and working in its favour is the grimy, fade-out look from the authentically seedy urban consolidations to the sparse desert locations. A harrowing music score by Ken Thorne has a slight and edgy tinge, and Javier Ruvalcaba Cruz's tight, voyeuristic cinematography hit's the mark. When called upon the tension stays hard-boiled, and some scenes pack an abrasive bite as the meaningful violence is highly explicit and explosive. However it's not an all-out torture parade full of senseless snapshots. Antoinette Bower, Jose Ferrer and Max Ortiz offer strong support.

Rather a effortless manner by all, but certainly it does the daring job it sets out to do.

Charles Bronson doing what he does best--setting things right with fire power. This is not quite a vigilante movie like the Death Wishes, but it has a vengeance element to it. This time he is trying to stop "The Doctor," a sadistic torturer for despotic Central American governments.

Holland (Charles Bronson) has been pulled out of retirement to rid the world of a brutal menace. He travels to Mexico City under the guise of being a married tourist with a child. The woman he has posing as his wife is a woman who suffered personally at the hands of The Doctor. I don't have to tell you that this woman and her daughter only makes things more difficult for Holland. If I didn't know any better I'd say they inserted them into the movie just so he'd have to rescue someone.

This was a by-the-numbers hired assassin film. Holland was creative, decisive, and always one step ahead of the bad guys. It was alright.